AKA Desert Heat.
Inferno is one of those odd little movies that somehow gets itself a decent cast, has some decent humour, and has the potential to be a hidden gem. The reason that it never realises that potential lies with director John G. Avildsen, as well as Jean-Claude Van Damme (still struggling to recapture that onscreen charisma that helped him become a star over a decade previously).
Van Damme plays Eddie Lomax, a man who starts the film drunk in the middle of a desert area. He's staggering around and talking to someone, a person who may just be a figment of his imagination, and about to kill himself. His drinking and gun-waving ends up interrupted by some locals who beat him and take a motorbike that we was intending to deliver to his friend (Danny Trejo). This leads to Eddie eventually reaching a nearby town and pitting two gangs against one another while he helps to cut down their numbers.
Another reworking of Yojimbo (which is namechecked at the end, for anyone who misses it while the plot unfolds), Inferno feels very much like it is unsure of where it wants to go. The violence doesn't have the impact that it should, the moments of humour feel out of place, and scenes that skirt close to being sweaty and sleazy are too short to help the overall feel of the film. Writer Tom O'Rourke has fun but I'm not sure that director John G. Avildsen is on the same wavelength, perhaps more worried about the visual style or delivering moments that action movie fans will expect.
Aside from our leading man, the supporting cast here is generally well selected. You get Trejo, of course. Gabrielle Fitzpatrick is the woman who may catch the eye of the lead, and she does okay, but you also get Silas Weir Mitchell, Pat Morita, Larry Drake, and Jaime Pressly, as well as a horribly inappropriate bit of casting in the shape of Vincent Schiavelli playing a Mr Singh.
This should have been more in line with Last Man Standing, but with fists and feet replacing the guns from that film. I think ramping up the impact of the violence and the exploits of the bad guys would have made things ultimately more enjoyable. But it didn't do that. So what we end up with is an action thriller that titillates occasionally with the content (a couple of moments of sudden violence, one main sex scene) but is really playing it safe, for the most part. Casual JCVD fans should find it enjoyable enough though.
4/10
You can pick up the disc here.
Americans can get it here.
Showing posts with label larry drake. Show all posts
Showing posts with label larry drake. Show all posts
Wednesday, 20 June 2018
June-Claude Van Damme: Inferno (1999)
Labels:
action,
danny trejo,
desert heat,
gabrielle fitzpatrick,
inferno,
jaime pressly,
jean-claude van damme,
john g. avildsen,
larry drake,
pat morita,
silas weir mitchell,
tom o'rourke,
vincent schiavelli
Tuesday, 30 October 2012
Dark Night Of The Scarecrow (1981)
Fondly remembered by many as one of the scariest TV movies ever made, let me bring everyone crashing down to the here and now by simply saying that it's not. Dark Night Of The Scarecrow is a good little film, and it has a few nice, spooky moments but it's not up there with the likes of Don't Go To Sleep (which I can't find anywhere on DVD but can find HERE on YouTube in its entirety), Don't Be Afraid Of The Dark and, of course, Ghostwatch.
The story is all about the kindly but mentally challenged Bubba Ritter (Larry Drake), a man who spends a lot of time hanging about with a young girl called Marylee (Tonya Crowe). When Marylee is attacked by a big dog, Bubba gets the blame. There are a number of local men (stirred up by Otis P. Hazelrigg, played by Charles Durning) looking for any excuse to teach him a lesson and the harming of the young girl gives them all the impetus they need. Frightened Bubba tries to hide himself as a scarecrow but it's no good. The men discover and kill him. When they realise that they made a mistake, the little girl ends up recovering and her life was actually saved by Bubba, they begin to worry. Thankfully, the court believes the story that they concoct and they remain free men. Justice will have to be served in another way.
Directed by Frank De Felitta, and scripted by J. D. Feigelson (who wrote the story for the film with Butler Handcock), Dark Night Of The Scarecrow moves along well enough and has one or two great set-pieces but the real plus point for the movie is how dark the undercurrents are. The treatment of Bubba and the lynch-mob mentality is disturbing enough but things get even more uncomfortable as the mental state of Otis P. Hazelrigg becomes clearer.
The acting from all concerned is very good. Larry Drake doesn't have a lot of screentime but is memorable in his role. Charles Durning is a highlight, but he's matched by Robert F. Lyons, Claude Earl Jones and Lane Smith - each and every one a coward only acting brave as a gun-toting posse. Jocelyn Brando also does well as Bubba's loving mother and Tonya Crowe acquits herself capably.
It's not full of blood and guts, instead presenting itself as one of the many horror movies proving that you don't need gore to please fans of the genre. The atmosphere is nice and spooky at times and the final few minutes are great but, overall, the movie is a solid one as opposed to any kind of classic.
6/10
Fans of the film will be happy to find that this Bluray release is region-free - http://www.amazon.co.uk/Dark-Night-Scarecrow-Blu-ray-Import/dp/B005CSYQ5U/ref=sr_1_3?ie=UTF8&qid=1351589437&sr=8-3
The story is all about the kindly but mentally challenged Bubba Ritter (Larry Drake), a man who spends a lot of time hanging about with a young girl called Marylee (Tonya Crowe). When Marylee is attacked by a big dog, Bubba gets the blame. There are a number of local men (stirred up by Otis P. Hazelrigg, played by Charles Durning) looking for any excuse to teach him a lesson and the harming of the young girl gives them all the impetus they need. Frightened Bubba tries to hide himself as a scarecrow but it's no good. The men discover and kill him. When they realise that they made a mistake, the little girl ends up recovering and her life was actually saved by Bubba, they begin to worry. Thankfully, the court believes the story that they concoct and they remain free men. Justice will have to be served in another way.
Directed by Frank De Felitta, and scripted by J. D. Feigelson (who wrote the story for the film with Butler Handcock), Dark Night Of The Scarecrow moves along well enough and has one or two great set-pieces but the real plus point for the movie is how dark the undercurrents are. The treatment of Bubba and the lynch-mob mentality is disturbing enough but things get even more uncomfortable as the mental state of Otis P. Hazelrigg becomes clearer.
The acting from all concerned is very good. Larry Drake doesn't have a lot of screentime but is memorable in his role. Charles Durning is a highlight, but he's matched by Robert F. Lyons, Claude Earl Jones and Lane Smith - each and every one a coward only acting brave as a gun-toting posse. Jocelyn Brando also does well as Bubba's loving mother and Tonya Crowe acquits herself capably.
It's not full of blood and guts, instead presenting itself as one of the many horror movies proving that you don't need gore to please fans of the genre. The atmosphere is nice and spooky at times and the final few minutes are great but, overall, the movie is a solid one as opposed to any kind of classic.
6/10
Fans of the film will be happy to find that this Bluray release is region-free - http://www.amazon.co.uk/Dark-Night-Scarecrow-Blu-ray-Import/dp/B005CSYQ5U/ref=sr_1_3?ie=UTF8&qid=1351589437&sr=8-3
Labels:
butler handcock,
charles durning,
claude earl jones,
dark night of the scarecrow,
frank de felitta,
horror,
j d feigelson,
jocelyn brando,
lane smith,
larry drake,
robert f lyons,
tom taylor,
tonya crowe
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