Wednesday, 20 July 2022

Prime Time: Year One (2009)

Some films you just watch once and immediately forget about. Some films become firm favourites. Some films require a few viewings for you to really clarify your thoughts. And some films you end up watching a few times simply because you keep forgetting about it almost as soon as the end credits roll. Year One is in that latter category. This is my third time seeing it, and it is a film that really doesn’t warrant repeat viewings. The fact that I also own it is neither here nor there (it was cheap and I have a retail-based obsessive nature).

Jack Black and Michael Cera play Zed and Oh, respectively, two men from ancient times who end up banished from their tribe and encountering a bunch of famous biblical characters. One of them is famous brother-killer Cain (David Cross), one of them is famous son-sacrificer Abraham (Hank Azaria), and there are a whole lot of citizens of Sodom to deal with. That is all you need to know, although the men are also interested in romantically pursuing two female members of their tribe (played by June Diane Raphael and Juno Temple) and there are cameo roles for the likes of Xander Berkeley, Olivia Wilde, Vinnie Jones, Oliver Platt, and quite a few others.

I like Jack Black, despite the fact that many of his best-known movie roles are based around him doing his usual Jack Black schtick. I like Michael Cera, also not really known for his range. They just don’t work here though, feeling wrong in their lead roles and having no decent chemistry with one another. So that has the film starting off with a major disadvantage.

Director Harold Ramis (this was, sadly, the last feature he directed before his passing) seems to think that the script, co-written by himself, Lee Eisenberg, and Gene Stupnitsky, is full of chuckles that will be improved by the performers. He couldn’t be more wrong. The highlights come about despite the writing, many of the jokes are disappointingly obvious, and there are a few too many instances of toilet humour that feel all the worse for being inserted in between the few scenes that have actual wit. The best thing here is the ongoing story strand that allows Cain to remain a central character, but even that is slightly undermined by the fact that his first scenes are so good that it ends up going downhill from there.

As you might have guessed from that last sentence, Cross is a lot of fun in his role here, and arguably steals the movie. Aside from Black and Cera, the rest of the cast often try their best with weak material they are unable to greatly improve. Jones comes onscreen to be tough Vinnie Jones, Azaria is amusing enough for his few minutes, Berkeley had to sit around and look regal, which he does, and Wilde is a potential “fair maiden” alongside Raphael and Temple, with none of them getting to do more than look pretty enough to motivate our leads. Although you can question the choices made in his performance, it’s Oliver Platt who almost rivals Cross for the added comedy value provided, playing his character as a lusty hedonist who takes a fancy to Oh.

Not entirely without entertainment value, Year One is just a huge missed opportunity. What should have been a rapid-fire cavalcade of jokes, be they new, old, smart, or silly, just settles for being a vehicle built around two sorely miscast leads. It is telling that every decent laugh in the film comes from moments not focusing on the main characters.

3/10

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