Prime Time: Play Dirty (2025)

Another attempt to successfully adapt some of the "Parker" books, written by Donald E. Westlake, into something that could be viewed as a profitable movie property, Play Dirty has the bonus of being directed by Shane Black, who also worked with Charles Mondry and Anthony Bagarozzi to create the screenplay. Unfortunately, it's the Shane Black of recent years, and not peak Shane Black. And he's decided to give himself a challenge by putting Mark Wahlberg in the main role.

Parker (Wahlberg) is involved in a heist that ends well, until his team is killed off by someone who betrays them. Aiming to get another payday lined up, as well as some revenge, Parker ends up helping Zen (Rosa Salazar) with a planned robbery that will once again get him targeted by the powerful and dangerous Lozini (Tony Shalhoub). Lozini has his goons, but Parker has Zen, Grofield (LaKeith Stanfield), Ed and Brenda (Keegan-Michael Key and Claire Lovering), and Stan (Chai Hansen). And he aims to stay one or two steps ahead of everyone else.

This should be great. It's a perfect marriage of material and writer-director. So the fact that it isn't feels like a confirmation that things started to go wrong when the casting decisions were made. Wahlberg can be good in movie roles, and I've enjoyed him in many other features over the years, but it has become harder and harder to view him as some kind of cheeky charmer with every opportunity to be reminded of how he puts himself across in everyday life. Not that Play Dirty necessarily wants the character to be viewed that way, but, then again, the film doesn't ever really settle on what it wants.

This is a mess, disappointingly inconsistent as it lurches from one unsteady set-piece to the next. Parker is sometimes ready to quip and wink at others, sometimes just intent on being dead-eyed and murderous. The characters around him have the potential to be a fun mix, but most of them are either underused or not used in the right way. This should have been a home run for Shane Black. He barely avoids a strike out.

Salazar is a great fit for her role, and arguably the highlight of the film. Other standouts include Hansen, Chukwudi Iwuji (who plays someone caught up in the unfolding scheme), and Nat Wolff as one of the main generals to Lozini. That maybe tells you all you need to know. Wahlberg has a bit of presence, but no charisma, Stanfield is crying out to be allowed to have more fun with his role, and both Key and Lovering seem to have been picked for one scene that makes decent use of them.

There are similarities between bad action movies and bad comedies. Cast the wrong person in the lead and you're scuppered. Punchlines aren't effective if nobody cares about the setups. And you can't cover up your mistakes by simply making things louder and busier on the way to a weak and completely mishandled ending. Play Dirty is a bad action movie, but it occasionally mixes things up by also being a bad comedy. The opening sequence is decent, and had me getting my hopes up for the rest of the film, but it quickly goes downhill from there.

I think it's unlikely to happen, but I'd love to see Shane Black take things down a notch and bring us a stripped-down and low-budget detective film for his next feature. Something that would sit nicely alongside his best work, but also sticks to a grittier tone that might still surprise his fans. 

3/10

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Body Cam (2020)

Horror films can, and often do, throw a bright light on parts of society that we don’t always want to look at, whether that is a major problem we don’t know how to improve or the worst aspects of human nature. So Body Cam deserves a point or two for using the genre to look at a problem that has been in and out of the news over the past few decades, with good reason. It’s all about police officers, and eventually turns into an exploration of certain individuals who can get away with murder because they’re wearing a badge.

Mary J. Blige is Renee Lomito-Smith, an officer just starting back to her duties after an incident that involved her hitting a member of the public. That incident was, of course, caught on camera. Keen to get back to work, Officer Lomito-Smith is also battling to stop herself from becoming consumed by the grief stemming from the sudden death of her young son. Out on patrol with Officer Danny Holledge (Nat Wolff), it soon becomes clear that someone is out to take out a number of police officers in a night of killing. That someone has some strange powers, or so it would seem, and they might just have a very strong motive for their actions.

Writers Nicholas McCarthy and Richmond Riedel have one or two decent ideas at the heart of their script, and maybe if they had worked with a strong third writer then this could have been something really good. Unfortunately, the whole thing ends up being a half-baked mess, completely I helped by the direction from Malik Vitthal. None of the characters are developed well enough, the plotting is careless and illogical, and it all builds to a final act that would be laughable if it wasn’t so confusing in how earnestly it seems to undermine some really . . . misguided decisions.

Blige does well enough in the lead role, and she's certainly the one person trying their best in this mess. She shows someone striving to do right, even after a major mistake, and she also conveys her worry and stress without horribly overdoing things. Wolff isn't too bad, but that's mainly because most of his scenes have him alongside Blige. David Zayas, someone I normally like seeing onscreen, is given a pretty thankless role, there are a lot of other people who make little to zero impression at all, and Anika Noni Rose is given the role of sympathetic protagonist.

I can see why some people might enjoy this as simple, lightweight, horror fare. It attempts to tell a decent story, provide some social commentary, and deliver a few jump scares here and there. Unfortunately, the apparent lack of care made it a miserable viewing experience for me, and other people may feel the same way. Because it's crap.

3/10

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Netflix And Chill: Home Again (2017)

There are times when Reese Witherspoon stars in the type of movie that you don't mind sitting through for 90 minutes in between other, often better, movies. She can do "fluff". She has also starred in some genuinely great films, but most of her choices tend to be in the "fluff" section. Look through her filmography for the 21st century and you will see that every second or third movie she has done falls under this category. And I have enjoyed quite a few of them.

I didn't really enjoy Home Again though, which is a horrible rom-com that misses out both the rom and com elements, relying on the star power of Witherspoon to gain the goodwill of viewers.

Witherspoon stars as Alice, she's the daughter of a celebrated film director and the mother of two girls. She is separated from her husband (Michael Sheen) and gets through each day with the help of her own organisational skills and occasional help from her mother (Candice Bergen). After a big birthday night out, Alice wakes up alongside Harry (Pico Alexander). His friends, George (Jon Rudnitsky) and Teddy (Nat Wolff), slept on the sofas. They are all trying to get their first feature film made and, before you can say plot contrivance, all end up staying with Alice as they try to capitalise on a big break with a hotshot movie director (Reid Scott).

There have been worse rom-coms released than this one, a lot worse, but it's hard to think of one right now, especially one with such a relatively big name in the lead role. Witherspoon, Sheen, and Bergen all deserve better, although it's only Sheen who manages to fight his way above the material, and that is despite him playing the designated asshole of the main storyline. Pico Alexander, however, doesn't seem to deserve much better, simply because he doesn't exude the kind of appeal that is required for his role. Rudnitsky and Wolff are both much more enjoyable onscreen, and I wouldn't mind seeing them in some better roles, in some better movies.

Writer-director Haillie Meyers-Shyer shows that being the daughter of someone as comfortable with this kind of material as Nancy Meyers (her mother) does not automatically qualify her as someone talented in the field. From the script, which could have been put together by a malfunctioning computer program, to the casting of ineffective lead players, to the obvious lack of warmth throughout, even during the moments most obviously designed as heartwarming highlights.

I can give you at least 50 rom-coms that are funnier and/or more romantic than this one. At least five of those star Reese Witherspoon. So there's no reason to ever make this a priority viewing.

3/10

You can buy the movie here.
Americans can buy it here.