Tuesday, 22 November 2022

Noirvember: Confidence (2003)

It sometimes strikes me as wild that Edward Burns had (has?) a decent acting career, to the point where he was considered a viable leading man for some movies that have very strong supporting casts. I don’t hate Burns, that would be far too strong a reaction, but he is never someone who I would consider a first choice for any movie role, even the ones that he wrote and directed himself. There’s just a whopping great lack of charm, which makes it even harder to accept him in his lead role here, playing someone supposedly smart and charming enough to lead a con team on a number of successful jobs.

Burns is Jake, the leader of a group who have honed their craft over a number of years. His crew includes Gordo (Paul Giamatti), Miles (Brian Van Holt), Al (Louis Lombardi), and even a couple of cops (played by Donal Logue and Luis Guzmán). Things get sticky when the team con someone out of a load of money that actually belongs to a crime boss named King (Dustin Hoffman). Coming up with a way to appease King isn’t easy, but Jake thinks he can manage it, with the help of a woman named Lily (Rachel Weisz). There are so many ways things could go wrong though, especially with federal agent Gunther Butan (Andy Garcia) snooping around.

If you have seen any con movie then you will know how this film plays out. I could easily name you a dozen con films right now that are better than this, but that isn’t to say that this is a bad film. Director James Foley and writer Doug Jung may feel as if they are just going through things mechanically, but the mechanics of any con movie can end up being the most appealing aspect. Knowing how things are playing out just keeps viewers closely onside with the con artists, which is satisfying enough when they are trying to get one over on someone who deserves to be fleeced. A lack of surprise in a con movie doesn’t automatically equate to a lack of enjoyment, not for me anyway.

With the exception of Burns, the cast all help to make this more enjoyable than it otherwise would be. Hoffman is an enjoyable villain, and just about manages to feel like a real threat, and both Giamatti and Weisz are easy highlights. There are more people to keep an eye on though, including Morris Chestnut, Tom Lister Jr, Robert Forster (sadly onscreen for seconds), John Carroll Lynch, and Leland Orser. Alongside the other supporting players already mentioned, it’s almost as if someone was savvy enough to realise that a lot of talent was required to compensate for the bland leading man.

Nobody here will put this at the top of their C.V. This is a lesser film in almost every department. It manages to avoid being bad though. That is mostly due to the cast, but it is also partly due to the innate charm of the con movie format, which always tends to appeal to me. You could even say that I’m a sucker for them.

6/10

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