Based on one specific chapter from Dracula, this is an old-fashioned horror movie that makes great use of modern effects to depict, and enhance, a classic bit of text. Directed by André Øvredal, who is yet to helm a real stinker in his filmography, it's as easy to appreciate and enjoy this as it is to, sadly, see why it failed to find a big audience.
Corey Hawkins plays Clemens, a man who ends up getting himself hired as a crew member on the Demeter. Captain Eliot (Liam Cunningham) is a fair taskmaster, but he soon finds himself overwhelmed by numerous incidents that make everyone suspect their voyage may be cloaked in misfortune. It may well have something to do with their mysterious cargo, which won't be a surprise to anyone familiar with the source material.
Despite the inherent limitations of the source material (meaning the film takes place mainly in one location and with a fairly limited cast of characters), The Last Voyage Of The Demeter manages to come up with a number of inventive and entertaining ways to wander through very familiar territory. Writers Bragi F. Schut and Zak Olkewicz have less consistency than Øvredal, but they seem to work together well on something that approaches the trappings of the vampire movie with an impressive sense of reverence and earnestness.
While the cast are a mixed bag (I don't want to spend too much time discussing the accent work by David Dastmalchian, nor do I want to try to list those who play the more forgettable characters), the leads are excellent. Hawkins is the right person to carry this on his shoulders, especially when he can occasionally share the burden with Cunningham, Aisling Franciosi does very good work as a stowaway who knows the danger of the "cargo" being transported, and Javier Botet delivers yet another physical performance under heavy make up that puts him right alongside Doug Jones when it comes to being able to bring supernatural beings to life in solid humanoid form.
The runtime may be a touch too long, as the runtime clocks in at just under the 2-hour mark, but there's plenty to enjoy here, from start to finish. There's wonderful music from Bear McCreary, gorgeous cinematography from Tom Stern (although I did thing things a bit hard to see in a finale that sets everything in the middle of a dark and foggy area of the sea . . . but maybe that's more to do with my ageing eyes than the professionals working to create the visuals), and beautiful design work throughout every department, from sound to wardrobe, and everything in between.
It's far from perfect, especially when the screen has too many characters that aren't really memorable enough to do more than add to the bodycount, but this is an enjoyable and surprisingly bloody little film that makes good use of modern movie-making techniques to deliver something comfortably old-fashioned at heart, yet garnished with some impressive effects and bloodshed. Not recommended for the impatient, but tentatively recommended for vampire movie fans.
7/10
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So is that supposed to be a prequel to Nosferatu? Or maybe a midquel as it's between when he leaves Europe and arrives in London?
ReplyDeleteI cannot recall the exact placement, but I am sure this chapter takes place after the whole Dracula/Harker sequence and before he arrives at Carfax Abbey, so probably about 3/4 of the way through the novel.
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