The Post (2017)

Based on real events of the 1970s, The Post shows viewers the battle that the newspapers, and specifically The Washington Post, went through as they attempted to publish extracts from classified documents that revealed damning details of politicians and presidents who led America, step by step, right into the folly that was the Vietnam War.

Lots of people are giving love to The Post, partly because it has a typical level of technical expertise you would expect from director Steven Spielberg and partly because the battle between the press and the White House resonates with a lot of people watching the current events that have given us terms such as "alternative facts" and "fake news". If ever there was a time for this movie then that time is now.

Unfortunately, and let me say I have thought about this long and hard, it really isn't that good a film.

It works as a statement, as a piece of art created specifically to fire a reminding warning shot to those who think that the press is just expected to relay soundbites without questioning people in positions of authority, but it doesn't work as a satisfying cinema experience, for two main reasons.

First, you have the script by Liz Hannah and Josh Singer. It's a strangely messy tangle of different strands, from the investigative journalist who first broke the story to boardroom meetings about The Washington Post moving from private ownership to a company with public shareholders, from the relationships between the various writers and staff to the truncated snippets of the trial that would prove so important for the freedom of the press.

Second, you have the cast. Meryl Streep is as good as ever, playing Katharine Graham, owner and publisher of The Washington Post, and Tom Hanks is also his usual reliable self in the role of Ben Bradlee, editor in chief at the paper, but the rest of the cast is either wasted (Sarah Paulson, Alison Brie, Jesse Plemons) or made up in a way that will take you out of the movie as you figure out who is under the heavy make up (Bruce Greenwood, David Cross, Bradley Whitford). Bob Odenkirk and Tracy Letts are two other exceptions, both given decent scenes without having to be heavily disguised.

Third, and perhaps most damaging of all, the film feels too busy being smug when it could be spending more time dissecting the core issue. Those who know the tale, or are aware of The Washington Post, should know the outcome, and they should know, considering the time period, what comes next, so that could have been the background to something looking more closely at how the battle built up on both sides of the divide. Replace all of the talk of the stock market with scenes instead showing meetings in the White House laying out their opposition, perhaps even spitballing ideas that they realised they wouldn't be allowed to follow through on, and the whole thing may have felt more intense.

Maybe it's just me. The film has already garnered a lot of love, and I might remain in the minority here. But I still advise people to approach with trepidation. It's a decent story, and there are some great performances, but Spielberg doesn't create the magic you would expect. Very disappointing.

4/10

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The Campaign (2012)

A political comedy starring Will Ferrell and Zach Galifianakis as two very different men running against one each other to see who will become the congressman for their hometown.  Ferrell is Cam Brady, the more experienced and ruthless of the two. He's been unopposed for a long time, able to get away with pretty much anything he likes (including some obvious infidelity and lewd behaviour). Galifianakis is Marty Huggins, a simple man who doesn't realised that he has only been picked because a couple of immoral businessmen (played by John Lithgow and Dan Aykroyd) think that he will do whatever they ask of him once he's in a position of power. When Marty first steps forward it seems like some kind of joke, but thanks to some help from Tim Wattley (Dylan McDermott) and the courage of his convictions, Marty soon turns things around to make Brady and his advisors more and more concerned.

While it may lack the big laughs of Tin Men or Used Cars, this is a film very much in that ilk. It may favour dumb fun over smarter gags, but that doesn't make it any less enjoyable. In fact, Ferrell and Galiafanakis both get a chance to play characters close to many that they have played before, with the former being an ass, with arrogance only matched by his stupidity, and the latter being mistakenly written off as nothing more than a dim-witted schlub. They're helped by a great supporting cast, including Brian Cox, Jason Sudeikis, Sarah Baker and Katherine LaNasa, as well as those already mentioned. Baker and McDermott are the standouts, in two very different performances, but everyone does a great job, and it was especially good to see Aykroyd in a role not a million miles away from that of the two conniving businessmen in Trading Places.

The script, by Chris Henchy and Shawn Harwell, laces all of the easy laughs with some salient points and observations, both in general terms when it comes to the world of politics and in relation to specifics that show up what uneasy bedfellows big businessmen and politicians make. It's no surprised to see that Adam McKay helped to come up with the story, considering what he and Henchy were able to come up with for The Other Guys.

Director Jay Roach has been helming comedies for a long time now. Even if he doesn't quite elevate this to comedy gold, it's clear that he knows what he's doing, and the end result is a film deserving of more fans. If you like either of the leads, or if you like comedies that remind viewers of just how childish things can get in the political arena, then this is definitely worth your time.

7/10

http://www.amazon.co.uk/Campaign-Blu-ray-Copy-Region-Free/dp/B0083SEZV6/ref=sr_1_2?ie=UTF8&qid=1388242910&sr=8-2&keywords=the+campaign

The Iron Lady (2011)

There are many times when I watch a movie because I am keen to see it, many times when I just watch a film that I know nothing about and many times when I watch something that has been recommended to me and sit there, hoping that I will like it as much as whoever gave me the heads up. The Iron Lady is a film that I didn't really want to watch, but circumstances have kind of pushed it up my "to view" list and I decided to bite the bullet and give it a go.

