I'm slightly annoyed that it took me this long to finally watch 21 Bridges, mainly because it finally showed me a performance from the late Chadwick Boseman that really showed him delivering fantastic work. I enjoyed his Marvel turn, pretty much everyone knows that he played Black Panther in a number of movies (including, of course, Black Panther), but I didn't really see anything else from him that made me take notice of his acting chops. 21 Bridges, as mired in predictability and cliché as it is, is lifted by Boseman's performance, especially in a couple of scenes that have him sparring with the equally great J. K. Simmons.
Boseman plays a New York detective named Andre Davis. Following in the footsteps of his father (who died when he was a child), Davis strives to be a good cop. Even while being investigated for a shooting, he stands firm on his record. He has had to shoot people when there was no other choice, but he insists that every one was justified, a "good" shooting. When a big theft goes wrong, two drug thieves kill a number of cops, and Davis is put on the case. He wants to bring the two to justice, but there are others, including Captain McKenna (Simmons) who would much prefer the two to be shot on sight, sparing the relatives of the dead cops a long and painful trial. Davis doesn't work that way though, and he's even less inclined to shoot first and ask questions later as details of the case start to add up to more than just a robbery gone awry. The routes in and out of Manhattan are blocked, and the clock is counting down fast for the robbers, who won't know that Davis is their best chance at making it through the night alive.
Written by Adam Mervis and Matthew Michael (brother of Joe) Carnahan, this is a very enjoyable, standard, thriller. The pacing is perfect, with the robbery and some subsequent gun battles punctuating the ongoing detective work being carried out by Davis, and there are plenty of opportunities throughout the film for the viewer to get one step ahead of the main characters. This is arguably a big weakness within the script, but it still delivers a bit of tension, albeit in a different way. Anyone watching this is just wondering how long it will take certain characters to realise certain truths, and what confrontations will stem from those realisations.
Director Brian Kirk doesn't really elevate the material, relying on his cast to deliver some of the better lines from the script. He also doesn't mess things up, however, and that can be just as important when helming something as entrenched in crime movie tropes as this is. Kirk has faith in his cast, but it's a shame that he didn't get some better people to fill out some of the smaller supporting roles. Seeing some more faces like Keith David (who plays a Deputy Chief) would have helped enormously, even if they were just in for one small scene.
The leads more than make up for any weaker elements though. Boseman is believable, matching the tough attitude of his character with an intelligence and diplomacy that makes Andre Davis the one cop you would want alongside you if things were going from bad to worse at great speed. Sienna Miller plays Frankie Burns, partnered alongside Davis for the night, and she is very good in her role, playing someone who is looking to both crack the case and help get the suspects an immediate death sentence. Simmons has given many great performances in his career. This may not be up there with his very best, but it's much better than you might expect for the type of character he's portraying, arguably more effective in the more placatory moments that he has in between shouting at people. Stephan James and Taylor Kitsch play the two thieves, with James by far the better of the two, possibly as much to do with the script as it is to do with his performance, and there are a few other players who do decent work while they get caught in the crossfire (including Alexander Siddig, Louis Cancelmi, and Gary Carr).
Distinctly average in terms of the plotting, 21 Bridges is treated like so much more than that by everyone else involved, both behind and in front of the camera, and Boseman and co. turn it into a surprisingly riveting viewing experience.
7/10
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