If there was ever an award for the Jack Blackiest movie to feature Jack Black in a main role then it would surely go to School Of Rock. You get the rock music, obviously, and the general worshipping at the altar of rock. You get odd improvisational vocal riffs and ridiculous rock posturing. You get a lead character who seems to not be doing much with his life, and also proves himself to be far from the brightest bulb at times. And there's a message about being true to yourself, and not necessarily caring about what others may think as you find your inner cool.
Black plays Dewey Finn, a band member who finds himself with no band. He also has no job. And no money. He owes rent, which is becoming a problem for his friend/flatmate, Ned (played by Mike White, who also wrote the script), mainly because Ned is being told to assert himself by his girlfriend, Patty (Sarah Silverman). When Dewey takes a message by phone for a temp teaching job position for Ned, he decides to take on the role and earn some money. He figures it will be easy, the kids will enjoy not having to actually learn, and nobody will be hurt. And then he finds out that some of the young pupils are pretty good with musical instruments. So he has an idea to create another band.
Directed by Richard Linklater, School Of Rock is an easy crowdpleaser, as long as you don't mind Jack Black (and I think it's fair to say that this was released during the time when he was at the peak of his popularity, before people started to tire of his schtick). Although it seems unlike anything Linklater would want to helm, the fact that every scene feels infused with the sweat of rock legends starts to make you realise that this is a natural pairing.
Black is as you have seen him so many other times, sometimes being lazy and unmotivated and sometimes being a whirling ball of energy as he gets fired up by the power of rock. This remains the best role that he's had for the rock-worshipping side of his personality, and he is consistently excellent. White and Silverman are the negging motivators, with Silverman taking on the thankless role of the main complainer, and both of them are good in their scenes. Joan Cusack excels as the head of the school, a woman who worries so much about the reputation of the school, and the care of the pupils, that she has developed a reputation as someone who never has any fun. But get a Stevie Nicks tune playing and she shows a different side.
Then we have the kids. They may be all painted in rather broad strokes, but they're not usually the butt of the jokes, not once Black settles more into his role and starts to see more in them than they may see themselves. The scene-stealer is Miranda Cosgrove as Summer Hathaway, a girl who prides herself on being a top student, but everyone does well. You get Robert Tsai (Lawrence, keyboard), Joey Gaydos Jr. (Zack, guitar), Kevin Clark (Freddy, drums), Rebecca Brown (Katie, bass), Brian Falduto (Billy, costumes), Zachary Infante (Gordon, lighting), and Maryam Hassan, Caitlin Hale, and Aleisha Allen as singers. Every single one of them gets at least one moment in the spotlight, either through their musical talent or an amusing line of dialogue.
The soundtrack is made up of the obvious greats, making this a treat for the ears, and that script is a perfect example of how to throw enough fun characters and situations onscreen in a way that allows viewers to suspend disbelief as things move towards a completely predictable, and satisfying, grand finale. Silly and ridiculously implausible as it is, it's also a pretty perfect choice for whenever you are after a movie to please a group with a wide age range.
8/10
You can buy the movie here.
American readers can buy it here.
Showing posts with label mike white. Show all posts
Showing posts with label mike white. Show all posts
Friday, 19 July 2019
Monday, 27 November 2017
The Emoji Movie (2017)
I expected the worst from The Emoji Movie, and I am sure I wasn't alone. It's an animated film about emojis. Nobody was expecting a masterpiece, even most of the kids who would still go along to see it for easy entertainment. So you can imagine my surprise when I found that it wasn't actually THAT bad. Not that it's anything great, especially when compared to the many other animated ovies we have been spoiled with in recent years, but it's not bad enough for me to fill this review with numerous Patrick Stewarts (who voices a poop emoji - oh dear, Sir Patrick, oh dear, oh dear).
The plot focuses on a "meh" emoji named Gene (T. J. Miller), living with all of the other emojis inside a mobile phone. Gene struggles to maintain the one expression that is supposed to serve him throughout every day of his life. And this causes him to stress out when it comes time for his first day as a working emoji, setting in motion a chain of events that sees Gene go on the run with a Hi-5 emoji (James Corden) to find someone who can help fix the situation before either Gene is deleted or the whole phone is wiped.
