Mubi Monday: Blue Steel (1990)

It is a happy coincidence that I have spent the past few months hankering for a rewatch of Blue Steel and it has now appeared on the MUBI streaming service. I couldn’t remember many details, but I remembered liking it. I hoped it would hold up as a solid thriller.

It does.

Jamie Lee Curtis stars as Megan Turner, a young woman who we see at the start of the movie finally achieving her dream of becoming a cop. She is barely on the streets for a few hours when she foils an armed robber in a store (a small turn from Tom Sizemore). One of the customers lying terrified on the floor is Eugene Hunt (Ron Silver), a man impressed by Megan, and also impressed by the gun dropped by the robber. Taking the gun away for his own personal use, Eugene complicates the situation for Megan, who is subsequently investigated for shooting an “unarmed” man. And things get even more complicated when people turn up dead, shot with bullets that literally have the name of our heroine on them. What could make the situation even worse? Maybe Megan and Eugene becoming romantically involved with one another?

Co-written by director Kathryn Bigelow and Eric Red, Blue Steel is a 1990 thriller that feels as if it belongs in a later part of the decade. It has everything you expect from this type of thing, including a supporting cast of characters containing one or two people you know aren’t going to make it to the end, but one or two elements that help it to stand out from the crowd.

The first USP here is Ron Silver’s villain, equal parts charming and completely psychopathic. Silver is the kind of actor I miss nowadays, we don’t have a modern equivalent, and he is superb here, especially once he drops any facade and reveals his true nature, at a surprisingly early stage in the proceedings.

The second USP here is the brilliant commentary on the fetishization of guns. From the title to the opening credits, from the motivation of the villain to the changing power dynamics that depend on who is or isn’t armed at any one time, Blue Steel isn’t just a typical thriller with gunfights here and there. It’s a film that uses the broken mind of one man to show just how strange and dangerous the typical American “gun-worship” mindset is.

Curtis is fine in the lead role, if a bit unconvincing, but her main reason for being onscreen is to look attractive while holding an attractively alluring weapon (in the eyes of the villain anyway). Elizabeth Peña is the best friend, which immediately puts her in danger, and Clancy Brown is a gruff detective who enlists the help of our lead, which immediately puts HIM in danger. Kevin Dunn is a standard superior officer, reminding our lead of the rules and her duty, and there’s an enjoyable little turn from Richard Jenkins, the sharp lawyer defending his “innocent” client, as well as welcome, albeit brief, performances from Louise Fletcher and Philip Bosco, playing the parents who view the career choice of their daughter in very different ways.

Although it feels a bit flat during the final scenes, and those thinking Bigelow would throw more action scenes into this will be disappointed, Blue Steel works as well as it does because it never loses focus. It’s about a dangerous man falling in love with a woman, but he falls in love with her only because he sees her attached to a gun. And it’s a gun that drives almost every decision in this film, by being present or being absent.

8/10

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Silkwood (1983)

Based on a true story, Silkwood is all about a woman who works at a plutonium processing plant. Her name is Karen Silkwood and she starts to make some trouble for the management of the plant when she becomes directly involved with the union and starts doing her damnedest to blow the whistle on the numerous dangerous practices that happen around her and her colleagues every day.

It may not be the most exciting story in the world, and the lead character isn't put across as the most likeable person in the world, but Silkwood certainly has a fine pedigree. The script was written by Nora Ephron and Alice Arlen and Mike Nichols has the directorial duties. Then there's that wonderful cast. Meryl Streep plays the titular character, though it's not her best performance by a long shot, while Kurt Russell plays her on-off lover and Cher does well as her good friend. If you don't like any of those folks then how about Fred Ward, David Strathairn, Bruce McGill, Ron Silver or Craig T. Nelson? All, in my view, mighty fine actors. Even the people with names you probably won't know, such as Diana Scarwid and Sudie Bond, give very good performances and Bond is involved in one of the most harrowing scenes in the entire movie.

