I like Blockbuster, I do. I know that liking them is irrational and that
they do quite a lot to make themselves unpopular but a) I used to work
for them and enjoy my free rentals each week and b) I know that a lot of
the staff working for the company started, as I did, with a naive idea
that if they loved movies then they would enjoy working for the company
and could spread their love of movies to others. Some staff still try
and you can tell, as you can with any business, which employees
genuinely know and/or care about their product.
It's
strange to see how many big businesses seem to lose their focus as they
grow and grow, even while the situation almost demands that they remove
blinkers and get with the program. I'm only using Blockbuster as an
example here, from what little I know and to illustrate my point with a
recent personal experience.
Here's what little I know (or think I know) about the company at
the moment. It's in major financial trouble, I believe, and this has led
to some major restructuring and the closure of many stores. I'm not
sure if they ever did enter Chapter 11 bankruptcy or not but they are
certainly like so many other businesses around nowadays in the way that
they need to make every £1 of profit count.
Here's how not to help yourself make money.
I walked into my local Blockbuster the other week and asked the following: "Oh, did you guys get any retail copies of The Muppets on Bluray?"
The guy working in store that day was someone I'd spoken to
before and he's a decent lad but he doesn't have the passion and banter
that his colleague has. Sorry to say it, he's a less effective salesman
in his role because he always seems to be wanting to be elsewhere.
Anyway, on this particular occasion he turned to me and said "Oh mate,
with releases like that nowadays, unless they're the BIG titles, you
have to put a deposit down to make sure they get ordered in or it's just
not going to happen". This was said with a wry grin and a whole "we're
men of the world" air of complicity that kinda hid the meaning of his
words until I left the store.
"Ah," said I, "so I doubt you'll be getting Carnage in either."
"No," said the sales assistant, "that one we could maybe special
order in for you but we're only getting a few rental copies of it in and
no retail due."
"Okay then, cheers."
And I left. Or, to be more exact, I left and immediately texted
my wife that it would be much appreciated if she could pick up a copy of
The Muppets on Bluray while she also bought a bit of shopping at the big Sainsbury's along the road from us.
THEN, feeling a bit guilty for so quickly and easily turning
"traitor" I started to realise what I'd just been told. The lad working
for a company in financial trouble had told me that I was wrong, as a
consumer, to expect them to have in stock a title that I thought would
sell pretty well. That was the way of their world and a £2 deposit would
be required for whenever I thought ahead next time.
Hmmmmm. Actually, as brattish and spoilt as it may make me sound,
we live in a consumer-powered society and if I want something at the
best price I will tend to shop online. If I want something as a little
treat for myself I will tend to stick it in the shopping trolley while I
buy groceries. And if I want to help my local Blockbuster and buy a new
movie there then I will go in and see if it's in stock. If it's not in
stock then it's their loss and I will go to buy it elsewhere. That's
entirely my choice. Of course, Blockbuster (and, indeed, any store
selling goods) can't possibly have everything in stock that people may
or may not want to buy. But when they don't have something in that I
wanted to buy then that's not my fault, at all. Nope. The onus is with
them to have goods to sell me.
This is not, despite how it may seem, a moan about Blockbuster. I
still like them and have fond memories of working for the company and
recommending movies to people who took a genuine interest in finding
some gems. This is just my own little rambling about how I was genuinely
astonished to find such complacency nowadays in an environment which
really does put all of the power into the hands of the consumer. If
you're never complacent with people then you should always do well, in
my opinion. Life doesn't always work out that way but it should and I
hope that, for anyone out there giving 100% in whatever the role is, it
does.
Showing posts with label blockbuster. Show all posts
Showing posts with label blockbuster. Show all posts
Tuesday, 26 June 2012
Blockbusted?
Labels:
blockbuster,
carnage,
customer service,
money,
sales,
the muppets
Saturday, 16 June 2012
Jaws (1975)
Jaws is returning to cinema screens for a limited run this year and I implore you to do what you can to see it on the big screen. It is, and always will be, the best blockbuster ever made and a masterpiece in modern cinema. Says me, anyway. When the spruced up Bluray is released later in the year I will buy it ASAP and enjoy rewatching it all over again (apparently the upgrade is absolutely superb).
