Here's the thing about my movie reviews. I often forget to mention the musical scores, I am woefully forgetful when it comes to namechecking people like cinematographers and designers (people that are vital to helping the director create their vision), and I don't always write essays based around the themes and subtext of the more meaningful cinematic classics I have watched over the years. Sometimes I try, don't get me wrong, but I'm often aiming to just relay a general feeling about the films I have watched. My reviews are often just about my reaction, as opposed to being a full dissection. Sometimes I manage to pack a bit more in there, and am always happy when the thoughts and words flow well for me, and sometimes I am happy that I am watching another film that doesn't really need such thoughtful criticism.
Altitude certainly falls into that latter camp.
Denise Richards plays Gretchen Blair, a female FBI agent who has boarded a flight after having a very bad time of things recently. She gets angry at an inconsiderate idiot who has ended up sitting in her seat and ends up being taken to first class. Result. Sitting alongside a man named Terry (Kirk Barker), her moment of happiness is short-lived. Some people want Terry, or at least what he has hidden away from them, and that means that they want to take control of the flight. Greer Grammer is the woman in charge of the criminal plan, and Dolph Lundgren is her right hand man (although she also has other muscle on hand, with the most recognisable being Chuck Liddell).
Altitude is preposterous. Of course it is. The characters are all ridiculous clichés, very few moments are plausible, and it's a film in which viewers have to accept Richards as the strong and smart goodie up against Lundgren.
Director Alex Merkin tries to keep everything moving along zippily enough, throwing occasional distractions in (like Jonathan Lipnicki as an over the top, dancing and singing, air steward) to break up the overly familiar plotting as we get the opening situation that puts our lead in need of a rest, an overview of the plane and the passengers, developing awareness of the dangerous plot, etc. The script, by Jesse Mittelstadt, also helps here, with the material sadly growing weaker when the actual action starts to take place. Neither Merkin nor Mittelstadt can do enough to get this anywhere close to any of the other, superior, plane-based action thrillers that we've already seen over the years. And some of the dialogue is either laughably cheesy or cringe-inducing, depending on your mindset.
Richards is okay in her role (although I did spend the majority of the movie squinting at the screen and asking myself "is that Denise Richards?"), and Barker is fine, if fairly bland. That leaves it to the villains to liven things up. They don't quite manage it, mainly due to the fact that Granmer plays her role in a way that makes you wish someone had been able to negotiate a fee for Krysten Ritter, and also the fact that Lundgren is sorely underused (he spends most of his screentime actually flying the plane). The least said about Liddell the better, but it's worth mentioning Jordi Vilasulo, who does a decent job as the air marshall who gets involved in the situation.
You could do a lot worse if you're after a mindless slice of action, which is all it is trying to provide. I'll watch anything Lundgren does, he improves pretty much any film that he stars in, and this may not be one of his better films, but it's still a fun one.
5/10
You can pick up the film, under the name "Hijacked", here.
Americans can get it here.
Showing posts with label denise richards. Show all posts
Showing posts with label denise richards. Show all posts
Tuesday, 9 April 2019
Thursday, 12 January 2012
Wild Things (1998)
Wild Things is a twisty, stylish, sexy thriller that features a great cast all doing a great job. It's also quite trashy and stretches things further and further with each scene but I still love it (and, no, that's not just because of the scenes in which Denise Richards goes topless . . . . . . . . . . it's because of Theresa Russell too).
While aiming to keep things as spoiler-free as possible, I shall describe the plot thus: Matt Dillon plays Sam Lombardo, a popular and handsome guidance counselor who is accused of a heinous crime by Kelly Van Ryan (Denise Richards). It's simply untrue, according to Sam, but Kelly is the daughter of Sandra Van Ryan (Theresa Russell) and Sandra Van Ryan has the money and influence to make sure that Sam no longer has a place in his town. Kevin Bacon and Daphne Rubin-Vega are the two main cops on the case and Neve Campbell plays Suzie Toller, a girl who may end up playing an important part in the proceedings. Oh, and I'd better not forget to mention the great performance from Bill Murray as Ken Bowden, just about the only lawyer who will take a chance on defending Sam.
There's a clever, fun script by Stephen Peters and great direction from the talented John McNaughton (who provided audiences with the very different, and disturbing, Henry: Portrait Of A Serial Killer and also directed the enjoyable Mad Dog & Glory) that manages to create a darker and darker style while still maintaining the colour and heat of the Florida locations.
A decent score by George S. Clinton accompanies the action but the icing on the cake is the acting from everyone involved. Matt Dillon is always a great actor, as is Kevin Bacon, so you expect them to do good things. And they do. Neve Campbell is just fine and Denise Richards is fantastic (she's actually very good in the right roles, such as her part in Drop Dead Gorgeous, but that often seems to be ignored because of her physical attributes). Bill Murray is another actor I'd watch in just about anything and he's as wonderful as ever here. Daphne Rubin-Vega easily holds her own and does well to avoid her character being pushed into the background.
Trashy and sexy fun, this is the kind of movie you'll probably enjoy if you liked Cruel Intentions and the fantastic Body Heat. And make sure that you keep watching the credits at the end of the movie to see a number of crucial revelations.
8/10.
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While aiming to keep things as spoiler-free as possible, I shall describe the plot thus: Matt Dillon plays Sam Lombardo, a popular and handsome guidance counselor who is accused of a heinous crime by Kelly Van Ryan (Denise Richards). It's simply untrue, according to Sam, but Kelly is the daughter of Sandra Van Ryan (Theresa Russell) and Sandra Van Ryan has the money and influence to make sure that Sam no longer has a place in his town. Kevin Bacon and Daphne Rubin-Vega are the two main cops on the case and Neve Campbell plays Suzie Toller, a girl who may end up playing an important part in the proceedings. Oh, and I'd better not forget to mention the great performance from Bill Murray as Ken Bowden, just about the only lawyer who will take a chance on defending Sam.
There's a clever, fun script by Stephen Peters and great direction from the talented John McNaughton (who provided audiences with the very different, and disturbing, Henry: Portrait Of A Serial Killer and also directed the enjoyable Mad Dog & Glory) that manages to create a darker and darker style while still maintaining the colour and heat of the Florida locations.
A decent score by George S. Clinton accompanies the action but the icing on the cake is the acting from everyone involved. Matt Dillon is always a great actor, as is Kevin Bacon, so you expect them to do good things. And they do. Neve Campbell is just fine and Denise Richards is fantastic (she's actually very good in the right roles, such as her part in Drop Dead Gorgeous, but that often seems to be ignored because of her physical attributes). Bill Murray is another actor I'd watch in just about anything and he's as wonderful as ever here. Daphne Rubin-Vega easily holds her own and does well to avoid her character being pushed into the background.
Trashy and sexy fun, this is the kind of movie you'll probably enjoy if you liked Cruel Intentions and the fantastic Body Heat. And make sure that you keep watching the credits at the end of the movie to see a number of crucial revelations.
8/10.
If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share
Labels:
bill murray,
daphne rubin-vega,
denise richards,
erotic,
john mcnaughton,
kevin bacon,
matt dillon,
movie,
movie review,
neve campbell,
robert wagner,
stephen peters,
theresa russell,
thriller,
wild things
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