Showing posts with label melissa joan hart. Show all posts
Showing posts with label melissa joan hart. Show all posts

Sunday, 7 December 2025

Netflix And Chill: A Merry Little Ex-Mas (2025)

Things look set to be perfectly pleasant and civil when Kate (Alicia Silverstone) and Everett (Oliver Hudson) decide to "consciously uncouple" after years of relatively happy marriage. Everett just couldn't get enough time away from his job, and Kate spent many hours considering the career that she left behind. They hope to stay honest with one another though, and to be there together for their growing children (Gabriel, played by Wilder Hudson, and Sienna, played by Emily Hall). There's a surprise in store, however, when Everett has to admit that he's in a new relationship with Tess (Jameela Jamil). And there will be another surprise when Kate eventually gets around to telling everyone that she's aiming to sell the family home and have another stab at getting back on that past career path.

You may not appreciate the filmography of director Steve Carr, but he has a good selection of feature films that make him a less likely choice for this kind of thing. I'm going to assume that he was either offered a decent payday or he liked the screenplay, written by Holly Hester. Or both. It could always be both. Either way, Carr uses a great cast and all of the holiday season standards to make the most of Hester's writing. Things are kept so busy, between the main developments and the many enjoyable supporting characters, that it remains delightful for the entirety of the 91-minute runtime.

Silverstone is the shining star atop the tree here, giving the kind of bright and fun turn that makes you wish she was used more often. Not that she hasn't been doing good work in recent years, but she's more often to be found giving quirky supporting turns in less mainstream fare. She does so well here that it doesn't matter about Hudson being a much less interesting presence, something that becomes even clearer when he is also outshone by the wonderful Jamil, who is consistently hilarious. Another hilarious performer is Pierson Fode, someone I last saw being the standard romantic lead in The Wrong Paris. Fode is fantastic here as Chet, a man of many hats, and I hope to see him maintain this kind of variety in his roles as he moves forward in his career. Both Wilder Hudson (actual son of Oliver) and Emily Hall do fine, but are often witnesses to the unfolding events, as opposed to active participants, while Timothy Innes has the blessing and curse of playing a nerd obsessed with Harry Potter, Geoffrey Owens and Derek McGrath are delightful grandparents, and Melissa Joan Hart is given a role that is big enough to please fans, but small enough to avoid her ruining things.

There's nothing here to surprise you, especially if you're deliberately seeking out a Christmas movie as a seasonal distraction (and, let's face it, everyone who watches this stuff tends to do so for that very reason), and nothing that really marks it out as much better or worse than some of the other options to have appeared this year, but the cast make a huge difference. You get the snow, you get the minor set-pieces, and you get the disappointingly predictable ending (actually super-disappointing when you consider the other directions it could have gone). You also get Fode, Jamil, and Silverstone though, each one being arguably better than the material deserves, and all of them working well with everyone else onscreen.

7/10

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Saturday, 31 August 2013

Nine Dead (2010)

The fact that Nine Dead doesn't look like it was shot by a lunatic band of monkeys is one of the few reasons that the film merits the few points I begrudgingly offer it in this rating system. You see, Nine Dead is just one of those movies that makes it hard for any viewer to work up any enthusiasm for, it's so lazy and badly executed.

Nine people are caught and imprisoned in a room together. If they can figure out why they have all been put together and why a masked gunman wants them dead then they will be free to leave. Until they do get to the reason behind the killing, one will die every ten minutes.

The rot starts to set in with the script, by Patrick Wehe Mahoney, one of a hundred Saw imitators and one that shouts out its failings and ridiculousness while thinking it's being oh so clever. It's as preposterous as it is poor and actually insults viewers with what it asks them to believe in.

Things aren't improved by the acting, a mixed bag of people fail miserably to rise above the weak material with "top name" Melissa Joan Hart providing the worst performance of the lot. Hey, I'm as guilty as the next person of enjoying the odd episode of Sabrina The TeenageWitch but that was a long time ago and it looks like Miss Hart has forgotten everything she ever learned (though I'm well aware she was never all that good back then either, she was at least a little bit likable). I'm not going to name the others, they don't really deserve being mentioned - some act their way to something approaching average but most of them barely stay ahead of "Sabrina".

Director Chris Shadley can keep the camera pointed in the right direction and shows a basic level of competence but he doesn't do enough to cover up the massive plot holes or compensate for the terrible cast.

The one thing I will say, to end on some note of optimism, is that this is Mahoney's first script (and it definitely shows) and Shadley's first stint in the director's seat so there is certainly room for improvement. Given better material to work with, I can see Shadley actually provide a decent movie one day. Maybe.

3/10

 http://www.amazon.co.uk/Nine-Dead-Melissa-Joan-Hart/dp/B00450AG1E/ref=sr_1_1?ie=UTF8&qid=1377944020&sr=8-1&keywords=nine+dead


Friday, 28 December 2012

Holiday In Handcuffs (2007)

If Holiday In Handcuffs was a layer of snow outside your front door on Christmas morning it would be yellow. It's a bad, lazy and unfunny film that doesn't even try to treat viewers as if they have more than two braincells (which may, in fact, be the case by the time the end credits roll). The plot is this - Melissa Joan Hart plays Trudie, a young woman who is due to take her boyfriend home with her for Christmas until he dumps her. This would normally be a bad thing to happen but for Trudie it's a bad thing coming after a number of bad things and she snaps. She just can't face going to visit her parents alone and so, of course, she kidnaps a man (David, played by Mario Lopez) and forces him to pretend that he is her boyfriend for the duration of the holiday trip. David is quite the catch and Trudie's mother and father (Markie Post and Timothy Bottoms, respectively) are happy to have him with them for their seasonal celebrations, even if he does react to uncomfortable social situations by "pretending" to be a kidnap victim.

I think that even that last sentence lets you know just how awful this film is. Yes, viewers are supposed to just accept that characters in this movie will believe that someone would pretend to be a kidnap victim as some strange joke they make when things get a little awkward.

Director Ron Underwood has fallen so far and it's sad to see. I mean, he's the guy who directed Tremors and City Slickers at the start of the 1990s and then he bottomed out, I suppose, with The Adventures Of Pluto Nash (which I've not seen yet, I'm simply going by its reputation) before concentrating on TV shows and TV movies like this one. Concentrating on TV shows and TV movies isn't the worst thing for a director to do but making something that stinks as badly as this is. It's not all Underwood's fault though, as the worst parts are the overall premise, thought up by scriptwriter Sara Endsley, and the increasing lack of plausibility and logic in every scene.

It doesn't help that the cast isn't great either. I've seen Melissa Joan Hart be a lot worse than she is here (in that awful Nine Dead, to cite the best example) but she's still pretty awful, as is Mario Lopez. The pair of them aren't helped, of course, by that script but it would still have been nice to see some chemistry or charm or just anything showing a spark of life in those dull eyes. Markie Post, Timothy Bottoms, June Lockhart (as grandma) and Layla Alizada (playing Trudie's friend) all fare a bit better but they're pulled down by the quicksand script. Kyle Howard and Vanessa Lee Evigan are stuck in the same boat while playing Trudie's brother and sister and I feel most sorry for Howard, who almost drags himself above the effluence in one or two moments but can't quite rinse off the bad smell. I went too far with my analogies in this paragraph but at least it saved me from having to use profane language.

I disliked Holiday In Handcuffs from, pretty much, start to finish. There were perhaps three or four moments that made me smile. Those few moments save it from an even lower rating.

3/10

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