Showing posts with label amy landecker. Show all posts
Showing posts with label amy landecker. Show all posts

Thursday, 4 May 2023

Missing (2023)

Another film in the “screen life” format (you watch events unfold, for the most part, on a computer screen), Missing is from the people who brought you Searching. If you liked that film then you should like this. It isn’t quite as good as that film, and I think the gimmick will be harder to maintain for any future thrillers, but it’s enjoyable enough.

Storm Reid plays June, a young woman rolling her eyes as her mother (Nia Long) gets read to go on holiday with her new boyfriend (Ken Leung). June just wants to enjoy her time at home alone, and maybe a big party or two, but she starts to immediately worry when the pair don’t return for the pre-determined time when June is scheduled to pick them up from the airport. Making calls and starting her own investigation, June is able to connect with Javi (Joaquim de Almeida), an oddjob worker who lives in the country where her mother was last seen alive, and her own investigation seems to progress faster than the official police investigation.

With Sev Ohanian and Aneesh Chaganty credited with the story for this one (after both writing the script for Searching together), which was directed by Chaganty, it’s up to Nick Johnson and Will Merrick to co-direct their co-written script in a way that doesn’t completely drop the ball. While constrained by the format, they fudge things slightly to keep everything moving along in the narrative without transforming into another type of film entirely. I don’t think they’re entirely successful though. It’s been a few years now since I saw Searching (when it was released in cinemas), but I remember that, for better or worse, feeling as if it was able to adhere a bit more rigidly to the format. 

The plus point is the plotting though, with a number of enjoyable twists and turns that will have viewers reconsidering their opinion a number of times on how events may have unfolded. A number of details are nicely sprinkled throughout every scene, and there are only a few moments that will have you exasperated by something obvious overlooked by the main character.

Reid is very good in the role of June, doing well in a tough role that requires her to be onscreen for the vast majority of the runtime, even if she is just clicking through and observing various video clips. Long and Leung are both fine, and obviously not onscreen for too long, but it’s Almeida who you will remember once the film is over. His character is a ray of sunshine, and he actually gets a decent little narrative arc of his own, even as he helps to progress the main plot and help our desperate lead. Although not as sunshiney, the same applies to a character played by Amy Landecker, who may or may not be involved in the disappearance of June’s mother. There’s also a small role for Tim Griffin, playing June’s father, and his scene at the very start of the film helps to show the impact he had on the lives of his wife and daughter.

Perhaps a film that will inevitably work better when watched on your own computer, compared to a cinema screen, Missing is a decent little thriller that will work for those who can accept the genre trappings being dressed up with modern tech and tech-savviness.

6/10

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Wednesday, 11 December 2013

All Is Bright (2013)

Recently paroled ex-con, Dennis (Paul Giamatti), is so desperate for work that he ends up forcing himself upon his friend, Rene (Paul Rudd). Actually, Rene isn't quite the friend that he once was, considering the fact that he plans to marry Therese (Amy Landecker), the former partner of Dennis. Dennis and Rene travel to New York to sell Christmas trees, and it doesn't take long for things to get tense between them. Dennis just can't seem to let go of the past, despite his insistence that he wants to, while Rene doesn't help the situation with his far-too-laidback manner and inability to think of the best ways to make the business profitable. But things start to look up when Olga (Sally Hawkins) comes along to buy a tree, and ends up befriending Dennis.

This is a strange, strange movie, mainly due to the setting. Dennis and Rene are two men who live in a French Canadian area, but that isn't something that factors into the movie enough to really warrant its inclusion. I'm not saying that you can't have people from French Canadian territories making a trip to New York to sell Christmas trees as the core of your movie, but it just seems a bit unnecessary, when the film feels, in all other respects, like a film that could have been made about characters from anywhere. Okay, they may be selling a better quality of tree (I guess, I'm no expert on tree types) and there are a few moments when language proves to be an extra obstacle/irritant, but that's it. I'll admit it, during the first 20 minutes or so, I assumed that this was a clumsy remake of a superior film.

Giamatti and Rudd both do well together, with the former being the best thing in the movie, using his standard hangdog expression to great effect. Landecker isn't onscreen for all that long, despite her character being most important in the tension that's created, but she does well enough. Hawkins is a lot of fun as Olga, playing the quirky female who enters the life of the lead character without it feeling just like every other quirky female role to have popped up in a lot of independent dramas in recent years.

Director Phil Morrison doesn't really do much at all, or so it seems. Of course, I might have been offering him some praise if he'd deliberately kept everything low-key and natural, deciding on that as the best way to deal with Melissa James Gibson's script, but that's not how everything is. It becomes clear, at times, that the movie is trying to blend a grittiness with that magical, Christmas-time feeling, but it doesn't work. The horrible, distracting, score by Graham Reynolds is just one of many mis-steps as the movie plods along from start to finish. To list all of the others would take too long. A LOT of the problems come from the script, but Morrison certainly doesn't do anything to help.

If it wasn't for Giamatti, Rudd and Hawkins then I wouldn't recommend this to anyone. Their performances make it tolerable, while everything else in the movie conspires to get viewers to give up long before the end.

5/10

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