Showing posts with label cameron bright. Show all posts
Showing posts with label cameron bright. Show all posts

Monday, 29 December 2014

Christmas In Wonderland (2007)

A light-hearted family movie that squanders a half-decent cast, Christmas In Wonderland is enjoyable enough. It just could have been much better.

Patrick Swayze is a father to three children, and he's not looking forward to Christmas. The family have just relocated, only for his job to fall through. Trying to hide this fact from the kids, dad takes them all to the local mall (which is quite spectacular) and asks the eldest boy to look after his two younger siblings. The eldest obviously makes a break for it as soon as possible, which leaves the two younger children free to find a bag of counterfeit cash that they immediately begin spending, much to the chagrin of the two thieves (Chris Kattan and Preston Lacy) who lost it, and the cop (Tim Curry) trying to crack the case.

The script here is as weak as you'd expect it to be. Writers Wanda Birdsong Shope, James Orr (who also directed the movie) and Jim Cruickshank mix the usual seasonal magic with a plot that crosses Blank Cheque and Unaccompanied Minors, forgetting to include any fun factor that made both of those movies slightly more enjoyable. There are some amusing moments of randomness, including one actor (Matthew Walker) popping up in a variety of guises, but those don't make up for the many weaker moments.

With his director's hat on, Orr does what's needed of him, and nothing more. His best decisions seem to have been made while casting the film, and it's a shame that he gives no consideration to things like pacing, predictability, or even potential tension. Viewers won't ever feel that the children here are in any danger, which makes it harder to keep caring about individual moments leading up to the final reel.

Swayze is just fine in his role, although he spends a lot of time on the sidelines while the film focuses on the adventures of the kids. Cameron Bright is suitably stubborn and moody as the older son, Matthew Knight is personable enough as the middle sibling, and both Amy and Zoe Schlagel work together to portray the youngest of the three, a little girl who still believes in Santa and Christmas magic and happy endings being a rule rather than an exception. Preston Lacy may have been someone who made me laugh as part of the Jackass crew, but he's annoying here from the very first moment that he opens his mouth. Kattan does a bit better, despite having to share almost all of his scenes with Lacy. And Carmen Electra has fun as the third criminal, the one who expects to sit back and let the two men do all the work for her to reap the rewards. I wish I could say that I enjoyed the performance from Tim Curry, but he decides to try out an accent that just doesn't ever sound right, subsequently undercutting the amusement that his character could have provided.

Kids will, obviously, enjoy this a bit more, and it's not irredeemably bad. It's just not that good, especially when considering how much it has in common with those other movies I already mentioned: decent child actors, one or two big (well . . . . . big-ish) names, incompetent crooks, a montage moment, and even some love in the air for the older lad. The addition of some Christmas magic should have been enough to make this a superior family film. Sadly, it's not.

4/10

http://www.amazon.com/Christmas-Wonderland-Patrick-Swayze/dp/B002NALPFO/ref=sr_1_2?ie=UTF8&qid=1418663448&sr=8-2&keywords=christmas+in+wonderland



Wednesday, 23 January 2013

Ultraviolet (2006)

Apparently, writer-director Kurt Wimmer is very unhappy with this film because it was completely re-edited by the studio and reduced from a two hour movie to one that runs for 88 minutes. I know how he feels as I'm also very unhappy with this film. Whether or not an extra half hour of content would make me any happier is a risk I'm not prepared to take, even if a full director's cut is ever released. I can't see how any extra footage could make up for the bad acting, bad special effects and uninteresting characters on display here.

The movie starts off with some voice-over narration from Milla Jovovich about the state of the world that she's living in, but this isn't Resident Evil. We then get our first glimpse of Milla, clad in some tight leather clothing and ready to kick ass with some superhuman strength and skill, but this isn't Resident Evil. People are being affected by a disease of the blood and Milla is determined to fight against an evil corporation that is trying to use the whole situation to its advantage, but this isn't Resident Evil.

Milla plays Violet, a beautiful hemophage (AKA basically a vampire) and member of an underground resistance movement who boldly strides into the Archministry and intercepts the delivery of a weapon designed to destroy her and all of her kind. However, it turns out that the weapon is a small boy (played by Cameron Bright) and Violet starts to think that maybe, just maybe, he can be used to help the hemophages rather than kill them off. Nerva (Sebastien Andrieu) doesn't think so and, as he is a superior member of the same resistance movement, Violet finds herself battling with her own kind as well as the soldiers working on behalf of Vice-Cardinal Ferdinand Daxus (Nick Chinlund), the head of the Archministry.

Almost everything about this movie, with the exception of the lovely leading lady and one or two nice visuals, is horrible. Not just horrible, but horrible in a way that actually hurts your senses. You can feel your eyes start to burn as every scene has more and more bad CGI crammed into it. Your ears may try to separate from your head and crawl off into a gutter somewhere rather than listen to most of the godawful dialogue. Then there's the acting, which is so bad across the board that I thought I was watching a parody. Indeed, Nick Chinlund's turn as the villain could be replaced by Will Ferrell's performance as Mugatu (from Zoolander) and the film would be improved 10%. The only person who comes close to escaping with a shred of self-respect still intact is William Fichtner, though it's too close to call. Cameron Bright at least has the excuse of being young here. Someone like Sebastien Andrieu does not.

The action sequences could have been decent, with Wimmer again using the Gun Kata style that he'd showcased in the enjoyable Equilibrium, but yet again, excessive CGI and over-editing spoil the result. With no action to enjoy and a selection of uninteresting characters that nobody will care for, the only asset the movie has is the lovely Milla. As much as I like watching her on-screen, that's just not enough to save this from being a complete waste of your time.

2/10

http://www.amazon.co.uk/Ultraviolet-DVD/dp/B000HT1WYW/ref=sr_1_2?s=dvd&ie=UTF8&qid=1358400784&sr=1-2