It's the real horror of the material here that raises it up for me, otherwise I wouldn't have been able to score the film above average. The dangers of radiation are very well known nowadays but it wasn't all that long ago when people were being misinformed and basically used up, as is the case here. Management and business owners needed results and that meant exposing employees to some serious potential health risks. Best case scenario = they really weren't aware of just how damaging it could be. Worst case scenario = they knew, they knew all too well and would go to any lengths to keep their dirty little secrets hidden away. Silkwood tends toward the latter scenario but there is some ambiguity in the first half, at least, to avoid making the company villains absolute monsters.

The film, as a whole, just didn't work well enough for me but I know that I won't forget certain moments. The character played by Sudie Bond being hauled off and cleaned down after exposure to radiation is as upsetting a scene as any that I can recall from any genre, made all the more effective by Bond's heartbreaking performance in her supporting role. Surprising as it may seem, I have to suggest that Streep is actually the weakest link here. Perhaps there was only so much she could do with her character as it was written or perhaps, as I suspect, it just so happens that someone else would have been much better for the role. I don't know who that actress would be but I do know that when I think of the likes of Margot Kidder or JoBeth Williams in the lead role I feel more intrigued about what could have been. And those are just two choices off the top of my head.

Do watch the movie to see something powerful and distressing and to see some actors doing great work but don't watch the movie just to see Streep in the main role because you may find yourself disappointed.

7/10

http://www.amazon.co.uk/Silkwood-DVD/dp/B001EJW0SG/ref=sr_1_1?ie=UTF8&qid=1354035513&sr=8-1

Timecop (1994)

Back in the late '80s and early '90s, Jean-Claude Van Damme was one of the top action movie stars. He'd done his time (there was the early role in a porn movie and then the film in which most of us saw him as the villain - No Retreat, No Surrender) and then low budget action flicks like Kickboxer and, a movie that remains one of his very best, Bloodsport set him on a fast track to superstardom that may not have remained at full strength but has certainly kept him in a career of high kicks and any excuse to do the splits. Watched nowadays, the better movies featuring JCVD in a leading role remain slick and enjoyable slices of entertainment. With plenty of high kicks and excuses for him to do the splits. But it's his adventures mixing sci-fi in with the action that seem to have stood the test of time the best. Universal Soldier is absolutely superb (thanks, in no small part, to an absolutely brilliant performance from Dolph Lundgren) but Timecop remains a very fun watch, despite its many flaws.

The story is based on the Dark Horse comic series and Van Damme plays Walker, a man who we see at the start of the movie having his life pretty much torn apart. We then skip forward a number of years to see that Walker is, funnily enough, a "timecop". Time travel has been invented but it needs to be closely monitored at all times and nothing should be done to change the past. Those who engage in such deeds (making themselves rich or trying to kill figures from the past, etc) are tracked down and severely punished. Bruce McGill plays the abrupt captain of the division who is also a friend to Walker, Gloria Reubens plays an agent ordered to tag along with our hero after his partner gets a bit too greedy and Ron Silver gives another entertaining performance as McComb, a Senator who has the Presidency in his sights and might just break the laws to get it. There's also Mia Sara looking a bit doe-eyed and being an extra motivational factor for our hero. And did I mention that Van Damme does some high kicks and even the splits?

Peter Hyams directs things with his usual skill. He's no major artist, in my opinion, but I've always found him to be a very dependable craftsman who often makes solid entertainment. The performances are better than average for a JCVD movie, with special mentions going to the great McGill and the fun Silver, but it's the script that really helps this one stay surprisingly sharp and fresh. Information is interspersed throughout the action in a way that never feels too forced or obtrusive, the premise may be full of paradox potential but also does a great job of blending in the smart stuff without making anything too difficult to follow.

The action scenes are well done and will please action fans while the sci-fi stuff is handled competently enough to please those after a bit of time travel fun. There's no doubt that it will have the more eagle-eyed viewers tutting in disapproval as the end credits roll and the plot holes stand out but the film never claims to be a serious look at the nature of time travel. It's an action-packed sci-fi thriller in which JCVD does some high kicks and has a few excuses to do the splits. Though I might have mentioned that already.

7/10

http://www.amazon.co.uk/Timecop-Blu-ray-Region-Free/dp/B003IHVKSI/ref=sr_1_1?ie=UTF8&qid=1340140214&sr=8-1