The Unbearable Weight Of Massive Talent (2022)

The film in which Nicolas Cage famously plays an onscreen version of . . . Nicolas Cage, The Unbearable Weight Of Massive Talent is a film that obviously depends on how much you like Nicolas Cage. But that is something you could say about almost every Cage vehicle. This just happens to be his best film in quite a few years.

Cage is in a bit of a rut. His stock seems to be low, he has problems staying on good terms with his ex-wife (Sharon Horgan) and his daughter (Lily Mo Sheen), and he seems to be in the midst of a crisis that has no end in sight. Then his agent (Neil Patrick Harris) offers him a gig that could turn everything around, a payday for visiting a superfan named Javi (Pedro Pascal). Nick and Javi start getting on really well, which makes it a tough break when two agents (Tiffany Hadish and Ike Barinholtz) collar Cage and ask him to help them. It appears that Javi is a MAJOR criminal, and he may well have a kidnapped girl hidden away somewhere in his compound. 

Although I was happy to see this film, and to see the positive reception it received, I must admit to also resenting those who seem to represent the majority viewpoint depicted here. There are a lot of people who dismiss Cage, who have viewed him as a bit of a punchline, who won’t watch most movies that he stars in. It’s their loss. Yes, his movie choices over the past decade have been a bit hit and miss, with quantity overshadowing quality, but Cage is always aiming to do what he does best, and any career renaissance being touted now is touted from people who have decided to selectively forget the gems that remain strewn throughout every period of his extensive filmography.

Putting that aside, however, this is about as good as it gets for a comedy crafted around the perceived persona, and key films, of a majorly divisive movie star. The affection for Cage is obvious, and the material, and gags, work brilliantly while weaving from the universal to the very star-specific. Comedy fans should enjoy this, film fans will love it, and Cage fans should REALLY love it. Director Tom Gormican, who also wrote the script with Kevin Etten, does a superb job of balancing the various elements, from the sheer Cage factor of Cage to the bromance that blossoms at the heart of the film, from the family problems that our hero is unable to face head on, to the brief action beats that are interspersed throughout.

The cast all do a great job, with Cage being the one most obviously deserving of praise. His performance taps into everything, good and bad, that people know, or think they know, about him. He has always had an interesting level of self-awareness, and this whole movie underlines that in a way that is impossible to dislike. Pascal is a lot of fun, being someone who can see no wrong in his idol, and he is amusingly oblivious to much of the plot unfolding around him. Horgan and Sheen do well in their supporting roles, as do Haddish and Barinholtz, and there are a couple of great cameos that I won’t spoil here. Paco León is also very good, playing someone related to Pascal’s character, and someone who may be more attuned to the covert mission that Cage is on.

It’s not any new cinematic milestone. Movie stars have played themselves onscreen before, and there’s more than a touch of something like ¡Three Amigos! about it, but this all blends together into something that feels wonderfully original and entertaining, with a lot of that simply being down to the Cage factor.

8/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share 

Blockers (2018)

Blockers is a comedy that looked pretty awful from the first trailer. The rest of the advertising I saw for it didn't make it look much better. Then people went to see it and I started to hear some say that it was actually quite good. Some even said that it was very funny, with particular praise going to John Cena for his performance. I was willing to give it a go, and started to feel more optimistic about it. Well, it wasn't as bad as those trailers made it out to be, but it wasn't great either.

Cena, Leslie Mann, and Ike Barinholtz play three parents who discover that their daughters (Kathryn Newton, Geraldine Viswanathan, and Gideon Adlon) have made a pact to lose their virginity on prom night. Yes, this is a nightmare scenario for most parents. So they set out to put a stop to things. Well, Cena and Mann want to make sure nothing happens. Barinholtz is the cooler (aka less responsible) parent who tags along because he doesn't want the others embarrassing his daughter. And that's the premise.

Directed by Kay Cannon, making her feature debut in this role (although she has a number of decent credits as a producer), and written by Brian and Jim Kehoe (who have one previous feature and a couple of shorts under their belts), Blockers is handled slickly and professionally enough. The characters are sketched out quickly, although they're not the deepest, and the various elements that will cause more problems for the parental pursuit are made glaringly obvious. This is not a film that cares for subtlety.

Cena IS very good in his role, and he's the funniest of the three concerned parents. Barinholtz can be slightly irritating at times, due to his character, but also does well. Mann gets the short end of the stick, given the least of the comedic material as the writers instead focus on her stress and overprotective nature (similar to the way Cena is shown, but his ends up creating more laughs). That's a shame, because Mann can be very funny with the right material. What proves to be a pleasant surprise is that the film doesn't focus on the parents as much as you might think. It also gives plenty of time to Newton, Viswanathan, and Adlon, showing how they differ from one another and complement one another in their close friendship. All three young women do well, although it seems as if, once again, the writers had less to give the one of them (Newton, playing the daughter of Mann's character, funnily enough). You also get to find out more about their dates for the evening, and another potential love interest (Ramona Young) for one of the three, despite the fact that she is hoping to forge ahead and see if sex with a guy will change how she feels about her sexuality.

