Sunday, 20 June 2021

Netflix And Chill: The Devil Below (2021)

A near-perfect example of how not to make a creature feature, The Devil Below manages to be even worse than the first feature from this director, Chernobyl Diaries and a lot worse than almost every other movie I can think of that contains elements of this material.

The plot may be pretending to be worth you investing some time in, but it really isn’t. Ostensibly, a group looking to investigate a “lost” mining town/community believed to have disappeared into sinkholes some years ago, things start to get dangerous for everyone onscreen when some monsters start to drag people underground. Hence the title.

Written by Stefan Jaworski and Eric Scherbarth, The Devil Below at least has a half-decent creature at the heart of it. Unfortunately, you don’t really get a good look at the creature, with the decision made to blur the image and keep it only ever half-glimpsed. Outwith the creature action, the rest of the script weaves between dull and simply awful, with some of the worst scenes being unbelievable debates on ideas of science vs faith. This is obviously one point that the writers thought could be interestingly developed as things move towards the climax. It isn’t. The rest is too unoriginal, and not treated well enough, to find entertaining. Creatures using sound to hunt, locals being mean to outsiders in order to keep others safe, a third act that has one of the most obvious callbacks to an earlier moment shared between two of the main characters (seriously, if you don’t see it coming then shame on you), the only real fun here is seeing just how unengaging things can be for the entire runtime. 

Will Patton is the one star I recognised, and he is always welcome, but most of your time is spent in the company of Alicia Sanz, Adan Canto, Zach Avery, and some other people you won’t really care about. 

Although the script is at fault, director Bradley Parker should receive more of the criticism, because every decision he makes seems to work against the material (e.g. the shot choice when a creature is in frame). Parker seems to make every wrong choice possible, despite it being difficult to envision any version of this that plays out much better.

Not good, even for the most undemanding fans of creature features. I would even recommend many silly Asylum movies ahead of this one. At least they try to set out to keep boredom at bay. 

3/10

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