Showing posts with label mie hama. Show all posts
Showing posts with label mie hama. Show all posts

Friday, 26 July 2024

King Kong Escapes (1967)

This film is ridiculous, but if you think that's a bad thing then you're someone who hasn't ever watched anything like King Kong Escapes. The winning combination of writer Takeshi Kimura and director Ishirô Honda should be enough to get people excited about this, but there's also the fact that the plot involves both King Kong and a robot duplicate (Mechani-Kong). What more could you want?

This is where I'd usually put a plot summary, but King Kong and Mechani-Kong is really all you need to know. There's a villain named Doctor Who (Hideyo Amamoto), a secondary villain named Madame Piranha (Mie Hama), and something about valuable radioactive material being excavated. Basically . . . the clock just keeps ticking until we get to a finale that promises some worthwhile Kong vs. Kong action.

Although many of these movies look a bit silly and tame nowadays, King Kong Escapes was designed that way to appeal to younger viewers. It's a children's film co-produced by Toho and Rankin/Bass Productions, and you could easily imagine this working even better in traditional animation. The crudity feels even more endearing than it does in other kaiju movies I have watched recently, giving the whole film a feeling of playtime where the imagination is just as important as the actual visuals. Someone watched this at a very young age and thought it was the most magnificent thing they would ever see, which is the best thing about movies (in my view anyway).

Kimura's script is weak, but it at least tries to pace things well enough to keep younger viewers interested. Honda does well enough with the creatures, but there's nothing truly devastating or threatening here, considering the overall tone of the thing. People and places are put in jeopardy, as expected, but not in the full-on way we've seen elsewhere.

Amamoto and Hama are both great fun, and they're enjoyably obvious in their villainy in a way that keeps children able to know who they should be rooting for and against. The main goodies are played by Rhodes Reason and Linda Miller, but the real hero is King Kong, of course, and he is showcased like the star he is.

This pales in comparison to films like King Kong and Mighty Joe Young, it also pales in comparison to most of the other kaiju movies from this period, but it's a cute and entertaining bit of monkey melee madness for younger audiences (and those who can watch films while recapturing that feeling of being young at heart).

6/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share

Tuesday, 23 January 2024

King Kong vs. Godzilla (1962)

I watched, and reviewed, King Kong vs. Godzilla many years ago, a very basic couple of paragraphs that summed up my thoughts without me knowing quite as much as I do today about the enduring cinematic legacy of the Godzilla movies. So if you get a sense of déjà vu while reading this review, there’s a reason for that.

Let's get the simple plot out of the way: Godzilla wakes up and starts heading towards Tokyo, where everyone knows he will just start tearing the place apart, so Japan decides to "borrow" King Kong when he is discovered living on a small island just off the coast of . . . ummm . . somewhere not TOO far away from Japan (the exact location escapes me even though they show it on a map quite a few times during the movie). King Kong is set upon by the mighty lizard, and it's a smackdown to see who will be left standing. 

Director Ishirô Honda returns to helm this new instalment, although you wouldn’t think this was the same person who gave us the darker and brilliant first film. This isn’t as concerned with the potential lives lost, nor does it take much time to explore the ramifications of the destruction wrought while two giant monsters fight one another, but it tries to give decent moments to each of the fighting beasties. And if you need to see King Kong picking up a tree and ramming it into Godzilla’s mouth then this if the film for you.

The cast all do what they need to do, there’s a young woman in danger while a couple of men fret and plan to keep her safe (that’s all they need to do), and the plotting makes use of them to position the titular characters ready to fight one another. 

If you're a fan of this type of stuff (and I never even realised that I was until I found myself enjoying this so much) then this is just more happy viewing for you. The charmingly unrealistic miniatures, the rubber-suit monsters, the mix of poor trick photography and re-re-recycled footage. Many moments in the film provide laughs (some intentional and some unintentional) and there's never a dull moment, but it's like the cinematic equivalent of a Marmite sandwich; cheap and not very filling, but you either love or hate it.

7/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share