The Invisible War is a documentary about rape, and other assaults, in the military. All of the horrible attacks featured, or 99.9%, are committed against military personnel by other military personnel. And, very often, the same person who committed the crime is either let off the hook or, worst of all, part of the chain of command that the victim must go through to report the crime. It's an appalling, a real stomach-churning, situation to even begin to imagine.
Director Kirby Dick puts together a number of people willing to share their worst memories on camera - including Kori Cioca, who received a severely damaged jaw alongside her rape (neither of which have been acknowledged, or fully dealt with, by the military), and Hannah Sewell, who had her virginity stolen from her by her attacker - and intersperses their horror stories with statistics that underline the bleak inevitability of most of these attacks never being properly dealt with, alongside other interviews with people who acknowledge and want to change the situation, and people who have seem to keep blinkers on, despite being in a position that could actually allow them to help effect some positive change.
As a revelatory piece of work hoping to make a real impact on the situation that's being documented, this is a 10/10 experience that punches the viewer in the gut while building up a picture made up of truly horrendous statistics (I think we can all agree that even one rape is one too many, and the figures being dealt with here are far beyond what any civilian would expect to see). The only reason that I can't actually rate this as a perfect, or near-perfect, documentary is simply because it covers the same ground over and over again, which really hammers home the situation that many of the victims find themselves in but fails to make enough people squirm when the chance is available. That squirming does happen occasionally - most notably when Dr. Kaye Whitley is questioned about the more-than-useless Sexual Assault Prevention and Response Office - but not often enough, and not with anyone of real consequence (Whitley had stepped down from her role by the time the documentary was completed, perhaps due to someone with sense realising what a stupefyingly ludicrous liability she was as a spokesperson for SAPRO).
I've always held a deep mis-trust of powerful forces that are also responsible for regulating and policing themselves, and The Invisible War highlights why it's not necessarily a bad thing to be so mistrustful. People who get a taste of power can also, all too easily, get a taste of how to let that power corrupt them. This may be about appalling assaults and rapes, but it's equally about insidious gender bias, individuals given far too much power, and deep-rooted corruption that stinks so bad that you'll notice the fumes emanating from your TV screen as the end credits roll (complete with sickening footnotes).
8/10
NB - Anyone thinking that I've used the screenshot below out of context?
That's how it is put in the documentary, but in the appeal
transcription it is put like this: "Defendants argued, in essence, that unpunished rape and sexual assault
should be viewed as “incident to service” -- i.e. an occupational hazard-- for those who join the military services. Defendants argued that the federal courts are not permitted to adjudicate whether they violated the law because doing so would intrude upon military discipline" - full transcript here.
http://www.amazon.com/The-Invisible-War-Kori-Cioca/dp/B008MIYKLW/ref=sr_1_4?ie=UTF8&qid=1389274092&sr=8-4&keywords=the+invisible+war
Showing posts with label rape. Show all posts
Showing posts with label rape. Show all posts
Friday, 10 January 2014
The Invisible War (2012)
Labels:
amy ziering,
ariana klay,
assualt,
documentary,
doug blush,
elle helmer,
hannah sewell,
jessica hinves,
kirby dick,
kori cioca,
military,
myla haider,
rape,
robin lynne lafayette,
the invisible war
Tuesday, 15 May 2012
Hanger (2009)
Before I get to the main review here is the link to the Plotdigger Films website, a place deserving of your time and attention and even some of your pocket money. And now to our main feature . . . . . . .
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Hanger is another balls to the wall bundle of nastiness from Ryan Nicholson and whatever you think about each of his movies, you have to admire the guy for a) making HIS movies the way that HE wants them to be and b) lovingly rolling around in the cesspit of sheer exploitation fare. The fact that he seems to keep doing this with a budget that probably wouldn't pay for a wrap party thrown by Brett Ratner is also worthy of note.
So what's the plot then? Well, a pregnant prostitute named Rose (Debbie Rochon) is mistreated by her pimp, Leroy (Ronald Patrick Thompson), and the situation climaxes with Leroy using the titular hanger to fix things. And so Hanger (Nathan Dashwood) is born, deeply scarred and due to have numerous . . . . . . issues. Thankfully, a kindly john (Dan Ellis) tries to look out for Hanger and waits patiently for eighteen years until the day when the two of them together can get their revenge on Leroy. There's also a perverted Asian named Russell (Wade Gibb), an even more perverted scumbag named Phil (Alastair Gamble) and another chance to see the gorgeous Candice Lewald in all her glory (a gorgeous woman who had to endure much worse in the brutal Gutterballs).
Once again, there are plenty of negatives here but the good still outweighs the bad if you can stomach it. Hanger is a NASTY movie. It's the first time in a long while that I almost threw up while watching something onscreen (and I've recently "enjoyed" Slaughtered Vomit Dolls so I hope Mr. Nicholson takes that in the complimentary way it is meant). The gore effects are, generally, pretty good but there's one sex scene that is so gross I defy you to watch it without thinking about how far you need to run to throw up.