But once again I come to hit a brick wall, how to review my all-time favourite movies while not covering all the old ground that has already been covered so many times. Released in the year that I was born, I feel like Jaws has always been a part of my life. I remember how I laughed when I saw it shown on TV after a weather report from Michael Fish (Fish and then shark, hahaha, see?) and then how shaken up I was two hours later. It terrified me and I loved the thrill of the experience.
People have already praised the performances (Roy Scheider, Richard Dreyfuss and the mighty Robert Shaw - that U.S.S. Indianapolis speech is, for me, up there with the Top 10 cinematic monologues of all time). People have also already praised the direction, obviously, what with it being the movie that sent Spielberg's career stratospheric after he cut his teeth on some fine earlier outings, including the magnificent Duel. Is there anything that people haven't praised here? The brilliant John Williams score, the technical failings and problems that led to decisions being made that would inevitably improve the film, THAT opening sequence, the fact that it's one of the few films to actually improve upon the book it was based on.
Nope, I have nothing new to add. Oh, for anyone just coming out of a 200-year coma, the film is about a great white shark terrorising the island of Amity and doing it inconveniently close to a holiday weekend when beach-combing visitors usually bring the cash that the small community needs to survive and thrive. Did I say great white shark? I meant GREAT BIG great white shark. The local chief of police, a marine biologist and a local fisherman band together to try and catch the beast before more people die.
After first seeing Jaws I did not even want to dip a toe in the waters of Portobello and anyone who knows that area near Edinburgh will know that I was more likely to be terrorised by a dirty needle or a used prophylactic than a great white shark but that's how much the movie impacted on my psyche and, indeed, on the entire psyche of popular culture since it's release. To this day, you cannot hear that minimalistic cello piece without thinking that a fin will soon be chasing after you. And, rambling as I have, I think that last paragraph contains all the personal and wider view of the movie that I feel should always be taken into consideration by those who try to wave it aside as an unspectacular, shallow thrill-ride.
10/10
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Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share
But once again I come to hit a brick wall, how to review my all-time favourite movies while not covering all the old ground that has already been covered so many times. Released in the year that I was born, I feel like Jaws has always been a part of my life. I remember how I laughed when I saw it shown on TV after a weather report from Michael Fish (Fish and then shark, hahaha, see?) and then how shaken up I was two hours later. It terrified me and I loved the thrill of the experience.
People have already praised the performances (Roy Scheider, Richard Dreyfuss and the mighty Robert Shaw - that U.S.S. Indianapolis speech is, for me, up there with the Top 10 cinematic monologues of all time). People have also already praised the direction, obviously, what with it being the movie that sent Spielberg's career stratospheric after he cut his teeth on some fine earlier outings, including the magnificent Duel. Is there anything that people haven't praised here? The brilliant John Williams score, the technical failings and problems that led to decisions being made that would inevitably improve the film, THAT opening sequence, the fact that it's one of the few films to actually improve upon the book it was based on.
Nope, I have nothing new to add. Oh, for anyone just coming out of a 200-year coma, the film is about a great white shark terrorising the island of Amity and doing it inconveniently close to a holiday weekend when beach-combing visitors usually bring the cash that the small community needs to survive and thrive. Did I say great white shark? I meant GREAT BIG great white shark. The local chief of police, a marine biologist and a local fisherman band together to try and catch the beast before more people die.
After first seeing Jaws I did not even want to dip a toe in the waters of Portobello and anyone who knows that area near Edinburgh will know that I was more likely to be terrorised by a dirty needle or a used prophylactic than a great white shark but that's how much the movie impacted on my psyche and, indeed, on the entire psyche of popular culture since it's release. To this day, you cannot hear that minimalistic cello piece without thinking that a fin will soon be chasing after you. And, rambling as I have, I think that last paragraph contains all the personal and wider view of the movie that I feel should always be taken into consideration by those who try to wave it aside as an unspectacular, shallow thrill-ride.
10/10
If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share
Labels:
blockbuster,
horror,
jaws,
john williams,
lorraine gary,
richard dreyfuss,
robert shaw,
roy scheider,
shark,
steven spielberg,
thriller
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