Dead By Dawn 2018: An American Werewolf In London (1981)

Reposted from my Flickfeast.co.uk review.

Two young Americans, David (David Naughton) and Jack (Griffin Dunne), are trudging across the moors of Northern England when they are attacked by a large, deadly creature. Jack is killed instantly and David survives, only to be informed (by Jack, who is now cursed to wander the Earth as a member of the undead) that he will sprout fur and fangs at the time of the next full moon, hence the title. Despite this worry, David still manages to impress the beautiful nurse looking after him (Jenny Agutter) and gets his wicked way with our very own English Rose in a scene that fuelled many the fantasy of a young lad in the mid-80s. But will his happiness last? Is he going mad? Or will he, indeed, start howling at the next full moon?

If you haven’t seen this perfectly crafted horror-comedy (though director John Landis prefers to call it a horror movie that lets you laugh)  then stop reading this review and do so immediately. Now! It is a favourite for many, many people (certainly one of mine) and remains one of the best blending of those two genres ever made. I also think that this movie, alongside Scanners, helped to expand the newly introduced home entertainment market (thanks to the major rewind moments – Scanners had that exploding head scene and this movie has not only a naked Jenny Agutter but also THE finest werewolf transformation ever committed to film, for which I am eternally in awe of the magnificent Rick Baker . . . and we shouldn’t forget his sterling work in making Jack a very real, very decomposing member of the undead). Just watch it. Seriously. Now.

For those of you who have seen it or have just watched it for the first time, how many highlights can you think of right now? It’s a long and impressive list and, in a random stream of consciousness, I would have to plump for the following: the soundtrack filled with songs that have “moon” in the title, the adult movie titled “See You Next Wednesday” (a Landis trademark in-joke for some time), a young Rik Mayall on screen for seconds, “The Slaughtered Lamb”, the amusing comic relief from the staid policemen, Frank Oz in both muppet and non-muppet form, David Naughton checking his teeth in the mirror and THAT transformation sequence. Throw in an amazing finale set in Piccadilly Circus, genuinely good acting from all three of thhe main leads, a witty script full of love for the lycanthrope myths and great direction PLUS a hell of a lot more and you have the greatest werewolf movie ever made, for my money anyway.

10/10

Buy the disc here.
Americanos can get it here.

The one, the only . . . ME. With that there John Landis.

April Fools: The Parole Officer (2001)

While it wasn't his first movie role, The Parole Officer was certainly the first movie with Steve Coogan in it that tried to sell him as the main draw. It tends to be forgotten now, thanks to the large body of work that Coogan has built up, both on the big screen and back in TV land, but I think it remains a fantastic British comedy, very much an updated "little man against the odds" romp that brings to mind some of the Ealing Studios classics.

Coogan is the main character, a probation officer named Simon Garden who ends up witnessing a man murdered at the hands of the corrupt Inspector Burton (Stephen Dillane). The only proof that could take the heat off Simon, who is being set up with some incriminating evidence, and show that the Inspector actually did it, is a videotape. Unfortunately, that tape has been locked away in a secure bank vault. Simon rounds up a few people that he has helped in the past and tries to convince them that if they help him commit this robbery then they are, in fact, doing a very good deed.

It may never hit the comedy heights that some might want to see from Coogan, but The Parole Officer is a solid provider of chuckles from start to finish. The script, written by Coogan and Henry Normal, is based more around the characters than one-liners, but that's perfectly fine when the characters are so much fun.

Coogan's character isn't just another Alan Partridge, but there is a shade of him in there, as Simon Garden also lacks self-awareness, at times, and can be similarly awkward. The character does provide laughs, but he's often more of a straight man to the motley crew he assembles to help him in his crime, four people played by Om Puri, Steven Waddington, Ben Miller and Emma Williams - all on fine form as the rehabilitated criminals with the skills to help Simon in his task. Dillane is a very good baddie, and the lovely Lena Headey is as lovely as ever, playing a police officer and potential love interest. There are also a couple of nice cameos from Jenny Agutter and Omar Sharif to add to the fun.

Director John Duigan keeps things moving along nicely, moving between moments of banter between the would-be robbers, some tension, and then some more of the grand robbery scheme, with plenty of comedy puncturing everything. It's all done in a very genteel style, at times, but there are still one or two moments of crudity (and, they may be crude but they ARE funny), with the end result being a very satisfying mix of verbal wit, sight gags and, well, a bit of vomit.

It might not become a firm favourite, and you might never revisit it, but I think The Parole Officer is a very good film, so I'll keep championing it after everyone else seems to have forgotten all about it.

8/10

http://www.amazon.co.uk/Parole-Officer-DVD-Steve-Coogan/dp/B00005Y415/ref=sr_1_1?s=dvd&ie=UTF8&qid=1397247332&sr=1-1&keywords=the+parole+officer