If you look through the films made by director Nick Lyon, or the films written by Jason Cooney or Jason White, you may notice a number of . . . interesting (yes, let's go with interesting) titles listed. Don't be too quick to dismiss their work though, because they all seem interested in making films that are at least fun, even if limited budgets and resources undermine whatever vision they're trying to put onscreen. That approach is also clear in the silly, but not entirely unenjoyable, Titanic 666.
The plot is on a level of silliness that you might expect. A group of people are on board the Titanic III - the usual mix of people you might root for, people you might hate, and someone who seems to have their own mysterious agenda - and there are also cabinets displaying items salvaged from the original Titanic. Could that be just asking for bad luck? Maybe, but Professor Hal Cochran (Jamie Bamber) doesn't believe so. He thinks there's a lot of money to be made. Idina Bess (Lydia Hearst), on the other hand, thinks that there's another way for people to pay for a piece of the past.
It's never scary, not really, but Titanic 666 is also never too dull, whether viewers are being introduced to the selection of characters (including a pair of influencers, played by AnnaLynne McCord and Derek Yates) or shown the appearance of numerous spirits about to cause havoc on the ship. It's typical of many movies from The Asylum, with very simple plotting, plenty of stereotypes populating the narrative, and runtime that's padded out by judicious use of stock footage, but those who know what they're getting into should find enough to enjoy here. While I wouldn't rush to rewatch this, nor would I recommend it to many people, I didn't have a bad time watching it. I wanted more AnnaLynne McCord, she's sadly underused, but everything else worked on the level I expected.
Aside from McCord, the cast members worth mentioning are Keesha Sharp (playing the Captain of the ship), Joseph Gatt (definitely up to something that may make the situation much worse), and both Bamber and Hearst, playing central characters with opposing viewpoints on the history of the Titanic, and the weight of the tragedy.
The script is more concerned with filling time in between the minor ghostly set-pieces, and the direction is more competent than skilled, and let's not dwell on the quality of the special effects on display, but I cannot bring myself to loathe this. It was fine. I've seen plenty of other people eager to pick this apart. If you want to do that then there's plenty here to pick at. But if you just want to watch something that aims to entertain, something that isn't challenging or too complicated, then this is perfectly fine. I wouldn't call it good, but it does what it sets out to do.
4/10
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