Direction by Nicholson (who co-wrote the movie with Patrick Coble) is also pretty good. Yes, there are mistakes here and there and the whole thing doesn't hang together quite as well as it could, no pun intended (well . . . . . maybe a little bit), but Ryan Nicholson knows how to make his movies look as grimy and nasty as possible while also getting the camera in the best spot to show most of that nastiness in as unflinching a way as possible.
It's a shame that the script is a step down even from the crudity of Gutterballs and that the acting/characters are far worse. I do understand the overall idea of populating the movie with unsavoury types and having them do unsavoury things to each other but that's still no excuse for the strange overacting from Wade Gibb (doing, arguably, the biggest disservice to Asian people on film since Mickey Rooney in Breakfast At Tiffany's) or the grumbling and ranting of Alastair Gamble that shows up either bad improvisation or very weak dialogue. Thankfully, Dan Ellis is a saving grace yet again and does well with his material, even the weaker stuff.
I highly recommend this slice of depravity to anyone who fancies something that can mix in cannibalism, murder, rape, sodomy, cruelty to fake animals, poor feminine hygiene used as a way to torture someone and very special teabags (just wait and see, you'll know it when it happens).
6/10
http://www.amazon.co.uk/Hanger-Unrated--/dp/B006NZBTT2/ref=sr_1_2?s=dvd&ie=UTF8&qid=1337075014&sr=1-2
. . . . .
. . . . .
. . . . .
Hanger is another balls to the wall bundle of nastiness from Ryan Nicholson and whatever you think about each of his movies, you have to admire the guy for a) making HIS movies the way that HE wants them to be and b) lovingly rolling around in the cesspit of sheer exploitation fare. The fact that he seems to keep doing this with a budget that probably wouldn't pay for a wrap party thrown by Brett Ratner is also worthy of note.
So what's the plot then? Well, a pregnant prostitute named Rose (Debbie Rochon) is mistreated by her pimp, Leroy (Ronald Patrick Thompson), and the situation climaxes with Leroy using the titular hanger to fix things. And so Hanger (Nathan Dashwood) is born, deeply scarred and due to have numerous . . . . . . issues. Thankfully, a kindly john (Dan Ellis) tries to look out for Hanger and waits patiently for eighteen years until the day when the two of them together can get their revenge on Leroy. There's also a perverted Asian named Russell (Wade Gibb), an even more perverted scumbag named Phil (Alastair Gamble) and another chance to see the gorgeous Candice Lewald in all her glory (a gorgeous woman who had to endure much worse in the brutal Gutterballs).
Once again, there are plenty of negatives here but the good still outweighs the bad if you can stomach it. Hanger is a NASTY movie. It's the first time in a long while that I almost threw up while watching something onscreen (and I've recently "enjoyed" Slaughtered Vomit Dolls so I hope Mr. Nicholson takes that in the complimentary way it is meant). The gore effects are, generally, pretty good but there's one sex scene that is so gross I defy you to watch it without thinking about how far you need to run to throw up.
Direction by Nicholson (who co-wrote the movie with Patrick Coble) is also pretty good. Yes, there are mistakes here and there and the whole thing doesn't hang together quite as well as it could, no pun intended (well . . . . . maybe a little bit), but Ryan Nicholson knows how to make his movies look as grimy and nasty as possible while also getting the camera in the best spot to show most of that nastiness in as unflinching a way as possible.
It's a shame that the script is a step down even from the crudity of Gutterballs and that the acting/characters are far worse. I do understand the overall idea of populating the movie with unsavoury types and having them do unsavoury things to each other but that's still no excuse for the strange overacting from Wade Gibb (doing, arguably, the biggest disservice to Asian people on film since Mickey Rooney in Breakfast At Tiffany's) or the grumbling and ranting of Alastair Gamble that shows up either bad improvisation or very weak dialogue. Thankfully, Dan Ellis is a saving grace yet again and does well with his material, even the weaker stuff.
I highly recommend this slice of depravity to anyone who fancies something that can mix in cannibalism, murder, rape, sodomy, cruelty to fake animals, poor feminine hygiene used as a way to torture someone and very special teabags (just wait and see, you'll know it when it happens).
6/10
http://www.amazon.co.uk/Hanger-Unrated--/dp/B006NZBTT2/ref=sr_1_2?s=dvd&ie=UTF8&qid=1337075014&sr=1-2
Labels:
alastair gamble,
candice lewald,
cannibalism,
dan ellis,
debbie rochon,
exploitation,
hanger,
horror,
murder,
nathan dashwood,
patrick coble,
rape,
ronald patrick thompson,
ryan nicholson,
wade gibb
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