Showing posts with label kerry washington. Show all posts
Showing posts with label kerry washington. Show all posts

Sunday, 18 January 2026

Netflix And Chill: Wake Up Dead Man (2025)

It's time for another Benoit Blanc mystery written and directed by Rian Johnson and this time around the murder mystery has repercussions that affect a small local church. There are more twists and turns, there's another stacked cast (although, with respect, maybe not as stacked as the previous two movies), and Craig feels as if he has become completely comfortable in a role that has most successfully allowed him to move further away from under the shadow of Bond. Is it any good though?

The short answer is yes. The longer answer is that Wake Up Dead Man is perhaps the most interesting and substantial Benoit Blanc mystery yet, but it's not necessarily as much fun as the previous instalments in the series.

A Monsignor is the murder victim this time, but he also might have enough belief in the idea of resurrection to make his death less permanent than some others (hence the title). The main suspects are a younger priest with a troubled past, loyal members of a small congregation, and . . . some divine retribution?

I expected to have fun with Wake Up Dead Man. I expected to enjoy the cast, which also includes sizeable roles for Josh O'Connor, Josh Brolin, Jeremy Renner, Andrew Scott, Thomas Haden Church, Glenn Close, Kerry Washington, Daryl McCormack, Cailee Spaeny, and Mila Kunis. What I didn't expect was a film that mixed a murder mystery with an exploration of organised religion, personal faith, and the good and bad aspects of both. Some of the cast members may suffer slightly as they wait on the sidelines for some of the runtime, and Blanc himself doesn't come into the movie until about the 40-45 minute mark, but it's impressive to see Johnson use the template for such a thoughtful and insightful conversation about how people can be guided, or misguided, by someone, or something, helping to direct their moral compass.

Both O'Connor and Brolin are superb in their roles, the former quiet and contemplative while the latter is keen to deliver some fire and brimstone fury in sermons designed to drive away those he disapproves of, and Close, Washington, and Scott are the highlights from the rest of the ensemble, although everyone does good work. Then you have Craig, having even more fun this time around with a character who is more comfortable in his own skin than anyone else onscreen. 

Johnson knows that he has people onside by this point. That gives him the space and time to wander around some new territory, always checking back in often enough to show us what is happening with the murder investigation. Patience is rewarded, no questions are left unanswered, and Johnson makes effective use of our goodwill without squandering it.

Some have already stated that this is their favourite Benoit Blanc mystery yet. I'm sure there are others who were disappointed. I'm also sure that it has at least done enough, in terms of audience numbers and conversations, to make a fourth outing very possible. Johnson seems to be very happy helming these, Craig seems to be just as happy to star in them, and viewers tend to be happy with the end result. I'm already curious as to what song title will be used next. 

8/10

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Thursday, 16 May 2024

Ani-MAY-tion: Cars 3 (2017)

Here I am at last, at the end of my journey through the cinematic world of Cars. I now have to decide whether or not I want to check out both Planes movies, which are also set in this world, as far as I am aware. We all know I will check them out, it’s just a matter of exactly when I will get to them.

Considering how disappointed I was by the second movie, I am happy to say that Cars 3 was a film that I really enjoyed. Yes, it returned to the more formulaic plotting of the first film, but it felt like a natural and worthwhile story that returned the focus back to the main character of Lightning McQueen. 

Having maintained his successful career for many years, McQueen (once again voiced by Owen Wilson) finds himself on a bit of a losing streak. He cannot figure out how to beat the fast and cocky Jackson Storm (Armie Hammer), who has both superior technology and youth on his side. McQueen believes that he can still learn a trick or two to avoid ending his career on a low, but he needs to be willing to see and hear the lessons from his newly-assigned trainer, Cruz Ramirez (Cristela Alonzo). He also misses being able to learn from Doc, but the one way to re-establish that connection is perhaps to find the car that trained his late friend and mentor. That would be Smokey (Chris Cooper). 

Brian Fee takes over the directorial duties here, also helping to brainstorm the story idea that would be shaped into a screenplay by Kiel Murray, Bob Peterson, and Mike Rich. It’s a simple premise - the sports star struggling to accept his inability to stop the advancing years from taking their toll - and it’s handled well, with a consistent message about friendship and hard work being more valuable than fancy technology and large amounts of cash. Falling out of love with something, whether it is a sport, a hobby, or yourself, can lead to a better appreciation when you manage to remember what you loved about it.

While the voice cast all do a great job, and Nathan Fillion is a fun addition (playing a character who only really considers the potential earnings ahead of the real thrill of the racing life), the star here is the animation. That is to be expected, considering the team involved in making this, but I didn’t expect this to be as good as it is. Not only is it colourful and gorgeous throughout, the sense of proper speed is very impressive, and every main racing sequence, of which there are a few, is a real visual treat.

The more I think about this film while writing this review, the more I realise it is my favourite of the three. Easily. The main characters are more appealing, the pacing and plotting is better, and it works as both an entertaining standalone tale and a fitting conclusion to a wildly uneven trilogy. I can see myself rewatching this already, which isn’t a thought I had about the previous movies.

8/10

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