Showing posts with label raymond koenig. Show all posts
Showing posts with label raymond koenig. Show all posts

Thursday, 27 September 2018

Scream Blacula Scream (1973)

Blacula was a big success when it was released in 1972. So, as expected, a sequel was quickly created. And it is, also as expected, not quite as good as the first film. It's not bad though. Not bad at all.

William Marshall returns to the title role, once again bringing such a great presence and certain dignity to the role. He's resurrected by a young man (Willis, played by Richard Lawson) who wants to become a leader in his voodoo circle. That doesn't go to plan. Willis is instead almost immediately bitten and ordered to stay within the confines of his own home. Meanwhile, Mamuwalde (AKA Blacula) starts to venture out into the night once more, quickly falling for the lovely, and voodoo-wise, Lisa Fortier (Pam Grier). Perhaps the magic that brought him back to life can cure him of his vampirism.

Writers Joan Torres and Raymond Koenig also return, joined this time around by Maurice Jules, and they continue to use the main character in a mixture of traditional vampire moments and also scenes that let him angrily call out situations that he sees around him (specifically when it comes to how people treat one another, as well as how valuable heritage and history are).

It's Bob Kelljan in the director's chair, taking over the role from William Crain, and he does a decent job. Although the film lacks the freshness of the first film, obviously, it makes up for that with the added voodoo elements and a handful of vampire moments that come very close to being genuinely creepy. This may be due to the fact that Kelljan had already given audiences the Count Yorga movies (which, as of this moment, I have yet to watch - sorry, not enough hours in each day). The third act is also almost on a par with that of the first film, walking a familiar path, but with just enough of a twist to avoid it feeling like a carbon copy.

Marshall is just as good here as he was in the first movie and, having recently rewatched that film (before getting to this one), I wouldn't expend too much energy arguing with anyone who wanted to hold him up as one of the best incarnations of Dracula, even if he's a successor to the title rather than the, ummmmmm, original fangster. Grier is good enough in her role, although she's not at her very best (the really good stuff is saved for her leading roles in this era). Lawson suffers from the script making him too weak and whiney, but Don Mitchell manages to even things out with his fine turn, playing the man who puts two and two together and comes up with a batty result.

I was tempted to rate this even higher, placing it much closer to the first film, but I ultimately realised that there's not much in the first hour of the film that comes close to some of the great moments in the finale. There's a lot to enjoy, here and there, but it's only the last 10-15 minutes that show how much more could have been done with the premise. Well worth a watch if you enjoyed Blacula, but it doesn't really avoid many of the standard sequel problems (especially when it comes to the plotting, which is copied almost beat for beat).

6/10

The double-pack can be bought here.
Americans can get the movies here.

Wednesday, 30 March 2011

Blacula (1972).

Yes, it’s a blaxploitation horror and, as you can guess from the title, it’s a riff on the Dracula tale. What you may not guess is that it’s actually quite a good little film.

William Marshall plays the title role (though the character’s proper name is actually Mamuwalde), a man bitten and cursed by Dracula himself in the opening sequence. Fast forward many years and Blacula’s coffin is taken to America by some interior decorators who have managed to pick up everything contained within Dracula’s household for quite a bargain price. It’s not long before people start dying from severe blood loss and Blacula, of course, discovers someone (Vonetta McGee) who seems to be the double of his deceased ex-wife. Thalmus Rasulala plays the cop who first decides to start considering the seemingly impossible as the bodies start to pile up (and, more worryingly, disappear).

While Blacula is not a great movie, in the standard sense, it does compare very favourably when weighed against other blacksploitation movies, and especially blacksploitation horrors. The cast mostly do a very good job with Marshall cutting an impressive figure as the caped vampire, McGee quite adorable and convincingly won over by a loving man and Rasulala putting on a gruff, tough act in a role that Fred Williamson would surely have loved to chew up.

The screenplay by Raymond Koenig and Joan Torres is adequate and contains laughs both intentional and unintentional (something that’s rarely avoidable nowadays when watching anything so very 70s). Where the movie scores is in the banter between Rasulala and everyone around him, especially Lt. Peters (played by Gordon Pinsent), and in the moments of nobility that Marshall makes the most of.

The direction by William Crain isn’t anything special but it’s quite a compliment that one or two factors haven’t actually dated as badly as you’d think. The classic heart (or should that be soul?) of the tale is timeless. The vampire make-up isn’t all that bad, though Marshall is given some majorly heavy eyebrows when baring his fangs, for some reason. And then we have the vamp to bat transformation, used fleetingly but well done with some simple animation as opposed to the big rubber bats that Hammer used to be so fond of. This ties in nicely to the amusing animated credit sequence.

There’s camp in abundance, the standard funky guitar you’d expect on the soundtrack (though, to be fair, the soundtrack is bloody good and it’s only the groovy 70s dancing that distracts from the enjoyment of the music), Elisha Cook Jr. and an amusing, scene-stealing repeated line delivered by a man named Ji-Tu Cumbuka, who plays a character called Skillet. Do give it a try.

8/10.

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