Showing posts with label michael dowse. Show all posts
Showing posts with label michael dowse. Show all posts

Sunday, 31 May 2020

Netflix And Chill: Coffee & Kareem (2020)

Is it just me or have there been a lot of comedies lately falling back into the well-worn tropes of the buddy cop genre without both leads being cops. There ARE movies with two mismatched cops (at least two of the better ones star Melissa McCarthy), but we now have cops dragging innocent civilians into their dangerous escapades (e.g. Central Intelligence, Stuber), couples trying to prove their innocence by diving into the underworld (e.g. Date Night, The Lovebirds), and adults teamed up with kids (My Spy, this). Of course, the familiar formula has been reworked with various combinations over the past few decades, nothing new there, but it feels as if there's been a recent resurgence, with it already becoming almost as tired and word as it was by the time Whoopi Goldber was partnered up with a talking dinosaur.

Ed Helms plays a police officer, Coffee, who doesn't seem to be too good at his job. He's enjoying his new relationship with Vanessa (Taraji P. Henson) though, although things may be a little tense with her son, Kareem (Terrence Little Gardenhigh). In fact, Kareem pretends to want some bonding time with Coffee, all to set a plan in motion that he hopes will get the man a beating. Things go wrong though, and Coffee and Kareem end up running for their lives. There are some dangerous baddies hot on their tale, and there may be some corrupt cops also involved.

The first feature from writer Shane Mack, this is very much a paint-by-numbers example of this kind of film, with the added "bonus" of one of the protagonists being a foul-mouthed kid. Mack sets everything up as you would expect. People being in the wrong place at the wrong time, the leads not getting on for the majority of the movie, but working together when necessary, and the obvious reveal of the main villain (revealed quite early on, to be fair, and not presented as a big "gotcha" moment). It's nothing special, but it's not bad, and there are a couple of good scenes making use of Helms being a desperate man while not wanting to be perceived as racist.

Director Michael Dowse (who also helmed Stuber, funnily enough) goes through the motions. He's not a director with any kind of voice, he just tends to work as well as the material that he's given. Coffee & Kareem is just okay, mainly because it is dragged down by the fact that Kareem isn't as hilarious a character as those making the movie think he is.

Gardenhigh isn't necessarily to blame for the way his character comes across, but it's easy to imagine things playing out a bit better with someone else in the role, perhaps someone who can better play up the attitude while also staying likeable enough to root for. Helms is doing the kind of stiff everyman he has done so many times before, and he's good at it, and Henson is disappointingly underused. Betty Gilpin takes on another movie role in her seemingly ongoing attempt to find something cinematically that will best showcase her talent, and she's definitely a highlight. It's just a shame that the middling nature of the rest of the movie means that this is another role that won't really stand out in her filmography.

Coffee & Kareem is okay, and that's all. You can watch it once and forget about it soon after, or you can avoid it completely without any fear of missing out. It's a shame that they decided to try and wring most of their laughs from Kareem being "hilariously profane". That's not where the better comedy lies, and it's only the other gags that help to make this average, as opposed to truly awful.

5/10


Thursday, 3 January 2013

Take Me Home Tonight (2011)

Based on a story by Topher Grace and Gordon Kaywin, Take Me Home Tonight is a 21st century John Hughes movie in the mould of Sixteen Candles and Ferris Bueller's Day Off and that, in case you didn't know it, is a good thing.

As well as coming up with the central idea, Topher Grace also stars in the film as Matt Franklin. It's 1988 and Matt has never realised his potential since he left MIT. He just can't bring himself to be passionate about the materialism surrounding him. Thankfully, there's a BIG party to attend that should take his mind off things for a while. He goes along with his friend Barry (Dan Fogler), who was JUST fired, and his sister Wendy (Anna Faris), who is considering throwing away a potentially great future to settle into the role of supportive partner to her boyfriend. The party should be a lot of fun but, more importantly, it should also be graced by the presence of Tori Frederking (Teresa Palmer), the girl with whom Matt has been in love with for many years. Everything is in place for a wild and crazy night and the four partygoers may just find that they look at the world a little differently in the morning.

Directed by Michael Dowse, with Jackie Filgo and Jeff Filgo responsible for spinning the story into a full screenplay, Take Me Home Tonight is energetic, funny and also quite sweet in places. But if you like your comedy a bit more raucous and illegal then never fear - there's also car theft, a LOT of cocaine and a weird sexual encounter between Barry and a character played by Angie Everhart.

