Showing posts with label kate bosworth. Show all posts
Showing posts with label kate bosworth. Show all posts

Saturday, 12 October 2019

Shudder Saturday: Black Rock (2012)

Black Rock is not, technically, a bad film. There's a decent enough main premise, a trio of good female leads, and it has a slim runtime to help it avoid overstaying its welcome. Unfortunately, it is not technically a good film either. It's just . . . there.

Sarah (Kate Bosworth), Lou (Lake Bell), and Abby (Katie Aselton) are reunited for the first time in what seems to have been many years. Sarah plans for them to spend a weekend on an uninhabited island, to reconnect with one another. It turns out that the island isn't actually that uninhabited. Three men are on there, ex-military. One of them is known to the women, which allows them to relax and spend some time together, drinking under the night sky. But things soon take a turn for the worse.

Very much the creation of Aselton, who both co-wrote the screenplay with Mark Duplass and also decided to direct again (a couple of years after her feature directorial debut, The Freebie), Black Rock is a film that clearly has good intentions. It just falls some way short of the mark when it comes to delivering whatever it is aiming for. It remains interesting enough, if only to see this familiar material in a rare case of it not being filtered through the male gaze (also check out the superior Revenge for that), but it's a case of the approach to the whole thing being of more interest than any of the actual content, which will leave viewers wanting if they think they are getting a standard revenge thriller.

Everyone does just fine in the acting department. Bosworth, Bell, and Aselton have a decent amount of chemistry between them, with no small amount of tension between the latter two, stemming from an incident in their past that they may or may not move on from. Will Bouvier, Jay Paulson, and Anslem Richardson are the men, and do fine in their roles. Initially viewed with suspicion, they are soon shown to be normal guys who don't automatically pose any threat to the women, although their appearance immediately puts the women more on edge than they would have been if left to enjoy the alone time that was planned.

The biggest problem with Black Rock is that the second half doesn't work. At all. Everything is good for the first half, and the main incident that changes the whole tone of the film is very well done, but it then becomes a much less interesting film. The characters were being developed well for that first half, which is then dropped altogether (and before any of them are truly fully-formed) in favour of something ultimately unsatisfying for those who want a drama, yet also unsatisfying for those who want a thriller. It doesn't even do enough to subvert any tropes and expectations, and each subsequent scene in the second half gets worse and worse right up to the anti-climactic finale.

I can't really point out the many ways in which this could have been improved. Sometimes these things are intangible as you view the film as a sum of its parts, sometimes there is something obvious that sticks out. All I know is that Aselton seems to have missed an opportunity to deliver something interesting and unique.

4/10

You can buy the movie here.
And here.


Friday, 6 February 2015

Still Alice (2014)

Julianne Moore is Dr. Alice Howland, a linguistics professor who starts to worry when she realises that her ability to recall words seems to be diminishing. After a number of sessions with a doctor it becomes clear, although not quite believable, that she has early onset Alzheimer's disease. She has to break the news to her family, and also has to set in place a number of measures that will help her live a nirmal life for as long as possible.

This is standard stuff, very much TV-movie-of-the-week. The screenplay, by Richard Glatzer and Wash Westmoreland, is based on a novel by Lisa Genova, which at least makes everything more interesting and powerful by having Alice be a linguistics professor. She arguably knows the value of individual words more than most, highlighting the deterioration of her mental acuity in the first stages of her illness.

Glatzer and Westmoreland also direct the movie together. While they don't show themselves to be experts in the field, they're smart enough to cast well and intersperse the second half of the movie with some moving moments.

Moore is excellent in the main role, as you'd expect her to be. There are one or two moments in the first half of the movie that have her repeating herself from past performances, but it's when she starts to lose aspects of her main identity that she truly shows what she's capable of. It's not up there with her best performances, in my opinion. It's still very good stuff though. Alec Baldwin puts in another great supporting turn (he's never disappointing in those roles), and Kate Bosworth and Hunter Parrish are two of the three grown-up children who struggle as they see their mother losing her mind. But it's the third child I'm going to spend the most time discussing. She's an aspiring actress, and still finding her place in the big world before all of her hopes and dreams are dashed. Played by Kristen Stewart, she's the best of the supporting characters, and Stewart gives perhaps the best performance in the film. Often sidelined, and often treated as if she doesn't know her own mind, she can probably see the situation that her mother is going through from a much closer perspective than anyone else around her, leading her to be the most selfless and sympathetic of the group.

