I was only a few minutes into Fanged Up when I started to realise I knew the lead actor. His face, his manner, he was familiar to me. But how? Well, annoyingly enough, Daniel O'Reilly, who also co-wrote the movie, is probably best known to many as the man who was a bit of an internet hit, for a while, with Dapper Laughs. I'm not going to go into the details of his act here, you can Google it, so it should suffice to say that his persona was that of a cheeky chappy, to put it mildly.
O'Reilly plays Jimmy Ragsdale here, a . . . cheeky chappy who ends up arrested after a brawl in a nightclub, and placed in a jail that deals with prisoners in a very unique way. They get eaten. A lot of the prison staff are vampires, hence the name, and their appetites are growing. Can Jimmy survive? Never mind the vampires, will he be able to avoid death at the hands of his cellmate, Victor (Stu Bennett)? And will he also be able to build a bridge with the prison nurse, Katie (Danielle Harold), an old flame who believes that he once cheated on her while on a holiday with friends?
Directed by the talented Christian James (who started with Freak Out and also gave us Stalled, two films you can at least admire, even if you don't love them), Fanged Up has a surprising number of positives to make up for the negatives. I admit that I was worried about what I was letting myself in for, especially after enduring a number of low-budget British horror comedies mixing criminal geezer types with evil forces, but my worry abated slightly as things began to play out.
The general look and feel of the film is polished and professional, including the vampire make up and any gore gags. James knows how to give value for money, and he focuses on the film-making ahead of the comedy, and not vice versa.
The cast also do a good job. Yes, even O'Reilly. He won't be everyone's cup of tea, but this is a toned-down version of the kind of character he has played before, and there are some critical moments that show just how much of his overcompensating bravado and lewd behaviour is all just a front. Bennett is impressively tough, Harold makes for a good beauty who has more brains than our "hero", and Vas Blackwood is very enjoyable in a main supporting role. Steven Berkoff is the Governor, and has a bit of fun, while Lauren Socha is the woman in charge, and the one deciding who is to go on the menu first.
But things fall down at the script. The contributions from O'Reilly seem obvious, considering how he manages to stay in his comfort zone. Nick Nevern has a filmography that includes a couple of more straightforward British gangster movies, so that would seem to be his addition to the recipe. Then you have Dan Palmer, who has written the scripts for most of James' movies, shorts and features. The fact that almost all of the features feel both undercooked and yet also slightly padded out in places makes me think that he was the one trying, and failing, to bring everything together and tighten it all up. It almost works, because there are enough different elements jostling for attention, but ultimately doesn't.
Remember what I said about James focusing on the film-making ahead of the comedy? That would have paid off in dividends if the comedy had worked. Sadly, it doesn't. Which means the film ends up being nothing more than a mildly amusing genre mash-up. Although it could have been so much worse, which is why I charitably score it right at the halfway point.
5/10
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Showing posts with label stephen marcus. Show all posts
Showing posts with label stephen marcus. Show all posts
Thursday, 6 February 2020
Fanged Up (2017)
Labels:
christian james,
comedy,
dan palmer,
daniel o'reilly,
danielle harold,
horror,
lauren socha,
nick nevern,
stephen marcus,
steven berkoff,
stu bennett,
vas blackwood
Wednesday, 25 December 2013
Hogfather (2006)
Based on a book by the prolific, and fantastic, Terry Pratchett, Hogfather is very much a Christmas movie in all but name. You see, it takes place in the fantasy universe created by Pratchett, on a main planet named Discworld, and during the holiday of Hogswatch (which is equivalent to our own Christmas, with gifts being delivered by a fat man who squeezes down chimneys - the Hogfather of the title). But strange things are afoot on this Hogswatch. There's a cunning assassin (Teatime, not pronounced how it is spelt, played by Marc Warren) who wants to stop children believing in the Hogfather, in order to set off a chain of events that he thinks may even stop the sun rising. Because belief is a powerful thing. Death (voiced by Ian Richardson), and his assistant (Albert, played by David Jason), does what he can to keep the belief alive, delivering gifts and essentially becoming the Hogfather for a night, but his actions alone may not be enough. Fortunately, he may receive some help from his half-human granddaughter, Susan (Michelle Dockery), and a bunch of wizards (led by Mustrum Ridcully, played by Joss Ackland). As the night plays out, some may die, while others may pop into existence for the very first time. Because belief IS a powerful thing.
