I Walked With A Zombie (1943)

Arguably the best thing about being a fan of cinema, and having over a century of cinema to work through, is the fact that there will always be some major classics to look forward to. Okay, I am sure there are some people out there who have seen everything they want to (and everything they feel they should watch, even if it is just checking off one of those “1000 Films To Watch Before You Die” lists). I am not one of those people. I still have a lot of films to get to that have glowing reputations I have been aware of for decades. I Walked With A Zombie is one of those films.

Frances Dee is Betsy Connell, a woman who takes a job as a nursemaid on the Caribbean island of Saint Sebastian. She ends up working for the Holland family. There is Paul Holland (Tom Conway), married to the patient, Jessica Holland (Christine Gordon), a woman who has been left in a “zombiefied” state after an accident some time ago. Wesley Rand (James Ellison) is Paul’s half-brother, simmering with regret and resentment. And the matriarch of the household is Mrs. Rand (Edith Barrett), a doctor who seems to have put a lot more faith in the local voodoo beliefs and practices than her science.

Another atmospheric film directed by Jacques Tourneur, and another one helped along immensely by producer Val Lewton, I Walk With A Zombie is a number of different things, from a discussion about the situation conflict between science and faith to a dark and stormy gothic romance, from an exploration of slavery to an exploration of deceit and guilt. What I would point out here, however, is that it doesn’t stand out as a horror film. I am happy enough to consider it within the genre, being non-rigid and fluid with genres is important, but I feel the need to mention this here, for fear of other late-comers who may be looking for a more straightforward zombie tale.

Although the title was lifted directly from a magazine article headline, writers Curt Siodmak and Ardel Wray feel as if they were given great freedom to plot their way around the titular event. Also taking great inspiration from Jane Eyre, the storyline allows everything to build to a crescendo without feeling rush (which is a pleasant surprise, considering that the runtime comes in at just under 70 minutes).

Dee is very good in her role, acting as a wonderfully calm mediator between many of the other characters. Conway and Ellison are both suitably perturbed in various ways, both pained by the central situation in different ways. Then you have Gordon, who makes one hell of an impact in the second half of the film, despite the fact that her character has no will of her own. Barrett is perfectly fine, Theresa Harris is a likable presence as the housemaid, Alma, and Sir Lancelot steals a scene or two with his singing of a song that seems to hint at the backstory of the Rand family.

It is always nice to finally get to a classic movie and find how well-deserved that reputation is. Thankfully, it happens quite often while working back through the rich history of cinema that is available to us. I Walked With A Zombie has everything you would hope. There’s great use of resources to make it look as good as can be, some wonderful music by Roy Webb, memorable characters being placed in jeopardy, and a finale as moving as it is tense.

8/10

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The Leopard Man (1943)

Another excellent film from Jacque Tourneur, once again teamed up with producer Val Lewton (this would be their third success in the span of just two years), The Leopard Man is a whole mess of different movie genres jumbled into one, and it's a fascinating subversion of everything you might expect from the title.

Let's start with that title anyway. There IS a leopard. It's used by a man who wants to create some publicity. Unfortunately, the leopard is frightened and runs away, which leads to people searching for the creature. The more time goes by without the leopard being found, the more deaths occur. Most people assume that the deaths are caused by the wild animal, but some start to think about other possibilities.

Dennis O'Keefe plays Jerry Manning, the promoter who could arguably be referred to as the titular character, but there's also the owner of the leopard (Charlie, played by Abner Biberman), as well as anyone who may be opportunistically using the situation to act on some murderous impulses. Kiki (Jean Brooks) is a nightclub performer, but she may also become a victim of the "leopard", as could Teresa (Margaret Landry), Consuela (Tuulikki Paananen), Clo-Clo (Margo), and a fortune teller named Maria (Isabel Jewell). There are also some other male characters, but they all feel much more like suspects than potential mauled bodies.

Tourneur shows his usual talent for beautifully framing most of the main scenes, and once again shows how much more effective it can be to not show the audience what might be lurking in shadows, or even just outwith the edges of the screen. The script by Ardel Wray (adapting the material from “Black Alibi”, by Cornell Woolrich, from page to screen) is very good, although slightly disparate and episodic in nature throughout the first half. The main ideas are developed nicely though, and there are some great dialogue exchanges between characters. Nothing here ranks alongside the best work from the film-makers involved, but it has a consistent level of quality throughout.

O’Keefe and Brooks are decent nominal leads, easy enough to tag along with and root for, but the fun here comes from the wonderful variety of supporting players, whether they are in one scene or most of the movie. Biberman and Jewell were my personal favourites, but everyone manages to make a surprisingly strong impression, no matter how much screentime they have.

Although seemingly very easy to dismiss, especially while the plot seems very straightforward in the opening scenes, this turns into a real little gem of a film. I wouldn’t hold it up as a classic, not even a minor one, but it’s easy to enjoy, easy to appreciate, and easy to squeeze into your viewing schedule (with a runtime of approximately 66 minutes).

7/10

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Out Of The Past (1947)

Robert Mitchum stars in this classic film noir, directed by Jacques Tourneur and written by Daniel Mainwaring (using the name Geoffrey Homes to adapt his own novel, "Build My Gallows High).

