Showing posts with label jack thompson. Show all posts
Showing posts with label jack thompson. Show all posts

Monday, 6 August 2018

Mubi Monday: Merry Christmas Mr. Lawrence (1983)

Arguably best remembered nowadays for the beautiful music from Ryƻichi Sakamoto, Merry Christmas Mr. Lawrence is a worthy film that looks at the strained relationship between the prisoners and officers of a Japanese POW camp. It's a shame that it never feels like there's still a war raging beyond the confines of the camp but that may be more to do with the source material (it was, after all, based on a true story by Laurens van der Post) than limitations set on the film.

Tom Conti plays Col. John Lawrence, a man who finds himself favoured by the camp officers (a Sergeant played by Takeshi Kitano, billed here simply as Takeshi, and the Captain in charge of the camp, played by Sakamoto, the score composer). Col. Lawrence maintains his position by, for the most part, trying not to rock the boat as he also attempts to keep his fellow prisoners alive and well. It's a delicate balance, one that sees him frowned upon by the likes of Group Capt. Hicksley (Jack Thompson), and it's one that is upset as soon as Maj. Jack Celliers (David Bowie) arrives at the camp.

Directed by Nagisa Oshima, who also worked on the screenplay with Paul Mayersberg, Merry Christmas Mr Lawrence is a film about war that is most interested in showing viewers how every trait is heightened and warped under those conditions. Courage, cowardice, love, hate, lust, remorse, happiness, and more. The central characters deal with all of these things in a variety of ways, and we're often shown the motivation for their decisions, either in the moment or through flashbacks that explain their stubborn refusal to make life easier for themselves (in the case of Celliers).

This is a superb role for Conti, giving a fantastic performance as the typical Brit soldier who hopes to keep calm and act with a modicum of grace in the face of great brutality. The other standout turn comes from Takeshi Kitano, playing someone who at first seems irredeemable but who may be more than just your cliched sadistic camp worker. Sakamoto has more difficult material to work with, and he isn't quite up to the task (he's a better musician than actor), but Bowie does well, working effectively in some difficult scenes that benefit from the fact that the character is being played by David Bowie (and what viewers know of his established persona). Thompson does well in his small role, and there are a number of cast members who make a good impression in their limited screentime, such as Alistair Browning, James Malcolm, and Johnny Ohkura.

Those expecting something powerful and emotional may be surprised to find a coldness here. Merry Christmas Mr. Lawrence is much more about the psychological changes and damage that can be caused by war. It spends a lot of time, both subtly and more overtly, showing how the central characters affect each other, on purpose and by accident. It's almost a case study, at times, and not all of the directorial and scripting decisions work as well as they could, but there are times when it is magnificent. And a lot of those times are accompanied by that beautiful Sakamoto score.

This wouldn't make it into any kind of top list, if I had the inclination to try and rank the war movies I have seen in my life, but I am glad to have finally seen it. Bowie was the name I remembered most being associated with it, but it's Conti and Kitano who own the film.

7/10

There's a blu ray here.
Americans can get it on Criterion here.


Friday, 12 October 2012

Feed (2005)

Directed by Brett Leonard and written by Kieran Galvin (based on an idea by the two leads, Patrick Thompson and Alex O'Loughlin), Feed is a standard thriller in many ways but it takes things to such extremes that everything soon becomes quite horrific. It's also, sadly, a bit muddled in pretty much every other scene. The movie clearly wants to do a good job, make some interesting points and mix a lot of psychology in there with the more visceral stuff.

The basic plot sees an investigator of cybercrimes (Phillip Jackson, played by Patrick Thompson) trying to capture a twisted sicko (Michael Carter, played by Alex O'Loughlin) and put him where he belongs. The sicko runs a website that features ladies of a larger size. Nothing wrong with that if that's where it ended. Oh no, Michael keeps feeding and feeding these women and eventually starts taking bets on just when they will die. Phillip becomes more and more determined, some might say obsessive, in his attempts to catch Michael but the potential killer always seems to be one step ahead of him. AND he finds it easy to justify his actions. Hell, even his victims don't really see what he's doing wrong. He looks after them, he shows them affection and he always, always feeds them.

It's an interesting idea and it makes for, as you might expect, a number of grodd moments but Feed fails to make the most of the interesting psychology that it has going on. The fact that those being fed are so content and don't even realise that they are being slowly but surely moved towards their death.

The varying quality of the acting doesn't help. O'Loughlin is the best onscreen, possibly thanks to getting most of the best lines in the script, and Gabby Millgate is very good as the latest food lover but Patrick Thompson is pretty lousy, Jack Thompson is just as bad and Matthew Le Nevez is just . . . . . . there.

Leonard doesn't do too bad in the role of director, he's just let down by the muddled script and the uneven acting. The first 5-10 minutes contain the best moments but there's enough unpleasantness in the story to make it worth a watch for those who can stomach it (no pun intended), the ideas of the story are interesting and the movie has a fair selection of interesting covers on the soundtrack to accompany some of the startling imagery.

Not awful but it could have been so much better.

6/10

http://www.amazon.co.uk/Feed-DVD/dp/B000F7M6R8/ref=sr_1_1?ie=UTF8&qid=1350028082&sr=8-1