Mubi Monday: House By The River (1950)

If you're like me then hearing the name Fritz Lang has your mind going immediately to two all-time classics of cinema. At the very least. Lang helmed some enduring masterpieces. You could even say that he Brigitte Helmed at least one of them (hey, it might be a weak pun, but I felt the need to share it). There are so many more movies throughout his filmography that are also worth checking out though, and House By The River is one such example.

Unable to control himself when the housemaid, Emily (Dorothy Patrick), comes close to him while dressed pretty and smelling nice, author Stephen Byrne (Louis Hayward) makes an unwanted advance. Being loudly rebuffed, he sets out to keep Emily quiet as a neighbour moves around outside. Which leads to murder. Stephen then concocts a story to garner the sympathy and assistance of his brother, John (Lee Bowman), and the two of them set out to dispose of the body and conceal the crime. Soon making use of the "disappearance" of Emily to gain some publicity for his books, Stephen starts to become more brazen, and it soon becomes clear that he can easily shift the blame to his brother if the finger of suspicion is pointed his way. It could be his wife, Marjorie (Jane Wyatt), piecing things together though.

Based on a novel by A. P. Herbert, this was one of a good run of thrillers and noirs written by Mel Dinelli, and I highly recommend checking out their first half dozen or so movies (at the very least). It's a delicious and dark premise, especially when the second half shows Stephen being "inspired" in his writing, and the two brothers being inextricably tied together by the crime is a great way to give viewers a way to easily root for one and against the other. 

It's hard to remember to credit Lang, but the fact is that he does such a good job with the direction that the film never feels forced or awkward, despite the contrivances being dotted around the plot to keep raising the stakes on the way to a strange, but very entertaining, final sequence. Lang steers the whole thing with a steady hand, allowing for it to jump between a feeling of very dark comedy and very palpable danger.

Hayward is very good in his role, always getting close to full-on panto villain without becoming outright laughable, and he's helped by some solid supporting performers. Bowman may have a decent amount of screentime, but he has to be the growing conscience of the film, meaning that he doesn't get to have nearly as much fun. He's easy enough to like though, as is Wyatt, and both deserve so much better than the apparent fate awaiting them in the third act. Patrick doesn't get many scenes, obviously, but does well enough in her role, and Ann Shoemaker, Jody Gilbert, Peter Brocco, Howland Chamberlain, and Will Wright all deliver enjoyable character turns.

Like some other Lang movies I could mention, although they are movies that aren't the first ones to be brought up when his filmography is being discussed, this has an excellent mix of superior visual language, dark content handled with a light touch, and sheer entertainment. Recommended.

8/10

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