Showing posts with label kaylee hottle. Show all posts
Showing posts with label kaylee hottle. Show all posts

Friday, 14 June 2024

Godzilla × Kong: The New Empire (2024)

While I may have been thinking about it a lot during the movie, I will not be reviewing Godzilla x Kong: The New Empire in direct comparison to every other Godzilla movie that we've seen in recent years. That wouldn't be fair, especially in the wake of the superb Godzilla: Minus One, and it's fair to say that, whether you like or dislike this movie, it feels like an attempt to stay true to the featured big beasties while taking the movie series into even wilder and more fantastical territory.

Kong is lonely. That's pretty much what the movie starts with. He also has a toothache. So he moves from the Hollow Earth back to the surface of our planet, where he can receive some dentistry from a brave specialist vet, Trapper (Dan Stevens). Meanwhile, Godzilla is on the move, and there are signs that things are changing down in Hollow Earth. Ilene Andrews (Rebecca Hall) heads there, accompanied by her adopted daughter, Jia (Kaylee Hottle),  a returning Bernie Hayes (podcaster and social media ägitator", played by Brian Tyree Henry), Trapper, and Mikael (Alex Ferns). It doesn't take long to start figuring out what kind of new problem they have on their hands, but can they figure out a solution before Kong is badly affected by it. And will Godzilla be of any help to them?

With so many people returning to roles both behind and in front of the camera, this could have easily been an easy continuation of the storyline that proved to be so much fun in Godzilla Vs. Kong. Adam Wingard is back at the helm, having helped to develop the story for this with Terry Rossio and Simon Barrett, assisted by Jeremy Slater when moving from story to screenplay form. They do try to stick to the rules that were put in place in the last movie, but they also try to keep moving faster in between the set-pieces to avoid giving viewers enough time to pick apart the many plot holes.

The cast all seem to know that they're very much playing second fiddle to the headlining creatures, and that's fine. Both Hall and Henry try their best with some weak dialogue, Hottle remains as cute and vulnerable as she was in the previous film, and everyone watching can breathe a sigh of relief whenever Stevens is onscreen, because he actually knows how to lean into the silliness of everything and have fun with his role. 

A blockbuster movie doesn't need to make great use of the human cast, and nor does it need a script that would win any literary awards. Sometimes just being fun and spectacular is enough, and any film with both Godzilla and King Kong in it should deliver on that front. Welllllllll . . . I don't think this does. There a few great visual moments here and there, especially when Godzilla in being shown travelling around the planet, but most of this film is an ugly mess, with an overuse of CGI that varies wildly in quality, a lack of decent reference points to keep track of locations and scale, and a disappointing lack of weight (sometimes literally). There are also scenes of mass destruction that focus on buildings and cityscapes being reduced to rubble without maintaining any interest in the human cost. But that’s all meant to be ignored because there are occasional moments that make good use of neon.

I wanted to have fun with this, but it never once hooked me in. There is a nice extra “cameo” later in the movie that I enjoyed, but the film needed to do more elsewhere. A better script, a better main villain, better visual effects, and generally something that makes it easier to ignore the inherent silliness of it all and just enjoy the monster mash moments.

4/10

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Tuesday, 6 April 2021

Godzilla Vs. Kong (2021)

Adam Wingard gets his turn to direct a film featuring famous giant monsters and you may have already heard from a lot of people who are delighted with how Godzilla vs. Kong plays out. I enjoyed it, particularly the fun little moments that seemed to reference other movies (there's a particularly enjoyable Jaws reference during the first major encounter), but there are some things stopping it from being the film that finally gets everything right in this developed Monsterverse.

Let's get the plot out of the way first. A big corporation, Apex, want to find a way down and into the Hollow Earth, a space underneath us where the titans may have originated. They hope to find a powerful energy source down there, and the best way of making it there is to follow Kong, who has been kept in a containment unit near Skull Island that looks generally pretty similar to Skull Island. This leads to some Monarch staff (mainly Ilene Andrews, played by Rebecca Hall) journeying with a scientist (Nathan Lind, played by Alexander Skarsgård) and some Apex bods to a place where they can drop off Kong, and hopefully follow him down into the Hollow Earth. But transporting Kong may alert Godzilla to his presence, which could lead to a fight between the two of them. There's also a little deaf girl (Jia, played by Kaylee Hottle) who can communicate with Kong, and the return of Madison Russell (Mille Bobby Brown), who teams up with a friend (Josh, played by Julian Dennison) and a podcaster/Apex-insider (Bernie, played by Brian Tyree Henry) to find out what is behind the recent resurgence of Godzilla, and his attack on a specific Apex site.

What I've just summarised there is pretty much everything you need to know about the plot of Godzilla vs. Kong. In fact, if you were to miss large sections of the movie and only saw the fight scenes then you could thank me for keeping you up to date. It's understandable that this is a film that plots everything out as an excuse to give viewers scenes with the two titans battling one another. That's the selling point, and Wingard definitely delivers on that front.

The action is nicely shot, enough of the surrounding environment has some weight to it as it all gets demolished, and there is a smooth and clear approach that allows you to enjoy the loud noises and spectacle without getting a headache. No small feat.

The screenplay, by Eric Pearson and Max Borenstein, is nonsense, but it's nonsense that is generally perfectly acceptable for this kind of thing. The science seems vaguely plausible, the characters work together, or fight one another, for believable reasons, and everything kills time in between the moments of mass destruction. It's a shame, however, that the script feels the need to include the characters of Madison, Josh, and Brian. Their inclusion feels completely unnecessary, and moments featuring them could have easily been transferred to other characters. It would have also saved us from some of the worst of the acting, which I'll get to next.

In the Kong-centric narrative strand, the cast do well with what they're given. Skarsgård is likeable and has the right motives for his actions, Hall feels very much like a perfect fit for her character, and young Hottle shines in the moments that highlight her smallness against the giant figure of Kong. Eiza González also works well, the company figure along to make sure any decisions made protect the Apex investment. Elsewhere, sadly, the acting ranges from poor to downright abysmal. Demián Bichir is Walter Simmons, heading up Apex, and is basically asked to act as if he's wearing a monocle and twirling a moustache. Then you have that aforementioned trio. Henry is good fun, but Dennison is wasted (it's the only film I have seen him in so far where I didn't warm to his character), and Brown is so bad at times that I was waiting for her to "break character" onscreen and show that she was playing someone trying to emulate tough and determined from characters she'd seen in other movies. She doesn't, which means the moments with her over-acting to show she is tough and determined are actually choices made for the performance. She's never been that bad in anything else, which leaves me to wonder whether she'll struggle to transition into other non-Stranger Things roles, or whether Wingard was just not great at directing his cast.

But the action delivers, and that's what a lot of people wanted from this film. It's what a lot of people wanted from all of the films in this Monsterverse, but different approaches elsewhere have led to wildly varying results. Personally, I prefer the first two movies in this cinematic series, but this has a number of highlights that are undeniably pleasing for fans of the featured titans (including a third "fighter" that was obvious to anyone who looked more closely at some of the trailers).

Watch it, enjoy it, have a big bowl of popcorn with it, and don't overthink any of the plot details. I'll happily buy it when it becomes available, but I still much prefer the stranger pleasures of Shin Godzilla.

6/10

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