Let's be honest here, the biggest problem that The Emoji Movie has is the central concept. It feels quite obviously cynical and like one big dollop of product placement (are emojis commodities? I guess they can be). But we should be used to that by now. We've had five live-action Transformers movies, we've had two G.I. Joe films, and I believe it's well-known that Joel Schumacher was shown a number of new toys that had to feature in Batman & Robin a couple of decades ago. Some movies are great art, some are great fun, quite a few try to entertain us while selling us stuff (be it cool products or the search for a daydream we keep seeing realised up there on the big screen), and some are just complete poop emojis.
I am sure that many people will disagree with me, but The Emoji Movie manages to avoid being a complete pile of poop thanks to a lot of fun visual gags and the nice way the world inside the mobile phone is visualised. Yes, my eyes rolled when I saw some of the other apps (some being more obvious in their prominent placement than others) but the journey taken by Gene, Hi-5, and Jailbreak (Anna Faris, voicing a character who offers to help them reach an app that may fix everything) is worked out well enough, with decent fun to be had in every main section.
Director Tony Leondis, who also co-wrote the screenplay with Eric Siegel and Mike White (John Hoffman also contributing some material), does a decent job, because enough thought was given to the world and the best use of all the characters. A lot of the gags are obvious, but that doesn't mean they aren't fun.
Vocally, Miller is a good fit for the lead, Corden is at his usual level of annoying overexuberance, Faris is solid, and there are great turns from Maya Rudolph, Jennifer Coolidge, and the superb Steven Wright (if ever there was a voice created for a Meh emoji then his is it).
Kids should enjoy it - the story is simple, the visuals are bright, and the characters are nice enough - and adults should find it relatively painless, but I suppose it's best to sum it up by saying that, well, it's not a very good film compared to so many other films . . . but it's also not a film worthy of numerous poop emojis.
5/10
https://www.amazon.co.uk/Emoji-Movie-Blu-ray-Region-Free/dp/B074F2X559/ref=tmm_blu_swatch_0?_encoding=UTF8&qid=&sr=
The plot focuses on a "meh" emoji named Gene (T. J. Miller), living with all of the other emojis inside a mobile phone. Gene struggles to maintain the one expression that is supposed to serve him throughout every day of his life. And this causes him to stress out when it comes time for his first day as a working emoji, setting in motion a chain of events that sees Gene go on the run with a Hi-5 emoji (James Corden) to find someone who can help fix the situation before either Gene is deleted or the whole phone is wiped.
Let's be honest here, the biggest problem that The Emoji Movie has is the central concept. It feels quite obviously cynical and like one big dollop of product placement (are emojis commodities? I guess they can be). But we should be used to that by now. We've had five live-action Transformers movies, we've had two G.I. Joe films, and I believe it's well-known that Joel Schumacher was shown a number of new toys that had to feature in Batman & Robin a couple of decades ago. Some movies are great art, some are great fun, quite a few try to entertain us while selling us stuff (be it cool products or the search for a daydream we keep seeing realised up there on the big screen), and some are just complete poop emojis.
I am sure that many people will disagree with me, but The Emoji Movie manages to avoid being a complete pile of poop thanks to a lot of fun visual gags and the nice way the world inside the mobile phone is visualised. Yes, my eyes rolled when I saw some of the other apps (some being more obvious in their prominent placement than others) but the journey taken by Gene, Hi-5, and Jailbreak (Anna Faris, voicing a character who offers to help them reach an app that may fix everything) is worked out well enough, with decent fun to be had in every main section.
Director Tony Leondis, who also co-wrote the screenplay with Eric Siegel and Mike White (John Hoffman also contributing some material), does a decent job, because enough thought was given to the world and the best use of all the characters. A lot of the gags are obvious, but that doesn't mean they aren't fun.
Vocally, Miller is a good fit for the lead, Corden is at his usual level of annoying overexuberance, Faris is solid, and there are great turns from Maya Rudolph, Jennifer Coolidge, and the superb Steven Wright (if ever there was a voice created for a Meh emoji then his is it).
Kids should enjoy it - the story is simple, the visuals are bright, and the characters are nice enough - and adults should find it relatively painless, but I suppose it's best to sum it up by saying that, well, it's not a very good film compared to so many other films . . . but it's also not a film worthy of numerous poop emojis.
5/10
https://www.amazon.co.uk/Emoji-Movie-Blu-ray-Region-Free/dp/B074F2X559/ref=tmm_blu_swatch_0?_encoding=UTF8&qid=&sr=
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