It stars Meryl Streep, almost unrecognisable at times, as Margaret Thatcher (played in her younger incarnation by Alexandra Roach), the Conservative MP who became the first female Prime Minister of Great Britain and changed the country, for better or worse (I know how I feel about her changes, but I'm going to do my best to avoid getting into any potential heated debate here). Jim Broadbent plays her husband, Denis (younger version - Harry Lloyd), and Olivia Colman is daughter, Carol.

Anyone expecting a warts 'n' all look at the life of a highly controversial figure will end up highly disappointed. This is a film designed to show its main character bathed in a warm glow, showing her as a tough woman who may have made some mistakes, with emphasis on the word "may". In fact, it skirts around so many big moments that there are many scenes which may leave you wondering just what the point of the film is until you remember that the point is to remind everyone of how great Margaret Thatcher was.

Streep is superb in the main role. She nails the voice - though anyone who has read my review of Lincoln will know that I don't rate any performance that I feel is JUST an impression - but also gets the mannerisms and strength of character just right. In fact, she made me like the character (which I certainly didn't expect). Broadbent is a cheery supporting figure throughout, giving a typically Broadbentian (which is now a word) performance. Olivia Colman does well and the supporting cast contains great names such as Richard E. Grant, John Sessions and Anthony Head.

The script by Abi Morgan is safe and sweet at every turn, and the direction from Phyllida Lloyd goes exactly the same way. This is a film made by people who watched The King's Speech a few too many times and just decided that they could insert Margaret Thatcher into the template and get away with it. Well, that's easier than actually making something that actually has some substance and thought-provoking moments. The end result doesn't impress, certainly not this viewer anyway.

I'm sure that this will play well in America, where people seem to love this portrayal of Britain onscreen (the absurdity of British politics, the conversations that take place with tea and biscuits, etc). It will also play well to fans of Margaret Thatcher. But it won't appeal to those who don't like the woman all that much and it won't appeal to fans of great movies. Because it isn't one. Streep deserves all of the praise heaped upon her performance, it's just a shame that she wasn't given a better film around her.

4/10

http://www.amazon.co.uk/Iron-Lady-Blu-ray-Meryl-Streep/dp/B008MUJ9S4/ref=sr_1_3?ie=UTF8&qid=1366083248&sr=8-3&keywords=the+iron+lady

The One And Only, Genuine, Original Family Band (1968)

How very strange. How very, very strange indeed. The One And Only, Genuine, Original Family Band is an oft-overlooked Disney movie that stands up today as nothing more than a real curiosity piece, mixing political debate with a number of lacklustre songs and the opportunity to see the big screen debut of Goldie Hawn (billed here as Goldie Jeanne Hawn) sharing space on the same cast list as future partner Kurt Russell. Their relationship may not have developed until about 15 years later but it's still fun to spot both of them in their youth, oblivious to what the future would hold.

The plot of the film is based on a book by Laura Bower Van Nuys and concerns the Bower Family Band (kind of like The Osmonds . . . . . . . . if The Osmonds had spent the peak years of their career singing and dancing in large barns). The Bower Family Band are all set to head off to sing a rally song for Democratic Grover Cleveland at a convention when the pretty Alice Bower (Lesley Ann Warren) receives a visit from a male suitor (Joe Carder, played by John Davidson) who somehow convinces the family to move to Dakota. Dakota just happens to be full of Republicans and this irritates Grandpa Bower (Walter Brennan) so much that he decides to upset as many people in the state that he can by being as vocal as possible about how happy he is to be a Democrat.

I honestly don't know what to say about this movie, it was such a strange mix. Yes, the ultimate message is (as you would expect from Disney) all about getting along with each other and how people can be judged separately from their political leanings but this is still a bizarre premise in which to throw some song and dance numbers.

Lowell S. Hawley was responsible for the script and Michael O'Herlihy was the director so they can share the blame for the fact that this is a dull movie. Yet I'm not sure it's fully their fault, surely there would only be so much you could do if given such a premise to work with (as in "hey, we have an idea mixing politics and a family band so go and make it into a kid's movie that runs for just under two hours for us").

The cast are a mixed bag. Walter Brennan is very good as the opinionated Grandpa, Lesley Ann Warren is lovely as Alice and John Davidson does what he can with his character. Young Kurt Russell is amusingly teeny tiny and Goldie Hawn is all smiles and big, big eyes in her small role but at least they both make an impression, unlike almost every other cast member onscreen. Steve Harmon, playing Ernie Stubbins, makes quite an impression in the big final dance number but only because he seems to be given a surprisingly feminine set of dance moves while he keeps a rictus grin in place.

I guess I can see this appealing to kids who might put up with the boring stuff in between the livelier moments of song and dance but, to be honest, I wouldn't bet on it. It's maybe not the strangest film that Disney ever released but it's certainly one of them.

4/10

http://www.amazon.com/Only-Genuine-Original-Family-Band/dp/B0001I55QU/ref=sr_1_1?ie=UTF8&qid=1337879474&sr=8-1