Split Second (1992)

Director Tony Maylam has two main features worth checking out. One is The Burning (the slasher classic), the other one is this. What could have been an interesting buddy cop thriller, with a dark heart, instead ends up being a bit too murky throughout, and clumsily written. Which doesn’t mean there is no fun to be had here. And I will maintain until my dying day that this feels very much like a movie adaptation of the James Herbert novel, Moon. 

Rutger Hauer is Harley Stone, a cop with a gritty attitude, a big gun, and a psychic link to a crazed killer (someone who likes to rip out hearts and then take a bite out of them). He is partnered up with Detective Dick Durkin (Neil Duncan), a more by the book kind of cop, of course. As the killer keeps trying to lure Stone to him, those around him end up in danger. He already lost his partner, and extra guilt comes from the fact that he was having an affair with his partner’s wife, Michelle (Kim Cattrall).

A really strange hybrid of elements, Split Second is perhaps most frustrating because it never fully settles on what it wants to be. A cop flick? A dark thriller? A full-on horror movie? It ends up being none of those things, yet it also amuses and entertains as it works with elements from all of them. 

Maylam directs with competence, but contributes to the lack of focus inherent in the messy script from Gary Scott Thompson. The waterlogged future UK setting could have been a great feature, but it is just as wasted as every other part of the plot.

Thankfully, Hauer helps to elevate everything with the power of Hauer. He spouts numerous lines of absolute nonsense, grizzled and single-minded as he wanders through the city on the investigation that defines his entire character. Duncan is nowhere near as much fun, but his differing style works well opposite Hauer’s driven mania. Cattrall is as welcome an addition as she usually is, and there are good little turns from Alun Armstrong, Pete Postlethwaite, Ian Dury, and Michael J. Pollard. 

I have never loved Split Second, something I always found surprising. But I have also never hated it either. That isn’t surprising, mainly because I cannot think of any film starring Hauer that I have strongly disliked. Give it a watch, it’s adequate b-movie fare. Just remember that it is a lower-tier Rutger Hauer movie.

5/10

https://ko-fi.com/kevinmatthews

The Burning (1981)

Developed by the Weinstein brothers (Harvey helped to come up with the story while Bob wrote the screenplay with Peter Lawrence), The Burning is, arguably, the most beloved of the many slashers that immediately began to flood the market in the 1980s after the success of Friday The 13th, which was itself created due to the success of Halloween.

It all starts, as so many slashers do, with a prank that goes horribly wrong. A mean caretaker, named Cropsy, is badly burned by some kids who just wanted their revenge for him spoiling their time at summer camp. Fast forward a few years and it's all fun and frolics with a bunch of horny teenagers at some other summer camp. But some musical cues and POV camerawork let viewers know that Cropsy is hanging around. And he's not happy.

With some interesting music provided by Rick Wakeman, great special effects by Tom Savini, and THAT fantastic set-piece, it's certainly easy to see why The Burning lingers in the memory long after the end credits have rolled. Of course, that doesn't mean that everyone will love it.

It's simplistic stuff, directed with little flair by Tony Maylam, but it's effective, both for what it shows onscreen and what it often implies, thanks to the famous slasher flick that it most closely resembles.

Brian Matthews and Leah Ayres are acceptable, if slightly bland, leads and Brian Backer tries his best, despite his character - the youngster who doesn't make friends easily - being just a bit too sullen to gain any sympathy. Larry Joshua plays one of the nicer bullies that this subgenre has given us, understandably smitten with Carrick Glenn, but the most fun for modern audiences is in seeing the few stars who appear here before becoming much more famous a few years down the line. Holly Hunter has a small role, Fisher Stevens is memorable and Jason Alexander is like a smaller version of the Jason Alexander that we've all come to know and love over the years. It's good to know that he was always ready and able to be a smartass when the situation needed it.

If you're looking for something fresh and complex then look elsewhere. In fact, if that's the case then most entries in the slasher subgenre probably aren't for you. But if you're looking for a film that throws together a bunch of kids and camp counselors, setting them up to be killed by a memorable madman, then this is as good a choice as any. Indeed, it's one that you kind of have to check off "the list" if you're a fan of the horror genre, in my opinion.

8/10

http://www.amazon.com/Burning-Collectors-Edition-BluRay-Blu-ray/dp/B00BCMSY80/ref=sr_1_1?ie=UTF8&qid=1392384419&sr=8-1&keywords=the+burning