Nobody (2021)

When a family are terrified by a home invasion one night, and the youngest member of the family loses her favourite kitty bracelet, the man of the house, Hutch Mansell (Bob Odenkirk) decides to head out and get some revenge. This leads to him being on a bus at the same time as a group of assholes who are harassing a woman, and Mansell decides that he can take out his rage on this group. This gets him noticed by the wrong people, mainly the very powerful Yulian Kuznetsov (Aleksey Serebryakov), and that means that people start to realise his past life was spent being the last person that many people ever saw.

Pretty much sold to people as another John Wick kind of movie, but with "Saul Goodman" in the lead, Nobody will definitely please fans of that series. The fun comes from the fact that Wick reluctantly returned to his killing ways while Mansell is actually keen to let out some rage that has been kept locked away during years of a steady 9-5 grind (a dreary life of routine shown in a montage at the start of the film). The only reason he doesn't want to start back down that path is because he knows how much he's going to enjoy the journey, and he knows how good he is at killing people.

Written by Derek Kolstad, who wrote the first John Wick movie, this is a smart and funny action flick with some impressive violence in the fight scenes. It's hard not to feel a sense of glee as Mansell slides comfortably back into his former habits, and he makes great use of every environment around him to remove the advantage that his opponents usually think they have.

Director Ilya Naishuller is no stranger to this kind of thing, having started his directorial career with an impressive POV short  ("Bad Motherfucker" for Biting Elbows) that would lead to him helming Hardcore Henry. Although I couldn't get on board with that POV gimmick for a whole feature, Naishuller certainly showed that he was happy to revel in gunshots, bone-breaking melee fights, and the kind of forward momentum that should keep most action movie fans pleased.

Odenkirk is superb in the lead role here, believably strong without having bulked up to seem huge. A great actor in pretty much everything I've ever seen him in, it's great to see him have fun in a role that seems so far out of his wheelhouse. I really hope more people see this and become Odenkirk fans. Serebryakov is the standard big baddie, and is just fine in his role, overseeing an army of henchmen who will all likely fail in their attempts to kill Odenkirk's character. RZA has a small role, which he does just fine with, and Christopher Lloyd is a real treat, playing David Mansell (father of Hutch), someone with a similar past. Connie Nielsen is a very understanding wife, Michael Ironside has a small role as a boss/father-in-law, and Colin Salmon has a nice little moment as "The Barber".

All in all, this is everything you could want it to be. The action satisfies, the plotting is good enough to make it all seem plausible (within the movie world), and the sense of humour throughout makes it feel even more suited to Odenkirk having the lead role. Everybody should see Nobody.

9/10

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Punisher: War Zone (2008)

It's been a while since I saw the first cinematic incarnation of this character, played by Dolph Lundgren, but I have more recently enjoyed both the film starring Thomas Jane and the series, with Jon Bernthal in the main role. The latter is the better portrayal of the character, but I still enjoy the film too, as maligned as it often is.

And now I have finally watched Punisher: War Zone, and I have a new favourite. Time will tell whether or not that remains the case but that's how things are for now.

Ray Stevenson plays Frank Castle, and the plot is fairly simple. He's taking out villains and one of them ends up in a nasty accident that leads to him renaming himself Jigsaw (Dominic West). Making a move for more power and money, Jigsaw and his cohorts end up setting themselves up for a confrontation with The Punisher, but our hero may be held back by the police officers who want him cuffed and off the streets.

Directed by Lexi Alexander, I really cannot see why more people don't love this one. Having spoken to fans of the comic, I am led to understand that a number of the onscreen characters are twisted a bit too far from their comic counterparts, and I can understand that being an issue, but the rest of the film is so gloriously entertaining and insanely violent that it would seem to be absolutely perfect for fans of The Punisher.

