Interestingly enough, looking to pick my usual Shudder choice for the week, I saw some comments mentioning the fact that A Bluebird In My Heart had a certain noir quality to it. Hmmmmmm, having now watched the film, I am not sure I would agree. It comes close though, and considering that nothing is necessarily set in stone when it comes to the conventions, and the way various elements are used and reworked, I would say that it comes close enough to count for anyone trying to maintain a streak of constant noir for the month.
Roland Møller plays Danny, a man just out of prison and hoping to keep himself to himself while he starts to build his life again. He's staying in a motel, run by Laurence (Veerle Baetens), who is struggling to keep up with things while also dealing with her daughter, Clara (Lola Le Lann). Clara is intrigued by the new tenant, befriending him and then bombarding him with a number of questions while she reveals the main cause of her current unhappiness. As much as he tries not to be involved with those around him, Danny ends up having to take control of a very bad situation when Clara is assaulted, threatening his plans for peace and quiet.
Written and directed by Jérémie Guez, who adapted the novel by Dannie M. Martin, A Bluebird In My Heart is a difficult film to get a proper handle. It's very good, and very well put together, but it's also structured in such a way that you never really feel any sense of tension or urgency. Danny is a character who you quickly surmise will always be able to handle himself, whether out of prison or back inside, and therefore the film being about him being dragged into a sticky situation means the ending doesn't really matter. The other main characters (Laurence, Clara, and a woman named Nadia, played by Lubna Azabal) never feel endangered by the actions of Danny, making the journey essentially his and his alone, although it is Clara who goes through the biggest trauma.
That's not enough to drag the film down too far though, and Guez does a good enough job as writer-director to ensure that patient viewers will enjoy the journey he takes you on. There may be few surprises here, and there's at least one horrible unearned moment within the last few scenes, but the pleasure comes from seeing people awkwardly connect with one another, sometimes while discussing personal and unique perspectives and sometimes while discussing some universal truths.
Møller is excellent in the lead role, quietly spoken and quietly caring about those who end up within his orbit. Le Lann is also very good, moving through the usual range of teenage highs and lows, and Baetens is convincing as the woman struggling to make the best of a difficult situation she has been landed in thanks to an absent partner. Almost every other male character onscreen is trouble, to say the least, but the acting is solid from everyone involved, and Azabal also does well, despite the fact that she is landed with a role that sadly contributes little to the main plot of the film.
Good, not great. It's especially hard to keep thinking of this favourably after it's all over and you remember the many films that have wandered through similar territory, with better end results (the two that came to mind for me were Blue Ruin and Cut Snake, although that's not to say that others would automatically compare this title to those).
6/10
A Bluebird In My Heart is currently playing on Shudder.
Showing posts with label lubna azabal. Show all posts
Showing posts with label lubna azabal. Show all posts
Saturday, 16 November 2019
Thursday, 31 January 2013
Coriolanus (2011)
Ralph Fiennes makes his directorial debut with this challenging film, an adaptation of one of Shakespeare's lesser-known plays (certainly lesser-known to those of us who only know the Bard's greatest hits, anyway). The fact that he has made such a fantastic end product just shows that he really needs to kick himself up the backside and get some more directorial credits under his belt.
Fiennes also takes on the central role of Caius Martius Coriolanus, a great soldier who doesn't care for the love or respect of the common people. He's a proud man, an honest man and someone not interested in the political game. This all becomes a bit of a problem when others try to get him to run for consul. Mainly to please his mother (Vanessa Redgrave), Caius tries to do his best, but when his disdain for the role becomes abundantly clear he becomes a hated figure, so hated, in fact, that he is banished from Rome. As the saying goes, the enemy of my enemy is my friend and so Caius ends up befriending Tullus Aufidius (Gerard Butler), his old enemy, and joining with him to march upon Rome.
There is a lot more to the story than what I've briefly outlined. The central trio may be Caius, his mother and his enemy, but there's also some meddling from Menenius (Brian Cox), serious scheming from Tribune Brutus (Paul Jesson) and Tribune Sicinius (James Nesbitt), some loving concern from the wife of Caius (Virgilia, played by Jessica Chastain) and protests from common folk such as those played by Lubna Azabal and Ashraf Barhom. John Kani plays General Cominius, yet another character more swayed by the political machine and opinion of the people than any direct action, and Jon Snow (yes, THAT Jon Snow) pops up as a TV anchorman to discuss the situation with other commentators.