Considering the main premise, Blockers takes time to consider what the younger characters are going through, in terms of friendship, peer pressure, being on the brink of adulthood, and relations with their parents. It also manages to move deftly enough from the comedy to the sweeter moments, which come along, predictably enough, in the final act. What it doesn't do so well is provide the big laughs. You get a lot of chuckles, which are fine, but there aren't any great set-pieces here, and the script isn't smart and/or tight enough to make up for that.

Enjoyable enough, especially if you find Cena likable, but it's not one I can see anyone revisiting too many times.

6/10

You can buy the blu ray here.
American friends can buy it here.

Bonus Review: Bad Neighbours (2014)

Bad Neighbours (or just Neighbors, as it was originally titled in America) is one of those all-too-common cinema releases, a comedy that packs all of the best bits into the trailer. And, as is also all-too-common, it's all the more frustrating because it had the potential to be so much better.

Seth Rogen and Rose Byrne play Mac and Kelly Radner, a pair of adults who are trying to hang on to their youth and spontaneity. Viewers know this from the very first scene, which shows the couple trying to have some fun, spicy sex while the blissfully ignorant gaze of their baby daughter proves to be too off-putting. Perhaps the two will just have to accept that their adults now, with all of the responsibilities that entails. In fact, they have to act like real adults when the house next door to them is turned into a fraternity house (led by Zac Efron, as Teddy, and Dave Franco, as Pete). Mac and Kelly initially try to be cool, and even join the youngsters at their first big party, but it's not long until they realise that they have to do whatever it takes to ensure that the parties don't carry on. Teddy and Pete, of course, will do whatever it takes to keep the music loud and the alcohol flowing, and so begins a battle of wills.

Director Nicholas Stoller makes Bad Neighbours very much a party movie. There are loud tunes, neon-infused moments of drunken dizziness, and scenes that focus on general shenanigans. "Isn't this fun?" it seems to say. But those moments jar when the tone shifts, when it becomes clear that it's not as fun as it looks, when it's all about people partying or fighting because they don't know what else to do to reassure themselves of their position in life.

The blame lies squarely with writers Andrew J. Cohen and Brendan O'Brien, who just don't seem to be able to navigate the territory that they themselves laid out. Being unsure about how to mix the laughs with the darker moments wouldn't be so bad if the laughs were funny enough, but they're not. Instead, we get a lot of typical Rogen lines from Rogen, and lots of juvenile gags about penises. I like Rogen, but his character in this movie really needed to be more removed from his usual persona, and it isn't.

When it comes to his performance, Rogen is fine. If you like Rogen (which I do). Rose Byrne is also fine, although she's not treated as well by the script. Ike Barinholtz and Carla Gallo create some laughs as their friends, a couple now separated from one another, which makes for some obvious friction when they have to be in the same space. Dave Franco, Christopher Mintz-Plasse, Halston Sage, and Craig Roberts also do just fine in their range of roles; a well-endowed frat member, the girlfriend of Teddy, and a poor, bullied lad nicknamed Assjuice. The worst person onscreen here is Zac Efron, which shows how badly his character is written.

I like Zac Efron, I really do. In fact, if it was anyone else in the role that he has in this movie then the whole film would rate even lower. He manages to improve things slightly thanks to his charisma and, well, sheer force of will. But this role may be the worst that he's ever been handed in his career, so far. He's the antagonist, but he's also given too little depth too late in the proceedings as the writers try to layer the whole film with some meaning that isn't required. This is a film in which the funniest moments include the misappropriation of airbags. Okay, comedies can be layered with drama, but when things are shoehorned in as clumsily as they are here . . . . . . . . it just doesn't work out.

I wanted to enjoy this movie. I'm often a sucker when it comes to any cinema experience. Despite my years of experience, and disappointment, I still watch a well-edited trailer and think "yes, can't wait to see that". And, as many people know, I am easily pleased. It would have only taken one BIG laugh, or a better balancing act between the comedy and the slightly darker undercurrent, and I would have at least thought of this as a worthwhile way to pass some time. Sadly, that wasn't the case.

4/10

http://www.amazon.com/Neighbors-Blu-ray-DVD-DIGITAL-UltraViolet/dp/B00K89VBV0/ref=sr_1_2?s=movies-tv&ie=UTF8&qid=1401224051&sr=1-2&keywords=neighbors