Showing posts with label the exorcist. Show all posts
Showing posts with label the exorcist. Show all posts

Tuesday, 25 August 2020

Repossessed (1990)

Here it is, The Exorcist spoof you never knew you needed. Or wanted. It's strange to think that this was in UK video stores before The Exorcist itself was deigned suitable for British adults to view in a certificated video form in their own homes (you can look up the history of the film with the BBFC to see what I mean, although many horror fans will already know what I mean).

Anyway, written and directed by Bob Logan, this is a film that relies on two main bits of canny casting. First of all, Linda Blair plays Nancy Aglet, a woman who has her head turned by the devil. Second, Leslie Nielsen plays Father Mayii, the elderly priest who may be the one to save Nancy.

The story is all about Nancy, a married mother of two, becoming alarmed when she starts to utter profanities and spew pea soup. She asks for help from Father Luke Brophy (Anthony Starke), but this also brings her unwanted attention from two fake celebrities (played by Ned Beatty and Lana Schwab) who think they can cure her and get great ratings. Maybe the only one who can really help is Father Mayii, but he is reluctant to take the chance.

Logan throws everything he can at the wall here, and some of it sticks. You gets lots of obvious gags based directly on the source material (the "lick me" turn, as silly as it is, always makes me laugh), and you get lots of tangents, such as the scenes showing Father Mayii trying to get himself fitter and stronger. Unfortunately, the gags that miss the mark sometimes miss by a wide margin. Perhaps the worst moment has an incongruous rap interlude from Father Brophy, it's cringe-inducing to watch nowadays, but there are also a number of moments breaking the fourth wall that are never as witty as they think they are.

Kudos to Blair for accepting the role and having fun with something that derives comedy from her most famous performance, and Starke does well for a lot of his main scenes, but Beatty and Schwab are underused, while Nielsen is overused, often mugging and delivering his lines in a way that undermines the potential laughs.

Many people may still have fond memories of this spoof, but it doesn't hold up very well. The better gags still work, they just remain so few and far between, and nothing is done in a way that manages to distract from how cheap and careless it all is.

410

https://ko-fi.com/kevinmatthews


Saturday, 16 May 2020

Shudder Saturday: Cursed Films (2020)

As I have very occasionally done before, this time on Shudder Saturday I am covering a show that they have provided on the streaming service, rather than any one movie. I was previously going to do this with Creepshow, their highly anticipated spin-off from the popular anthology movie, but I figured too many people would be upset if I just spent one blog post trying to find fifty different ways to say "lazy pile of shit".

Anyway, to Cursed Films, a 5-episode series (to date) that features, in order, The Exorcist, The Omen, Poltergeist, The Crow, and Twilight Zone: The Movie.

It's generally a bit weak, to put it mildly. What the show does best is show how people will interpret certain events because of their own views. It's almost an enjoyable study of confirmation bias, and if the makers of the show had decided to pick apart the theories with that in mind then I dare say that this could have been a much more interesting watch.

If you are familiar with The Exorcist then you probably know everything that crops up in the first episode. It's easy to see why the movie was chosen as the first title to be looked at. It's also arguably the biggest disappointment of the whole series, with the content displayed being a mix of something covered much more effectively in many other discussions (including the excellent documentary from Mark Kermode) and some absolute balderdash that shows someone offering exorcisms to a couple of people who seem clearly in need of some extra care from their fellow humans.

The Omen is similar, a regurgitation of many stories that have been told many times before. Yet, because more of The Omen stories are near-misses and could-have-beens, it feels much more tenuous. Something less powerful turned into something marketable by those who were involved in the making of the movie.

Things pick up with the episode on the Poltergeist movies, thanks to the involvement of many people who speak honestly about their own emotional pain after the premature death of young Heather O'Rourke and some wonderfully candid clips (including an archival interview with Zelda Rubinstein) calling bullshit on the whole idea of a curse, and claiming it to be quite disrespectful to those who were more immediately impacted by the loss of loved ones. It's a shame you also get a tangent with some location-hunters finding the house used for filming, and an amateur interview conducted with a neighbour who appears to give some needless "scoop" on the filming of the movie, but the good stuff here is better than anything in the first two episodes.

The Crow keeps things moving in the right direction. A lot of people know the story by now, and the parallels between Brandon Lee and his famous father, Bruce, but this takes you clearly through the chain of events, and explains how the film ended up being completed due to the wishes of those who knew that Brandon Lee was so pleased with his work in the movie. It's a shame that there wasn't a bit more time detailing the huge impact this had on the life of actor Michael Massee (the man who shot the gun, assuming it was all correct and as safe as these things are required to be on any movie set), but it generally gives you the familiar with an added personal connection from people who were directly involved with the movie.

Last, and by no means least, we get to Twilight Zone: The Movie. Be warned, there is footage here of the incident that led to the death of actor Vic Morrow and two young children that is up there with some of the most distressing content I have ever seen. It's real, it happens quickly, it's hard to believe it happened that way, and hard to believe they show it in this show. This is, however, the best episode in the whole series, because of the full picture built up by the many talking heads, and because of the raw nature of a number of archival clips. It's also a huge reminder that (and I LOVE his movies, met the guy, got a bluray signed, and got a pic) John Landis is a massive shit, who should have at least been found guilty of some manslaughter charge. He was a reckless asshole, and his career should have been over after this movie. The documentary doesn't quite cover things here as in-depth as it could (such as a certain rumour about important figures being quickly whisked away from the vicinity, or the way in which the jury on the main court case could have been . . . influenced), but it makes clear, despite the statements from one or two people, that Landis made the bad decisions that led to this tragedy. But, hey, he attended all three funerals, and actually got up to speak at Vic Morrow's funeral, rambling about the immortality Morrow had onscreen. He's clearly upset, which is at least something, but that takes some level of nerve, considering the fact that people state Morrow wasn't really enamoured by Landis, and took the gig because of the involvement of Spielberg.

Each episode is just under half an hour, so I WOULD recommend watching the whole thing (especially if you are a younger horror fan, or a newcomer to the genre), but it's a shame that the quality only picks up in the second half. Although it's still a damn sight better than Creepshow (the series).

6/10