Showing posts with label john glover. Show all posts
Showing posts with label john glover. Show all posts

Thursday, 28 April 2016

Dead By Dawn 2016: We Go On (2016)

After the madness of YellowBrickRoad, writer-directors Jesse Holland and Andy Mitton return with another impressive horror entry. While more traditional in style and aim than their debut feature, this remains something a bit different. Yet it also ladles on the atmosphere and traditional scares with a skill rarely seen at this level (not to dismiss the many fine horror movies we see every year, I am just emphasising that this is a top-tier flick with very few of the flaws we usually see associated with considerably lower budgets).

Clark Freeman plays Miles, a young man who seems to be afraid of almost everything in the world around him. Especially cars. He's one of the few people who doesn't drive. In an effort to release himself from his paralysing fears, Miles overs a large financial reward to anyone who can prove that there is something after death. He wants to take some comfort in the fact that we go on, hence the title. After wading through a large pile of kooks and deluded responses, he narrows his potential candidated down to just a few. Heading off to meet each one, with his mother (Annette O'Toole) in tow, he soon finds that there may not be any proof out there. Until it appears right under his nose. And then he might wish he hadn't started on this journey.

There are only two main problems with We Go On. First of all, Freeman isn't the best lead. He's not terrible, by any means, but it certainly takes a while to warm to his character. After some careful consideration, I concluded that this was due more to Freeman's performance than the writing, which is pretty solid throughout. The second main problem is a surprising lack of tension during some sequences. There's atmosphere and some wonderfully spooky details, and a few fantastic jump scares, but the tension dissipates once some rules are laid down and you know what can and cannot occur. That doesn't make the experience of some of the main characters any less harrowing, however, and it's a minor flaw when the rest of the actual horror content is so well handled.

As well as Freeman and O'Toole (who is wonderful, by the way, in her portrayal of a mother who will go to almost any lengths to keep her son safe and well), the cast includes John Glover in a small role (making the film an extra little treat for Smallville fans), Giovanna Zacarias as an alleged psychic plagued by the presence of spirits around her, Jay Dunn as a lovesick stranger, and Laura Heisler as a young woman trying to keep a dangerous individual out of her life. All of these people interconnnect in ways that feel nicely plausible without ever seeming too contrived, in the context of the main premise.

Holland and Mitton have certainly learned a thing or two over the past few years, although I am still also a huge fan of their debut, and We Go On uses almost every trick in the book to deliver the chills. The visuals and production design are solid, the audio moves up and down to prime you for those big scares, and the script manages to satisfy everyone while also still leaving room for some personal interpretation.

If you enjoyed some of the bigger supernatural hits from the last decade or so (The Sixth Sense, Stir Of Echoes, White Noise, etc) then you should love this one. It's up there with the very best of 'em.

If you enjoyed this review, and live in the UK, feel free to browse and buy some shit here - https://www.amazon.co.uk/

If you enjoyed this review and live in the USofA then feel free to browse and buy some shit here - http://www.amazon.com/

8/10


Thursday, 13 November 2014

Noir November: Masquerade (1988)

I guess it could be easily forgotten among many other slick thrillers from the past few decades, but Masquerade is a very enjoyable piece of fun. Any experienced viewer should be able to tell where the twists and turns are going to appear, yet that doesn't detract from the experience. In fact, seeing how the pieces are put in place to create the winding path of the plot is one of the main attractions, with another being the decent cast.

Rob Lowe stars as Tim Whalen, a young man who is gaining quite a reputation for his work in the sailing world. He's also getting to sleep with Kim Cattrall (who plays the wife of his boss), so it seems like a sweet life. But when he meets the lovely Olivia Lawrence (Meg Tilly) he falls in love. It maybe helps to know that she's megarich, which immediately casts aspersions on Tim's intentions. The couple find themselves under quite a bit of scrutiny, from Cattrall's character, from Olivia's horrible stepfather (John Glover), and from a local police officer (Doug Savant) who still holds a candle for Olivia. It's not long until some treachery is afoot.

Written by Dick Wolf, the script for Masquerade is clever enough to deliver information, both overtly and covertly, to the viewer, while never seeming too clever for its own good. It's both Hitchcockian and also enjoyable, polished nonsense.

Director Bob Swaim knows how to handle the material, and cuts his workload in half by getting the right people in the right roles. Using the attractive location, the attractive leads, and a very good score from John Barry, he keeps everything light and entertaining throughout, with most of the fun stemming from figuring out just who is due to get one over on who.

Lowe is excellent in the lead role, all charm and confidence. He also remains pretty likeable, even when his motives are called into question. Tilly is as lovely as ever, and she had quite a run of movies at this time that made the most of her fragile beauty (also check out Psycho II and Impulse if you can). Glover is always worth watching, in my opinion, as is Cattrall, although I admittedly like to see both onscreen for different reasons, and Savant does a decent enough job with his character, even if he is the weakest of the leads. Dana Delany and Erik Holland provide solid support, and the Long Island location is the perfect setting for such potential soap opera shenanigans.

This isn't a film that wants to take you down too many dark alleyways. It's not a film that will shock you with the revelations that it lines up, mainly throughout the last two thirds of the runtime. It's just a decent bit of entertainment, and it does exactly what it sets out to do.

7/10

http://www.amazon.com/Bad-Influence-Masquerade-Rob-Lowe/dp/B008FYZHDI/ref=sr_1_2?ie=UTF8&qid=1415565747&sr=8-2&keywords=masquerade+movie