When Mitchum first appears onscreen he is just Jeff Bailey, the owner of a gas station in a small town, causing small ripples with his blossoming romance with Ann Miller (Virginia Huston). It's not long until we find out about Mitchum's past, due to the appearance of a man named Joe (Paul Valentine). Joe wants Jeff to accompany him to meet up with a gangster named Whit (Kirk Douglas), which leads to Jeff having to tell Ann all about a tale from his past that he'd hoped to forget. A tale of love, crime and a woman named Kathie (Jane Greer).

A film that moves from relative light to darkness, Out Of The Past is noir in an almost literal sense, as a shadow falls over the life of the main character and starts to grow, consuming him and keeping him in its clutches. For fans of noir, and this film in particular, there's a much better review here by Christianne Benedict (damn her for being such a consistently better wordsmith and more knowledgeable cinephile than I am). But I will struggle on and try to write down my own thoughts on the film.

As you might expect from the talent, both onscreen and off, this is a class act, through and through. The script is very good, packed with information and small details that all feed into the plot, but the emphasis is on the visuals, as Mitchum is consumed by a past that he thought he'd escaped.

By the time the third act comes along, viewers may sense an air of fatalism. Many noirs have that aspect, but this one is more poignant than most. Mitchum is an anti-hero with a better heart, a character less deserving of any bad luck than most from these movies. Of course, he makes a few bad decisions, but he does so out of love, as opposed to greed (although it could be argued that such a strong love IS a form of greed).

The cast all do a great job. Mitchum may have been better, in my opinion, showing the cheeky charm that he showed in The Big Steal, and his best performance remains the peerless Night Of The Hunter, but he's very easy to like here, he's a flawed character that everyone will root for. Douglas is a great bad guy, all the more dangerous for being so charming and pleasant. Huston is sweet as Ann Miller, perfectly balancing out the cool, twisty turn by Greer as Kathie.

Rightly regarded by many as one of the classic film noirs, Out Of The Past manages to check all of the boxes, and deliver style and entertainment in spades, while still twisting things subtly to help it stand out from the pack. It also, unlike many other (still great) films in this style, manages to marry the cool, thriller aspects with some real heart.

9/10

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Night Of The Demon (1957)

Rightly regarded as a classic of the horror genre by many, Night Of The Demon is directed by the great Jacques Tourneur and based on the short story "Casting The Runes" by the great M. R. James. So it's basically got a foundation of greatness. The cast, which includes Dana Andrews, Peggy Cummins and Nial MacGinnis, is full of people just right for their characters and therefore the movie can't really fail.

But then there are those moments in which the titular demon is shown onscreen. We'll get to those scenes later.

The plot is all about Dr. John Holden (Dana Andrews) and his visit to England to expose the workings of cult leader Dr. Julian Karswell (Nial MacGinnis). When he arrives, Dr. Holden is upset to hear that a colleague he was collaborating with (Professor Harrington, played by Maurice Denham) is dead. He is determined to continue his work but also ends up being assisted by Harrington's niece, Joanne (Peggy Cummins), as he investigates the mysterious death of the Professor. Meanwhile, Dr. Karswell predicts another death and seems very confident in his powers. Initially dismissive of the paranormal, Dr. Holden starts to believe that there may be something more happening that can't be easily explained but he only has a few days left to get to the bottom of everything if he is to avoid his own premature death.

With so many scenes positively dripping with atmosphere and some wonderful exchanges between "rational minds" and those who believe in the paranormal, Night Of The Demon is both old-fashioned horror at its simplest and best and also intelligent and full of characters who are enjoyably sceptical of what they see as a load of hokum.

Impressively, that scepticism runs through most of the movie. There are times when things occur that could be just coincidence (such as the moment in which Dr. Karswell "conjures up" a strong wind) and the movie is almost as much about the way in which people only need to believe in something bad for their behaviour to change in such a way that brings about a self-fulfilling prophecy.

The script is by Charles Bennett and Hal E. Chester (who was also an executive producer and quite a meddlesome presence), with some uncredited work from Cy Endfield, and they deserve their credit but the fact is that the source material was superb. For that reason, even though it may seem slightly unfair, I give the most thanks to M. R. James and director Tourneur, who knew exactly how to make the best of every scene.

Oh, I've still to mention the moments when the demon itself appears onscreen. This has long been a bone of contention among many horror fans, with most claiming that those scenes spoil an otherwise perfect film. Tourneur claims that he never wanted the demon to be shown so directly and the blame is often heaped upon Chester for this major mis-step. Mind you, according to the excellent Beating The Devil: The Making Of Night Of The Demon by Tony Earnshaw, the offending, unambiguous shots were included in the early stages of production development.

I'm in agreement with the majority anyway, those scenes DO spoil an otherwise perfect film. On the other hand, this movie has that great mix of onscreen quality and offscreen turbulence that makes it just as enjoyable to watch and investigate further nowadays as it would have been over 50 years ago.

8/10

http://www.amazon.co.uk/Night-Demon-DVD-Dana-Andrews/dp/B003WL825Y/ref=sr_1_1?ie=UTF8&qid=1352567601&sr=8-1