Written by Matt Holloway, Art Marcum, and Nick Santora, there's a fine blending of the grim and the darkly comedic throughout. It works really well, and is helped by pacing which means you're never too far away from either an action set-piece (some more over the top than others), a fun character moment, or a bit of ultraviolence. This thing barrels along. Stevenson may not get too much dialogue, The Punisher is a man of few words, but that doesn't stop the script from crackling elsewhere with amusing dialogue and entertaining statements of menacing intent.

Perhaps thanks to his relative lack of dialogue, but that may be unfair to say, Stevenson is fantastic in the main role. Seriously, he IS the best version of The Punisher I have seen onscreen. Lundgren was always fun, but also always Lundgren, Jane was okay (points for trying), and Bernthal is fantastic. Stevenson, however, just edges ahead. The size, the moves, the attitude, he's on point. West has a blast as Jigsaw, helped in a number of scenes by his crazy brother, played by Doug Hutchison. Wayne Knight is just fine as Micro, Mark Camacho and Keram Malicki-Sanchez are a decent couple of henchmen, Colin Salmon is fine and upstanding as the cop wanting to arrest Frank Castle, and Dash Mihok is enjoyable as the cop actually helping Frank when he can. Julie Benz is one of the few main actresses, and she does well as the widow of someone caught up in the crossfire between Frank and the gangsters.

I highly recommend this to fans of the character, to action movie fans, and to those who want some comic book fun that is far from family-friendly.

8/10

Buy it here.
Americans, buy it here.

Devil's Playground (2010)

Director Mark McQueen and writer Bart Ruspoli are the men responsible for this British zombie horror movie and it's a shame that they take a few decent moments and ground them in a movie that's just far too derivative and silly to please many fans. The first hurdle it has is the cast (I am possibly the one person I know who likes watching Danny Dyer onscreen), the second hurdle is the familiarity with all of the material and the third, and biggest, hurdle is that this movie features zombies doing parkour. Oh yes, you read that correctly. Freerunning zombies, that's the fresh approach that this film tries to take with the material. Needless to say, it's a stinker of an idea that translates into a number of risible moments within the film.

So, the plot is as follows: Lots of people have been undergoing medical trials for a new wonderdrug and when things go wrong they go REALLY wrong. Everyone is affected badly, all but one - a woman (Angela, played by MyAnna Buring) who the folks in charge now want to get a hold of, what with her possibly possessing some kind of cure that could stop a major epidemic and all that. Craig Fairbrass plays Cole, a man who is used to being given the jobs that need to be done but don't ever need to be admitted to, and he is the one sent to find Angela. Meanwhile, Danny Dyer plays Joe, a cop who used to go out with Angela but had to put the relationship on hold when he went and stupidly shot some kid by accident. These people may be able to help each other survive while crowds of bitey bitey freerunners run amock but they will have to overcome many various difficulties - locations, emotional issues, threats from other people wanting to survive - on the way.

There's very little I can say right now that will win you over if you already think that you're going to dislike this film. Because, let's be honest, you're probably going to dislike this film. The acting is so-so from all involved (as much as I like the lad, Dyer gives an especially poor performance here but Fairbrass is good at what he does and Buring is watchable) while the script is nothing more than a 90 minute game of "spot the reference", be it from 28 Days Later... or the Resident Evil movies or anthing else that has come along since. There's not one original idea here except for the freerunning, and whoever thought of that should be taken to the nearest, large town square available and publically flogged.

There are a few good SFX moments here and there showing the infection taking hold and there are a couple, though not enough, of good gore moments. The rest of the cast at least features people such as Colin Salmon, Jaime Murray, Sean Pertwee, Shane Taylor and Craig Conway so there are a number of familiar faces to support the leads but it's not enough to save the film.

Dear British filmmakers, please note that in any future scripts you may want to develop the word "zombie" should never ever ever ever ever ever ever ever ever EVER be preceded by the word "freerunning". Thanks.

4/10

http://www.amazon.co.uk/Devils-Playground-DVD-Danny-Dyer/dp/B003B3SQ68