Showing posts with label andrew haigh. Show all posts
Showing posts with label andrew haigh. Show all posts

Monday, 2 February 2026

Mubi Monday: 45 Years (2015)

If you have been in any kind of relationship with someone for 45 years then you may think that you would know everything there is to know about them. And you may think there's nothing that would ever make you feel less secure in that relationship. That's probably incorrect though. We all have things that we don't want to say to even our closest confidant, whether it's that bedroom fantasy that you've never been brave enough to discuss, the memories you made with someone else many years ago that can never be fully wiped away as they helped to make you who you are today, or even just the amount of times you examine the toilet paper after every attempt to wipe away the klingons hanging around uranus. Unsurprisingly, 45 Years focuses on that second option, but it could just as easily be about any of them, although I am not sure Tom Courtenay and Charlotte Rampling would be as comfortable discussing their bathroom habits.

Having had to miss out on a celebration of their 40th wedding anniversary, Kate (Rampling) and Geoff (Courtenay) are gearing up to make a big deal of their 45th year together. The couple are rocked, however, by the death of someone that it turns out Geoff was in a relationship with before he ever met Kate. This takes Geoff on a journey through some reminiscences while Kate starts to wonder about how this revelation reframes their relationship to one another.

Based on a short story, "In Another Country", by David Constantine, 45 Years is written and directed by Andrew Haigh. Haigh has a filmography well worth exploring, but this is arguably his weakest film, despite the strength of the lead performances. It's the kind of film that feels as if it would be much better to see as a staged play, with very little added to the material to make it more cinematic or feeling as if it benefits from the medium.

Both Rampling and Courtenay ARE superb though, the former being clearly unsettled and concerned by a revelation that the latter considers to be a footnote in his own life. There's clearly love between the two main characters, but also a disparity when it comes to how they both start to act on the lead up to their big anniversary date. As is made clear in certain scenes, Courtenay's character doesn't even realise how his actions and attitudes are affecting his wife, but he tries his best to mollify her when it's clearly described to him. Both of the stars get to go through a great range of emotions, but it's Rampling who gets the best work, being more present and affected by everything than Courtenay's slightly (typically?) oblivious man. While there are few supporting cast members, Geraldine James gets a scene or two, and is always good to see onscreen.

I certainly wouldn't have enjoyed or appreciated this film if I'd watched it as a much younger man, but it's one that will be of interest to those who have been in any long-term relationship. Some things are taken for granted, whether they should be or not, sometimes the past looms up to cast a large shadow over the present, and sometimes the present needs to be shaken up slightly, just enough to get rid of any complacency and insecurity that may be clinging on to either party like a wet sweater. The longer the relationship, the stronger things can be, but there are still ways in which the rug can be pulled from under your feet. 45 Years shows one such scenario, and how one moment can create a ripple effect throughout an entire lifetime.

7/10

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Monday, 5 December 2022

Mubi Monday: Weekend (2011)

I am going to start with a clarification, if I may. When I mention myself not being the target demographic for any movie, I am not doing so as a critique. It is usually just to contextualize my own viewpoint/filter, but also a reminder that it is always worth spending time with one of the 5% of movies not tailored towards straight, white, men. This is even more important to note with Weekend, a film that is paradoxically not aimed at me, yet also very much IS.

Tom Cullen plays Russell, a gay man who ends up meeting and hooking up with Glen (Chris New). The two have a very good night together, but questions arise the next day. Glen is in the habit of recording thoughts from people, asking them intimate and uncomfortable questions, and he wants to understand Russell better. Spending more time together during the weekend, Russell starts to find out that Glen is hiding just as much angst and insecurity beneath his more confident exterior. Russell struggles to fully embrace his sexuality, and Glen struggles to fully embrace someone he might have strong feelings for.

The second feature written and directed by Andrew Haigh, Weekend is an enjoyably frank and insightful look at the kind of thing we have seen so many times before. It’s about people getting to know one another, people finding a connection that both pleases and worries them, and the baggage and traits that they carry into every relationship, whatever that relationship is. It just happens to be focused on the gay men. The sexuality of the central characters is an important factor, but often only in the way that it reminds viewers of how everyone goes through the same experiences when putting themselves out there and potentially starting a new relationship. 

Russell may be shy about himself, but he isn’t hiding away from his friends. He is responding to what he sees around him, a constant barrage of imagery and opinions from the oft-sold “straight narrative”, called out onscreen by Glen, and the small-minded opinions of people around him that he has no connection with. There’s definitely more for him to deal with - homophobia, societal pressure, etc - but a large part of it will feel relatable to anyone who hasn’t wanted to join in with conversations and jokes that have been centered around sexual exploits and attitudes.

Both Cullen and New are very good in their roles, nicely revealing their characters coming together as both similarities and differences help them to bond. This isn’t a case of cinematic “opposites attract” fluff, but rather two individuals who start to see how well-suited they are for one another.

Obviously a film that will be most appreciated by gay men looking for some decent onscreen representation, Weekend is also equally worthwhile for those not in the target demographic. We all have very different life experiences, and we all have moments that we eventually realise have also happened to almost everyone else on the planet. Because love is love, sex is always a mix of sensuality and comedy, and every strong connection we make with someone is as dangerous as it is soul-enriching. But we keep risking it anyway.

8/10

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