Panos Cosmatos made quite a name for himself with his feature debut, Beyond The Black Rainbow. I still haven't seen that film, despite all the praise heaped upon it, but I couldn't resist the pull of Mandy when it was sold to me as, essentially, Nicolas Cage angrily battling demons.
Cage lives with the woman he loves (Mandy, played by Andrea Riseborough) in a cabin in the woods. It seems to be an idyllic life they lead, with Cage working hard during the day so that he can relax and watch Nightbeast with his loved one in the evening. But that is all spoiled when an evil cult member spies Mandy and decides that he has to have her. So he sends some demon bikers along, which is when things start to get completely insane.
The first reason to see Mandy is the glorious visual style of Cosmatos. Almost every frame is painted like the lurid cover of some pulp sci-fi or fantasy novel. This is a landscape that feels like someone has blended the works of Michael Moorcock and Piers Anthony and then poured them directly onto the screen. It's a truly stunning feast for the eyes. Based on this, and from what I had heard already, I really do need to see Beyond The Black Rainbow ASAP. Cosmatos may not have churned out many movies but his quality over quantity approach means I can be fully caught up very quickly.
The second reason to see this movie is Nicolas Cage. The rest of the cast all do a good job (Riseborough is always pretty great, Linus Roache and Ned Dennehy are two of the main cult members, and you get fantastic small turns from Richard Brake and Bill Duke) but Cage is the one going through a transformation here, from simple man living in contentment to grief-stricken victim to, well, a weapon-wielding kind of demi-god. The shooting style helps to show this, as Cage becomes stronger and stronger on his quest for vengeance, culminating in some final scenes that I won't detail here. Let me just say that I would love to see his character able to reappear in some future film that develops him further.
Other reasons to see the movie include the lush score by the late Johann Johannson, a crazy Cheddar Goblin advert (a turning point for the whole movie, created by someone who helped make the viral hit "Too Many Cooks"), a sparse script that still manages to contain a number of chilling lines, and the fact that it's the best Hellraiser movie in almost two decades, even if it's not ACTUALLY an instalment of that franchise.
Well worth seeing on the big screen, you won't believe your eyes and ears. And you may well find yourself, as I did, eagerly awaiting a repeat viewing. It's an audio-visual experience that I can see myself wanting to have again and again and again.
9/10
A lot of people may want to buy the soundtrack here.
Americans can buy it here.
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