A woman starts to, perhaps, lose her sanity after a period of time in which she is afflicted by recurring nightmares and visions of a man stabbing her to death. Her partner is supportive but also critical of her attempts to sort out the problem. Perhaps he has something to hide or maybe he is just sharing the pain that stems from the car crash they were in that led to the woman having a miscarriage. Regardless of how sane or insane the woman is, or how guilty or innocent the man is, things get stranger and more dangerous.
All The Colors Of The Dark is a decent film. It's stylish and has moments of tension in the second half, building up to a decent finale. It also has a nice mix of straightforward giallo moments and some very surreal, nightmarish sequences. The screenplay isn't bad but this is very much a movie to be watched and appreciated by fans of the director, Sergio Martino. Martino has a nice touch for the material and keeps things watchable and interesting without ever feeling the need to throw some blood all over the screen every few minutes. This sense of restraint means that the film may not please horror fans who simply like the blood and gore elements of the genre but it should certainly please anyone who enjoys stylish and offbeat thriller fare.
Then we have the cast, components of the movie I have deliberately avoided mentioning until now. George Hilton isn't bad as Richard Steele, the man trying to help his girlfriend but not really sure how to go about it, but this movie gets extra points every time the gorgeous Edwige Fenech is onscreen. In mental turmoil or not, Fenech is very possibly one of THE most beautiful women to have ever made her name within the horror genre (or, more specifically, the giallo subgenre) and her presence can elevate any movie. I'd go so far as to say that any movie featuring Fenech in a main role becomes, ultimately, an Edwige Fenech film. Hell, even her cameo in Hostel: Part II gave that film a couple of bonus brownie points. Nieves Navarro, Marina Malfatti, George Rigaud, Ivan Rassimov and many others do good work but they're all sidelined whenever Miss Fenech takes centre stage.
I am biased, obviously, with my love for Miss Fenech colouring my opinion of this movie. But show me a handful of horror fans who don't feel the same way and I'll kindly turn them away and ask them to come back when they've been on the planet for another decade or so. Putting my love for the lead actress aside (oh, if only it were that easy), I recommend this as a good film for anyone who enjoys a stylish and offbeat thriller.