Showing posts with label zelda adams. Show all posts
Showing posts with label zelda adams. Show all posts

Saturday, 24 January 2026

Shudder Saturday: Mother Of Flies (2025)

Another horror movie written by, directed by, and starring John Adams, Zelda Adams, and Toby Poser, Mother Of Flies is another interesting use of the genre to explore something a bit more thought-provoking and relevant than some of your more straightforward fright flicks. The Adams Family, as they are often affectionately known, excel in using their limited resources and budgets to present something that has a bounty of ideas to make up for the relative lack of polish. Let's not be unfair to them though, they're also bloody good when it comes to the technical side of things.

John and Zelda play Jake and Mickey, a father and daughter who are on a journey to visit a witch (Solveig, played by Poser). This is all to do with a medical diagnosis that Mickey has received, one that doesn't give her a very good chance of survival, and she decides that she may as well give something else a go, something other than science and medicine that may simply postpone the inevitable. 

While describing and discussing Mother Of Flies, there doesn't seem to be that much to it. My plot summary covers everything well enough, although we also get some backstory about Solveig and her place in the local area, and there aren't really any big shocks or surprises, despite some effectively unnerving imagery used here and there to show the ongoing cycle of life and death, as well as the battle between good health and various ailments. It feels more substantial when you're watching it though, and not just because it is based on the real experiences that the family have had with cancer throughout the past few decades. While horror can entertain, while it can make you tense and scared, while it can have you impressed by gore gags and fun kill scenes, it also provides a fantastic backdrop for many conversations that we should strive to make less discomforting for ourselves. Death is never far away in horror movies, of course, but it's good to take the more fantastical elements of the genre and juxtapose it alongside the everyday pains and horrors that so many endure in their lifetimes, either inside themselves or while helping loved ones.

I don't think anyone here is at the top of their acting game, certainly not in comparison to some big names who would never do this kind of thing nowadays anyway, but they have the bonus of being a family unit who can act around one another in a way that lacks any nerves or self-consciousness. Poser gets to have the best moments, which tends to happen when you play a witch known for your witchy ways, but all three leads to a decent job.

There's also another very good selection of music here, also from the family, and, overall, this is yet another worthwhile genre film that rewards those who have (like myself) decided to try and keep up with every feature that these talented creatives put out there. It's not quite up there with their very best, but it's absolutely one to make time for. You might even spend some time after the end credits have rolled considering what beliefs are generally supported by the masses and what aren't, and what difference that really makes to those who live their lives with enough personal faith to ignore whatever others say about them.

7/10

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Saturday, 26 February 2022

Shudder Saturday: Hellbender (2021)

I ALMOST didn't review Hellbender. I'd picked it to view and review after hearing good things about it and then, at the end of my first viewing, I couldn't figure out how I felt about it. That happens sometimes. So I figured I would choose something else to review instead. Then I managed to fit in a second viewing, hoping that things might click for me. Things clicked.

Directed by, written by, and starring Zelda Adams, Toby Poser, and John Adams, with a supporting role for Lulu Adams, this is very much a DIY movie, and very much a family affair. I can understand why the idea of that may scare some people off. Those kinds of movies often end up as little more than barely-competent vanity projects, but Hellbender just feels like the right people gave themselves the right jobs (almost all of them) for the material.

A phrase that has been bandied around often in recent years is "we are the granddaughters of the witches you could not burn", and Hellbender takes this slogan quite literally. Because it starts with a witch who refuses to die. Things then move to the present day, where Izzy (Zelda Adams) lives a sheltered life with her mother (Toby Poser). Izzy and her mother also play together in a band, rocking out some great tunes, but that is probably the very limit of her allowed excitement. Which all changes when Izzy starts to yearn for the wider world outside, makes friends with a young woman named Amber (Lulu Adams), and is soon given a history lesson about her powerful family tree.

Although obviously made with a low budget and limited resources, Hellbender shows how that isn't an excuse for an unimaginative and lazy final product. It all depends on whether or not you want to buy into the central concept, but at least it's one that feels interesting enough and ripe with potential for material that easily fills this runtime, and could (hopefully) lead to a sequel, or at least another film that could complement this one.

Adams and Poser are both excellent in the lead roles, carrying almost every scene between them, with the focus being on one or the other, or both together. Lulu Adams is also very good in her supporting role, and John Adams gets himself onscreen as a character who has a memorable encounter with the leading ladies.

As for their work in the directing and writing departments, well, let's just say that the family prove themselves to be sickeningly talented. I'm really looking forward to whatever they do next, and I am also excited to go back and check out The Deeper You Dig (their 2019 film that got some praise when released, but just didn't ever become a high priority on my ever-expanding "to watch" list).

Witty, consistently interesting, nicely blending some fleeting scares with some artistic imagery, and focused very much on the power within women that so easily scares off men who mistakenly equate femininity with weakness, Hellbender is a film I will easily recommend to anyone looking out for a new horror movie to watch. Even if, like me, you only fully appreciate it after giving it a second viewing.

8/10

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