Showing posts with label kathleen freeman. Show all posts
Showing posts with label kathleen freeman. Show all posts

Thursday, 15 April 2021

The Willies (1990)

A strange mix of comedy and horror aimed mainly at children (I would say the perfect age range for this is about 10-13), The Willies is an anthology film that makes the mistake of not maintaining the energy and fun of its opening sequence.

Sean Astin, Jason Horst, and Joshua John Miller are three kids spending a night together in a tent. Which means they obviously start to tell one another scary stories. After a few “appetisers” it is on to the mains. Story one involves a young, put-upon, school student who discovers a creature that will happily munch on anyone it catches. Story two involves a teenager who is obsessed with dead flies, even putting them into biscuits that he then tries to get others to eat. 

Written and directed by Brian Peck, an actor who has only helmed this one film, The Willies is easy to see appealing to younger viewers, if they can be patient through the less horrifying moments. Think of a cross between Goosebumps and any American TV show that just depicts a couple of main characters being deemed as outcasts in their school and you should know the tone. Peck does well when it comes to the scares, knowing just how far to push things with the tension and occasional gore effects, but he sets everyone up for some disappointment by presenting a strong opening that the rest of the film never equals.

The child actors already mentioned do just fine in their wraparound section. Ian Fried is a decent young lead, playing Danny Hollister in the first main story about the creature in the school, but Michael Bower isn’t given enough to help make him worth journeying with throughout the second story. Genre fans will have fun seeing the likes of Kimmy Robertson, James Karen, Kathleen Freeman, and a few other familiar faces in supporting roles.

I am fairly sure that I have heard some friends refer to this film with some fondness, and I guess seeing it at the right time would explain that. Although not a great anthology, nor a great kid’s film, it’s a fantastic gateway. But even then . . . you could always just pick the wonderful “Eerie, Indiana”.

6/10

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Wednesday, 30 April 2014

April Fools: Naked Gun 33 1/3: The Final Insult (1994)

At the time of writing, this is the last movie in The Naked Gun franchise. Ed Helms is being lined up to take over the main role, apparently, but it's hard to think of anyone being able to make the role their own after such fine work from the late, great Leslie Nielsen.

In this absurd adventre, Frank Drebin (Nielsen) has retired from the police force. He's happily married to Jane (Priscilla Presley) but misses being able to legally shoot people in the street. The fact that Jane wants to start a family also causes him some stress, something that he escapes when Ed (George Kennedy) and Nordberg (O. J. Simpson) call on him for help. They want Frank to go undercover, to get close to a criminal named Rocco (Fred Ward), and to find out about whatever bad, explosive plans he has in store.

All of the main players are as good as they have been in the previous movies, and Fred Ward is a lot of fun as Rocco. Kathleen Freeman is also very good as Rocco's mother, Muriel, but the good work by everyone else is almost undone by Anna Nicole Smith, playing Rocco's gal, Tanya. She's not quite as bad as some people would have you believe, but . . . . . . . . . . she's . . . . . . not good, and is easily the worst performer onscreen.

With Peter Segal taking over the directorial duties this time around, there's definitely something lacking from this third trip to the well. Perhaps it's just the law of diminishing returns, or familiarity breeding contempt, because there are still a number of great gags packed into the script (written by David Zucker, Pat Proft and Robert LoCash). The opening sequence, in particular, is a doozy. In fact, maybe the rest of the film simply suffers in comparison to that great comic riff on The Untouchables. The finale, taking place at the Academy Awards ceremony, may feel a bit tired and desperate, but it's hard to judge the movie too harshly when it comes as the capper to so many laughs and fun moments.

I can't imagine any fans of this type of humour hating this film, but a sense of disappointment may well outweigh a lot of the good feeling. I still like this, I just like it less than the first two movies. But those first two movies, to be fair, were SO good.

6/10

http://www.amazon.com/Film-Favorites-Nielsen-Wrongfully-Accused/dp/B00AMSQBUI/ref=sr_1_2?ie=UTF8&qid=1398040171&sr=8-2&keywords=naked+gun