Showing posts with label mädchen amick. Show all posts
Showing posts with label mädchen amick. Show all posts

Friday, 15 December 2023

Trapped In Paradise (1994)

The second feature to be both written and directed by George Gallo (and I think we can agree that he has generally done better work on films that have hired him only for screenplay duties), Trapped In Paradise is an enjoyable and cute crime comedy that is constantly almost unbalanced every time Dana Carvey is onscreen.  Put anyone else in that role, or at least stop Carvey from doing a Mickey Rourke impression for most of the runtime, and you have a much better movie.

It’s all about three brothers. Nicolas Cage plays Bill Firpo, the only one of the three to stay on the straight and narrow, Jon Lovitz is Dave, a wily man who rarely tells the truth about anything, and Carvey is the kleptomaniac Alvin. All three brothers end up in the small town of Paradise, Pennsylvania, just in time to see the small-town bank stuffed with an enormous sum of money. It seems like a great time to rob the place, which is what they do. But, as has happened in many other movies before this one, the robbery proves to be a lot easier than getting away with the loot.

There’s a good movie here, one that is enjoyable enough to survive the antics of Carvey, but it’s also something that could have been much better. In fact, do we even need all three brothers? I would suggest that we don’t, and some minor tweaking of the script could have easily turned this into a low-key little gem. Some people do view it that way already, but it’s easy to see why most have forgotten it exists.

Gallo does a good job when it comes to setting up the well-populated cast of characters and various plot strands. There are family connections to establish, law enforcement looking to tighten a net, town residents being sweet and lovely, and other criminals, or wannabe criminals, who help to show just how good (deep down) our leads are. It helps that the screen is filled with so many people who are far less irritating than Carvey.

Donald Moffat and Angela Paton have main roles, and embody the good nature of the town, Florence Stanley is a tough and loving Ma Firpo, Mädchen Amick is a very believable potential romantic complication, and both John Ashton and Richard Jenkins portray two people approaching the situation from very different angles. Aside from some believable heavies, the hardened criminals who see the robbery and know someone has used information gained while alongside them in prison, that leaves our leads. Cage is a good mix of good behaviour and, well, Nicolas Cage, and Lovitz is amusing enough, if not best-served by a script that doesn’t make the best use of him. I think I have already mentioned Carvey enough. Maybe technology is available now that makes it much easier to replace him with someone less annoying. Like Carrot Top.

Enjoyable enough, and with the right amount of sweetness and hope that you want from any Christmas movie, Trapped In Paradise is one I would tentatively recommend to those who can overlook the one major problem it has. Although nothing really stands out, with regards to the visuals or score, it’s a generally solid piece of work that allows a few of the supporting players to shine whenever the focus turns to them. 

7/10

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Thursday, 10 March 2022

The Rats (2002)

John Lafia may have peaked fairly early on in his career, when he co-wrote the horror greatness that is Child's Play (although we all know it was very much Don Mancini's baby), but I wasn't about to pass over the opportunity to watch a TV movie he directed that was all about a dangerous outbreak of rat attacks. Especially one with a starring role for the lovely Mädchen Amick. So I watched The Rats, and I regret nothing.

It's quite simple. Things begin with one rat biting one customer (played by Kim Poirier) in a large department store. Amick plays Susan Costello, a woman who works in the department store. It eventually becomes clear that the store may have a slight rat problem, which means getting in hunky pest control expert Jack Carver (Vincent Spano). It also means struggling to get people to believe the enormity of the problem, even after a whole load of rats push through a vent and upset lots of kids in a swimming pool. 

Written by Frank Deasy, this is a film that hits all of the expected tropes you want to see from a movie with this premise. The dialogue is a bit cheesy and “on the nose” at times, but it’s also light and fun, only really becoming a bit more groan-inducing in the third act, where it slumps a bit instead of soaring.

Director Laguna does well in delivering the goods in a TV-friendly form. There are some decent set-pieces throughout, including that aforementioned swimming pool sequence, and the effects range from the impressive to the laughably bad (the worst being a rat face shown as it squeals/shrieks at a main character), but the big plus points here are the pacing and the leads, with Amick and Spano working well opposite one another.

Amick may be the person who has the rat details delivered to her in a way that informs the audience, but she is also allowed to play someone who seems far from helpless. Most of us dislike wild rats, her reaction to any encounters here show her staying calmer than I ever would, but she proves to be quite capable in helping to plan mass rodenticide, helped by her knowledge of the building (explained by knowing the place since her father worked there). Spano is a bit less watchable than Amick, but he is likeable enough in his role, manages to sound like he knows what he’s talking about, and plays the hero without being asked to overdo the full-on heroism. Daveigh Chase is a good child actor here, without being too annoying, Shawn Michael Howard helps to deal with the rats, and David Fonteno does decent work playing the kind of character who wants to keep downplaying the problem while events start to spiral out of control.

There isn’t much here that stands out, but this somehow still feels like a cut above many other TV movies, especially when we have now grown so used to the kind of fare that has populated the SyFy Channel for the past 10-20 years. Compared to many of those, this is slick and thrilling entertainment.

6/10

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