The cast all do a great job. I've always liked Topher Grace and he's never turned in a performance yet that's changed my mind (do check out the excellent In Good Company f you've not seen it already). Anna Faris can do the light comedy stuff in her sleep but she doesn't go over the top here and her character is one to root for, as are all of the leads. Fogler is just hilarious and gets the lions share of the best lines, most probably due to some great improv. He also gets a great dance off sequence. Teresa Palmer is required to look lovely enough for Matt to desire so badly and she does that easily. She also acts just as well as anyone else onscreen even if she has the least to work with, in terms of character development (her character is already set, pretty much, but Matt has to find out about her while also aiming to impress). Michael Biehn is excellent as the father just wanting his son to try to do something with his life, even if he screws up in the process, while Lucy Punch and Michelle Trachtenberg play two very different party attendees. Oh, and Angie Everhart takes part in that hilariously weird encounter already mentioned above.

Just writing this review has brought a smile to my face and made me want to rewatch the movie and if that's not one of the best recommendations for a comedy then I don't know what is. I'm going to be buying this one ASAP and rewatching it whenever the mood strikes. I advise others to do the same. Or at least give it a watch if it pops up on the TV schedules.

8/10

http://www.amazon.co.uk/Take-Me-Home-Tonight-Blu-ray/dp/B004V2U4IQ/ref=sr_1_2?s=dvd&ie=UTF8&qid=1348996092&sr=1-2



Sunday, 13 May 2012

Goon (2011)

I like Jay Baruchel a lot. I think he's a funny, sweet young guy and have enjoyed him in everything that I've seen him in (from the likes of Knocked Up and Fanboys to She's Out Of My League to The Sorcerer's Apprentice and the animated delight of How To Train Your Dragon). So hearing the praise that was heaped upon Goon when it started doing the rounds really made me hope I would enjoy it and be able to recommend it to others. Baruchel has a role in the movie but, more importantly for his career path, he also co-wrote the screenplay with Evan Goldberg (based on the book "Goon: The True Story of an Unlikely Journey into Minor League Hockey" by Adam Frattasio and Doug Smith).

The story is a standard, simple tale and one that we've seen many times before. With a slight twist. Doug Glatt (Seann William Scott) is a young man who doesn't really have a "thing" in life except being able to take a punch and really give back as good as he gets, and then some. When he's spotted by a manager at a hockey game his life takes a major upturn and he's signed up to play hockey. It doesn't matter that he isn't actually all that good at hockey. It simply matters that he gets on the ice when required and causes some bruising to the players that need kept out of action for a while. Jay Bruchel plays the friend who loves seeing his buddy make good, Eugene Levy is the stereotypical Jewish father unimpressed by this turn of events, Alison Pill is a potential love interest and Liev Schreiber is the former biggest badass on the ice who fans want to see in one titanic battle with Doug "The Thug".

Director Michael Dowse hits all of the right notes as this movie runs through all of the sports movie cliches but when things step up a notch in the second half he really serves the material well. As unexpected as it was, I was literally close to tears during the grand finale.

As the different posters stated, Doug is "dumb as a puck" and also "the nicest guy you'll ever fight" and it's a role that really needs a sweetness at the centre, hidden beneath the mass of punches and bloodhsed and bruises, and Seann William Scott gives his best performance yet. Cynics may say that it's not hard for Scott to top his past performances but it would be unfair to the man to try and damn this performance with faint praise. It's a captivating lead performance and something that may remain an all-time career high. The rest of the cast all acquit themselves equally well. Jay Baruchel is as enjoyable as ever, while the same can easily be said of Alison Pill and Eugene Levy. Marc-Andre Grondin, Richard Clarkin, Jonathan Cherry, Kim Coates and everyone else involved with the hockey team do well with their various highs and lows while everything takes on more of an edge whenever Liev Schreiber comes onscreen to warn the sweethearted Doug of the shape of things to come.

The script IS good but it's good in the way that it balances the really revealing character moments with the expected lashings of violence. There's just as much here that you won't expect mixed in with everything that you've sat through 100 times before but even the cornier moments and the cliches feel fresher and more enjoyable because of that wonderful central performance.

Goon is certainly not a standard sports movie to recommend to everyone but I hope that it finds an audience that will give it a home and keep introducing it to others whenever possible. Just like the lead character, it's a rough and ready piece that deserves some praise and love.

7/10

http://www.amazon.co.uk/Goon-Blu-ray-Seann-William-Scott/dp/B006E00FIC/ref=sr_1_2?ie=UTF8&qid=1336858298&sr=8-2