April Fools: Silent Movie (1976)

One of my favourite shots in any film ever!

It does exactly what it says on the tin. Oh yes, Silent Movie is a silent movie, for the most part (only one person gets to speak, and it's a brilliant punchline), directed by Mel Brooks, who co-wrote the film with Ron Clark, Rudy De Luca and Barry Levinson.

The plot is a brilliant slice of meta fun, as Brooks, accompanied by Marty Feldman and Dom DeLuise, convinces a studio to let him make a silent movie, and then sets out to convince a variety of big stars to appear in his silent movie. That's the excuse for one set-piece after another, from going to great lengths to talk to Burt Reynolds, to keeping things perfectly balanced in James Caan's trailer while trying to get him on board. As the film starts to look more and more appealing to those in the business, a rival studio sends out a secret weapon to scupper the whole thing, the lovely Bernadette Peters.

For film fans, this is almost as enjoyable now as it was nearly 40 years ago, when first released. The comedy, as you could probably guess, is pretty universal and timeless, and it's only some of the stars who may be slightly unfamiliar to modern audiences (even if I do dislike the thought of a world in which people don't recognise Anne Bancroft, Burt Reynolds, or Paul Newman).

Brooks and DeLuise are very funny, but Feldman is the highlight for me. The man can be funny even when not playing with material, and I thank Brooks for giving him two great movie roles (with this and Young Frankenstein). A bit of praise, however, must also be given to those stars already mentioned, as well as everyone else who joins in with the fun.

Although the movie is little more than a loosely connected series of sketches, the format allows for this without it ever feeling like a major negative. Many silent movies were broken down into a number of different acts, of course, and this feels just the same.

If you're a fan of Brooks then you should enjoy this. If you're a fan of comedy then you should enjoy this. In fact, most people should enjoy this.

8/10

http://www.amazon.co.uk/The-Mel-Brooks-Collection-DVD/dp/B000AM6NCM/ref=sr_1_1?ie=UTF8&qid=1391351938&sr=8-1&keywords=mel+brooks

High Anxiety (1977)

It's another top class spoof from Mel Brooks, this time taking aim at the movies of Alfred Hitchcock, and while I enjoyed many individual moments (the riff on The Birds is juvenile but also damn funny) I didn't feel that the whole thing worked as well as it could, or should, have.

The biggest plot developments, and indeed the title itself, are derived from Vertigo - the film that, despite stiff competition, just edges ahead of the pack to remain Hitchcock's finest hour. Mel Brooks plays Richard H. Thorndyke, a man who is appointed as the new administrator for the Psychoneurotic Institute For The Very Very Nervous. There's something not quite right at the institute, something that Nurse Diesel (Cloris Leachman) and Dr. Charles Montague (Harvey Korman) seem to be covering up. Maybe it's to do with a patient named Arthur Brisbane (Albert Whitlock), a man kept there despite him being in fine physical and mental health according to his daughter, Victoria (Madeline Kahn).

Written by Brooks, as well as Ron Clark, Barry Levinson and Rudy De Luca, the film lacks the gag quotient of, say, Blazing Saddles while the references to the original movies aren't always as immediately recognisable as they are in Young Frankenstein. Having said that, there are plenty of details and little touches that will please fans of Hitchcock even if they aren't always played for laughs.

The performances are all pretty good, in line with the material, but the best moments come from the fantastic Cloris Leachman and the equally fantastic Harvey Korman. In fact, the very best moments feature both stars bouncing off one another and wringing the maximum amount of laughs from each line.

Okay, so comparing this movie to Blazing Saddles and Young Frankenstein is probably quite unfair because they are two of the best spoofs ever made so I should make it clear that High Anxiety certainly rewards attentive viewers and will undoubtedly be a film that I return to now and again for some guaranteed chuckles.

7/10

http://www.amazon.co.uk/The-Mel-Brooks-Collection-DVD/dp/B000AM6NCM/ref=sr_1_2?ie=UTF8&qid=1348995965&sr=8-2

Transylvania 6-5000 (1985)

From the very title of the movie (itself a reference to the old Glenn Miller tune, Pennsylvania 65000) to the set up and development of the plot to the large number of groansome gags, Transylvania 6-5000 feels very much like a dated movie unlikely to appeal to modern audiences. Using archetypal horror icons can work (just see the excellent The Monster Squad for an example of just how well) but this film uses them ineffectually and can't even compensate for failing in that department with any comedy consolation.

Jeff Goldblum is the journo rolling his eyes in exasperation and disbelief as he's sent on a job to Transylvania to investigate the background of a video received by his newspaper (that reportedly shows Frankenstein's monster scaring two unsuspecting tourists). Ed Begley Jr. is the editor's son who is along for the ride, making up for in enthusiasm what he lacks in common sense. Once they have arrived at their destination they are treated to a bizarre experience, staying in a hotel that caters specifically for tourists by catering to every Transylvanian stereotype and cliche. Are there monsters on the loose or is the whole thing just a lot of nonsense?

Written and directed by Rudy De Luca, Transylvania 6-5000 at least benefits from a decent cast. Jeff Goldblum has never, in my view, been unwatchable and his cynical presence helps lift this vehicle just above the very bottom of the barrel. Ed Begley Jr is slightly irritating at times but he's not the worst comedy actor ever. Jeffrey Jones has fun, Michael Richards plays a butler who is essentially "Kramer with a fondness for practical jokes" and Carol Kane steals every scenes that she's in as an overly affectionate wife pestering her husband (John Byner) while he tries to get on with his work. There's also a decent turn from Teresa Ganzel as Elizabeth Ellison and Geena Davis looks gorgeous in a vamp outfit. Joseph Bologna is slightly disappointing as a potential mad scientist, Dr. Malavaqua, but he doesn't drag the film down severely, mainly because it never really reaches any higher than average anyway.

The jokes occasionally raise the shadow of a smile but this kind of material was mined for far superior comedy gold by the likes of Mel Brooks, Dean Martin & Jerry Lewis and even Abbott & Costello. By 1985 you would think that something sharper and smarter could have been created but that's not the case (I even enjoyed Transylmania and Stan Helsing more than this movie). A revelatory finale proves to be surprisingly sweet and gently amusing but it's also lacking in anything that actually makes up for the rest of the film being so disappointing and stale.

4/10

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