Showing posts with label aml ameen. Show all posts
Showing posts with label aml ameen. Show all posts

Monday, 26 December 2022

Boxing Day (2021)

Although a seasonal rom-com with plenty of extra drama, Boxing Day, as the name suggests, is also a film about that time during the holidays when the focus isn't necessarily on the gifts and messages of love and peace. Boxing day is when people enjoy leftovers, and it's when the warm glow of Christmas Day starts to turn into a roaring fire, one that can either keep you energised and glowing or can have you raring to restart that long-running feud with your cousin that used to steal all of your best Matchbox cars and Action Man figures.

Aml Ameen is Melvin, a young British man who is about to reluctantly head home for the holidays to visit his family. He'll have to make an appearance, despite the fact that his main reason for heading back to the UK is to help promote his new book. Melvin's family will all be meeting his partner, Lisa (Aja Naomi King). More importantly, Lisa will be meeting them. There are the usual ups and downs you get with any family unit, but things are complicated when Lisa finds out that Melvin's sister, Aretha (Tamara Lawrance), is an assistant to a talented British singer, Georgia (Leigh-Anne Pinnock). Oh, and Georgia used to be in a serious relationship with Melvin. 

As well as starring in this, Aml Ameen both wrote (with Bruce Purnell) and directed the movie, basing a lot of the general atmosphere and the family interactions on his own experiences. I was initially worried, my default position when I realise that a star has given himself a role in something they have also written and directed, but there was no need. Ameen proves himself very much up to every task he assigns himself, and he steps back often enough to allow some light to shine on his very talented cast.

King is very easy to root for throughout, put in an awkward situation from very early on and coming out swinging to prove that she's no passing distraction, and Pinnock (making a smooth transition from singing with Little Mix to portraying a singer here) does well opposite her. The two women both have strong attachments to Ameen's character, but you can also easily believe that both may open their eyes to other possibilities at any point, leaving Melvin alone and full of regret. Lawrance is great fun, Sheyi Cole is hilarious as the love-struck Josh (pursuing a young woman who used to date his cousin, played by Samson Kayo, much to the cousin's displeasure), and there are lovely moments for Marianne Jean-Baptiste, Stephen Dillane, Robbie Gee, and everyone else involved in some of the scenes that depict the cosy chaos of a large family gathering.

As well as the mix of expected tropes and melodrama, Boxing Day has a wonderful soundtrack selection, one or two moments of sweetness that play out well, without somehow feeling too schmaltzy, and a great look at the holiday season through a different filter. Populated by a cast that is almost entirely black, this is a film depicting a specific experience within a Caribbean-British household, but it's in being so specific, and drawing on such personal memories, that Ameen manages to hit the bullseye for viewers who will soon see that, while exact customs and scenarios will differ, we're all in the same boat when it comes to balancing the love and support along with the emotional turbulence and insanity that is all part of being part of any family.

A bit cheesy, quite predictable, maybe slightly overlong, Boxing Day is nevertheless a great directorial debut from Ameen. Don't expect perfection and you should enjoy it as much as I did. Which is also a good motto for the entire holiday season.

7/10

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Sunday, 6 February 2022

Netflix And Chill: Till Death (2021)

Say what you like about Megan Fox, and oh so many already have, she has often mixed interesting projects into her filmography alongside the movie roles that have her as little more than “eye candy”. It may have taken far too long for people to fully appreciate Jennifer’s Body, but there’s a chance that something like Till Death can find an audience now, especially if people are interested in a fairly straightforward thriller that is happy to throw subtlety to the wind as it depicts a woman fighting to survive an unhappy marital situation.

Fox plays Emma, who is unhappily married to Mark (Eoin Macken). Mark used to be a lawyer who helped put bad guys away, like the man (Bobby Ray, played by Callan Mulvey) who attacked Emma many years ago, but now he makes a better living by keeping bad guys out of prison. Mark may also be aware that Emma is so unhappy in their marriage that she has recently started an affair with Tom (Aml Ameen). Perhaps that is the reason for him taking them out to an isolated lake house, enjoying one lovely night together, and then blowing his brains out in the morning. With Emma handcuffed to him. It soon becomes clear that Mark has made sure Emma cannot leave, and has made sure that she cannot remove the cuffs easily. He has also invited some dangerous people to come to the lake house, promising them a very hefty reward.

The feature debut of director S. K. Dale, Till Death is a lean, enjoyable, thriller that really starts to become more entertaining once the central dilemma is fully established. Very early scenes are a bit strange and awkward, with both leads showing just how uncomfortable they are around one another in their problem-riddled marriage, but the suicide moment feels like the moment when the film is moved into another gear. Writer Jason Carvey, although without a wealth of experience in his filmography, generally keeps things tense enough to distract viewers from picking at the more obvious plot holes.

Fox is great in her role, carrying a number of scenes on her own (with a corpse attached to her). As the death and trauma actually bring her character to life, she becomes more and more committed to surviving, something that would have seemed impossible to the woman in the opening scenes. It's this performance, in line with the main theme of the movie, that makes the film work so well. Mulvey is a dangerous and menacing presence, as he so often is, and Jack Roth is good as your standard "bad man who will do bad things, but doesn't want to go as far as killing someone". Macken is easy to dislike, while Ameen is easy to like, and that is your main cast sorted.

Although the premise may be looking at someone fighting to break away from a bad marriage/husband, literally, there's also an interesting aspect to Till Death that shows male entitlement, and how so many men think they are doing well by women as long as they're not acting on par with the worst men around. There's really only one potential good guy here, and even he makes the mistake of not listening to a woman who knows more about the impending danger than he does. Which clarifies that, while others may help on occasion, the only one who can really help Emma have a proper life . . . is Emma.

Get through those difficult early scenes and you end up with a solid thriller that is an easy one to recommend.

7/10

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