Taking Shakespearean source material and giving it a bit of a modern update is nothing new, of course, but Fiennes decides here to aim for a nice middle ground that suits the text. There are guns, cars, TVs and much more signifying that this is a tale set in the modern age, but that all falls by the wayside when the camera focuses on the characters and what they have to say.
The cast are all very good, and an interesting mix. It's unsurprising to see what gravitas is brought to the table by Fiennes, Butler, Redgrave and Cox, for example, but Chastain holds her own very well indeed and Jesson and Nesbitt have fun with their roles. The dialogue that you expect to hear, adapted into screenplay form by John Logan, is a treat for the ears and the whole presentation tries to keep things fresh and dynamic, an aim in which it largely succeeds.
Sadly, I am not familiar with the source material so cannot comment on how faithful it all is to the original text, but I do think that this is a very worthy drama to be enjoyed by fans of the Bard and fans of quality acting displays. Give it a try to see how you react to it.
8/10
http://www.amazon.co.uk/Coriolanus-Blu-ray-Ralph-Fiennes/dp/B006H10H2W/ref=sr_1_2?s=dvd&ie=UTF8&qid=1359127784&sr=1-2
Fiennes also takes on the central role of Caius Martius Coriolanus, a great soldier who doesn't care for the love or respect of the common people. He's a proud man, an honest man and someone not interested in the political game. This all becomes a bit of a problem when others try to get him to run for consul. Mainly to please his mother (Vanessa Redgrave), Caius tries to do his best, but when his disdain for the role becomes abundantly clear he becomes a hated figure, so hated, in fact, that he is banished from Rome. As the saying goes, the enemy of my enemy is my friend and so Caius ends up befriending Tullus Aufidius (Gerard Butler), his old enemy, and joining with him to march upon Rome.
There is a lot more to the story than what I've briefly outlined. The central trio may be Caius, his mother and his enemy, but there's also some meddling from Menenius (Brian Cox), serious scheming from Tribune Brutus (Paul Jesson) and Tribune Sicinius (James Nesbitt), some loving concern from the wife of Caius (Virgilia, played by Jessica Chastain) and protests from common folk such as those played by Lubna Azabal and Ashraf Barhom. John Kani plays General Cominius, yet another character more swayed by the political machine and opinion of the people than any direct action, and Jon Snow (yes, THAT Jon Snow) pops up as a TV anchorman to discuss the situation with other commentators.
Taking Shakespearean source material and giving it a bit of a modern update is nothing new, of course, but Fiennes decides here to aim for a nice middle ground that suits the text. There are guns, cars, TVs and much more signifying that this is a tale set in the modern age, but that all falls by the wayside when the camera focuses on the characters and what they have to say.
The cast are all very good, and an interesting mix. It's unsurprising to see what gravitas is brought to the table by Fiennes, Butler, Redgrave and Cox, for example, but Chastain holds her own very well indeed and Jesson and Nesbitt have fun with their roles. The dialogue that you expect to hear, adapted into screenplay form by John Logan, is a treat for the ears and the whole presentation tries to keep things fresh and dynamic, an aim in which it largely succeeds.
Sadly, I am not familiar with the source material so cannot comment on how faithful it all is to the original text, but I do think that this is a very worthy drama to be enjoyed by fans of the Bard and fans of quality acting displays. Give it a try to see how you react to it.
8/10
http://www.amazon.co.uk/Coriolanus-Blu-ray-Ralph-Fiennes/dp/B006H10H2W/ref=sr_1_2?s=dvd&ie=UTF8&qid=1359127784&sr=1-2
Labels:
ashraf barhom,
brian cox,
coriolanus,
drama,
gerard butler,
james nesbitt,
jessica chastain,
john logan,
jon snow,
lubna azabal,
paul jesson,
ralph fiennes,
vanessa redgrave,
william shakespeare
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