It's a shame that the film just isn't a bit better. I guess it's difficult to make a movie like this feel like anything more than a well-intentioned melodrama. The cast all try hard, but can only raise it up so far. It's worth your time, and those wanting some inoffensive drama will certainly enjoy it a bit more than I did. Ultimately, it's quite forgettable, which is a tragic irony.

6/10



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And/or you could also buy my e-book, that has almost every review I've written over the past 5 years. It's very reasonably priced for the sheer amount of content.

The UK version can be bought here - http://www.amazon.co.uk/TJs-Ramshackle-Movie-Guide-Reviews-ebook/dp/B00J9PLT6Q/ref=sr_1_3?s=digital-text&ie=UTF8&qid=1395945647&sr=1-3&keywords=movie+guide

And American folks can buy it here - http://www.amazon.com/TJs-Ramshackle-Movie-Guide-Reviews-ebook/dp/B00J9PLT6Q/ref=sr_1_fkmr0_1?ie=UTF8&qid=1395945752&sr=8-1-fkmr0&keywords=TJs+ramshackle+mov

As much as I love the rest of the world, I can't keep up with all of the different links in different territories, but trust me when I say that it should be there on your local Amazon.

Sunday, 20 July 2014

Homefront (2013)

Jason Statham plays, surprisingly enough, a tough guy in this standard action vehicle that allows him to do what he does best. Kick ass. This time around, he is a former DEA agent, named Phil Broker, who moves to the country for a quiet life with his daughter, Maddy (Izabela Vidovic). Things don't start off so well, however, when Maddy deals with a bully by using some of the moves that he daddy taught her. The parents of the lad are furious, and they're not the type of people to let things slide. In fact, the mother (Kate Bosworth) enlists the help of her drug-manufacturing brother (James Franco), which then leads to Phil's past being discovered, putting both him and his daughter in great danger.

Based on a novel by Chuck Logan, Homefront is simple stuff, yet it feels a lot better than many other standard action thrillers I've seen over the past few years. A part of that is down to the sparse, but effective, script by Sylvester Stallone, and a part of that is down to the solid direction from Gary Fleder, who does especially well during the vicious fight sequences that are peppered throughout the movie. He also paces the whole thing perfectly, from a prologue sequence that quickly establishes the basics, to the character introductions, to the tense and enjoyable final act. Everyone involved knows what viewers expect, and they deliver. In spades.

The cast also do their bit, of course. Statham has been doing his tough guy act for years, and he's damn good at it. I like him onscreen, even if he's trying to do an American accent, and he always brings a believable physicality to his action roles. Vidovic is great as his daughter, a winning combination of cute and tough. Bosworth feels as if she's overdoing her "white trash" act at times, but she gets better as her character is allowed to take things down a notch in the second half of the movie, and Franco has a lot of fun as a rather unlikely villain for Statham to clash with. Marcus Hester, Winona Ryder, Frank Grillo, Chuck Zito, Owen Harn and Stuart Greer play an assortment of supporting villains, and all do good work (Grillo doesn't get a lot of screentime, but he still makes one hell of an impression). On the side of good we get Clancy Brown as a local sheriff, Rachelle Lefevre as a caring teacher, and Omar Benson Miller as a young man helping Statham to fix up his homestead.

One of many movies that you will probably know beforehand whether you're likely to love or hate it, Homefront shouldn't be quickly dismissed just because it takes standard, familiar elements and puts them together for a great end result. I'd argue that it should be applauded for exceeding expectations, no matter how low some of those expectations might be.

7/10

http://www.amazon.com/Homefront-Two-Disc-Combo-Pack-UltraViolet/dp/B00HEPCRLE/ref=sr_1_2_bnp_1_blu?ie=UTF8&qid=1405285617&sr=8-2&keywords=homefront




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The UK version can be bought here - http://www.amazon.co.uk/TJs-Ramshackle-Movie-Guide-Reviews-ebook/dp/B00J9PLT6Q/ref=sr_1_3?s=digital-text&ie=UTF8&qid=1395945647&sr=1-3&keywords=movie+guide

And American folks can buy it here - http://www.amazon.com/TJs-Ramshackle-Movie-Guide-Reviews-ebook/dp/B00J9PLT6Q/ref=sr_1_fkmr0_1?ie=UTF8&qid=1395945752&sr=8-1-fkmr0&keywords=TJs+ramshackle+mov

As much as I love the rest of the world, I can't keep up with all of the different links in different territories, but trust me when I say that it should be there on your local Amazon.