Although they've never been my personal favourite superheroes, The Fantastic Four certainly hold a special place in the hearts of many comic book fans. They are, after all, often referred to as the "first family" of Marvel, and many other characters made their first appearances in Fantastic Four adventures. They've been ill-served at the movies though. In fact, most people can agree that the best Fantastic Four movie to date is actually The Incredibles. The Fantastic Four: First Steps hopes to change that though. It wants to be a fun slice of retro sci-fi adventure, establishing the main characters as new key members of the MCU.
So it's a shame that I left the cinema feeling more like shrugging than rushing to tell others to get along and see it.
It's quite a familiar set-up, behind the camera anyway. The writing team (Josh Friedman, Eric Pearson, Jeff Kaplan, and Ian Springer) has a mix of old hands and newcomers. Director Matt Shakman has no other movies under his belt, but he has been honing his skills in the land of TV, and has clearly shown something that made him seem to be a good fit for this property. Maybe his handling of the family relationships explored in WandaVision.
There's no need to give a plot summary, but I will nonetheless. Marvel tries to pretend that we're not getting any origin story here, with a lot of the background related by Ted Gilbert (Mark Gatiss) on his TV show, but it still very much feels like one, considering the standard structure about our heroes coming growing into their roles as they face a new and major threat. The threat this time is the planet-destroyer known as Galactus (voiced by Ralph Ineson), and his coming is heralded by the Silver Surfer (Julia Garner). The timing of this encounter would never be good, but it couldn't be worse as Sue Storm (Vanessa Kirby) prepares to give birth to a baby. Not only is Reed Richards (Pedro Pascal) worried about the fate of the world, he gets very anxious as he tries to baby-proof their home. That means smoke alarms that go off whenever Johnny Storm (Joseph Quinn) flies by and safety gates that are far too easily broken by Ben Grimm (Ebon Moss-Bachrach).
There's nothing really wrong with this movie. The cast are generally good, and a good fit for their roles (although I suspect Joseph Quinn must say a prayer every single day for the Duffer brothers taking his career to a whole other level thanks to his Stranger Things character), the retro look and feel is appropriate and sweet, and the grand plan is played out well enough. It just doesn't ever really impress. Maybe it's a case of superhero fatigue, although I didn't have that feeling with the other big superhero movie released this month, or maybe the central quartet are just a bit too bland in comparison to so many other options we've had in recent decades.
Pascal, Kirby, and Moss-Bachrach are wonderful casting choices. Quinn does okay, but is arguably the weakest Johnny Storm onscreen yet (and, yes, I am including the Corman-produced film from 1994). Ineson and Garner are both brilliant, and there are also fine moments for Gatiss, Sarah Niles, Natasha Lyonne, and Paul Walter Hauser. Oh, and there's a cute little robot named H.E.R.B.I.E. Unfortunately, you get the usual tease during the credits, which is perhaps another reason for me leaving the cinema without the spring in my step that I have had after some other big movies from this year.
There's a suitably fantastic score from Michael Giacchino, a smattering of humour that felt a step removed from the winking punchlines that became the MCU standard for a while, and some genuinely impressive spectacle in the second half, leading to a super-sized finale. There are no surprises though, and no risks. Marvel wants to recalibrate, to get fans back on board with their cinematic outings, and this feels like a very safe and tame way to do that. I have no major complaints, but nor do I have any major compliments.
7/10
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