Directed, and adapted from the source material, by Vadim Jean (who also then helmed The Colour Of Magic), Hogfather is perhaps a slice of festive entertainment enjoyed best by those not as familiar with the works of Pratchett. The introduction sets things up quickly and easily enough, before going on to develop the story in a way that allows viewers to play catch up. Of course, those familiar with Discworld will find more little details to enjoy, but I find that every adaptation of Pratchett's work suffers, simply by being unable to translate the many little gags and footnotes into anything cinematic. The same problem, unsurprisingly, to arise when film-makers try to mine the equally rich imagination of Douglas Adams.
Hogfather, with its more familiar holiday setting (as already mentioned, this is a Christmas movie in all but name) fares better than most. The mix of great characters and fun special effects (both practical and computer-generated, all suited to the tone of the material) helps, the script provides some laughs once it gets into the second half, and the cast are all pretty great in their mix of quirky roles. It's worth noting here that this was created as a two-part TV movie, and the second half is certainly more consistently entertaining than the first half.
Ian Richardson may provide the voice only, but he gets to portray one of the most beloved characters in the Discworld universe. As surprising as it may seem, Death is always good company, and this movie treats him as well as he deserves. David Jason, Michelle Dockery and Joss Ackland are all just fantastic in their roles, while Marc Warren is a lot of fun, but stuck with interpreting one of the stranger characters onscreen (in terms of mannerisms and speech). Support comes from a talented bunch, including Nigel Planer, Tony Robinson, Craig Conway, David Warner, Stephen Marcus, Sinead Matthews and many more, with nary one poorly delivered line between them.
Different from almost anything else you could choose to watch in December, Hogfather hits all of the required notes, but gives everything a fun twist. And it has Death in a "Santa suit", so what more do you need?
6/10
http://www.amazon.co.uk/Hogfather-2-Disc-DVD-David-Jason/dp/B000MRP3Y4/ref=sr_1_3?s=dvd&ie=UTF8&qid=1387817671&sr=1-3&keywords=hogfather
Directed, and adapted from the source material, by Vadim Jean (who also then helmed The Colour Of Magic), Hogfather is perhaps a slice of festive entertainment enjoyed best by those not as familiar with the works of Pratchett. The introduction sets things up quickly and easily enough, before going on to develop the story in a way that allows viewers to play catch up. Of course, those familiar with Discworld will find more little details to enjoy, but I find that every adaptation of Pratchett's work suffers, simply by being unable to translate the many little gags and footnotes into anything cinematic. The same problem, unsurprisingly, to arise when film-makers try to mine the equally rich imagination of Douglas Adams.
Hogfather, with its more familiar holiday setting (as already mentioned, this is a Christmas movie in all but name) fares better than most. The mix of great characters and fun special effects (both practical and computer-generated, all suited to the tone of the material) helps, the script provides some laughs once it gets into the second half, and the cast are all pretty great in their mix of quirky roles. It's worth noting here that this was created as a two-part TV movie, and the second half is certainly more consistently entertaining than the first half.
Ian Richardson may provide the voice only, but he gets to portray one of the most beloved characters in the Discworld universe. As surprising as it may seem, Death is always good company, and this movie treats him as well as he deserves. David Jason, Michelle Dockery and Joss Ackland are all just fantastic in their roles, while Marc Warren is a lot of fun, but stuck with interpreting one of the stranger characters onscreen (in terms of mannerisms and speech). Support comes from a talented bunch, including Nigel Planer, Tony Robinson, Craig Conway, David Warner, Stephen Marcus, Sinead Matthews and many more, with nary one poorly delivered line between them.
Different from almost anything else you could choose to watch in December, Hogfather hits all of the required notes, but gives everything a fun twist. And it has Death in a "Santa suit", so what more do you need?
6/10
http://www.amazon.co.uk/Hogfather-2-Disc-DVD-David-Jason/dp/B000MRP3Y4/ref=sr_1_3?s=dvd&ie=UTF8&qid=1387817671&sr=1-3&keywords=hogfather
Labels:
christmas,
comedy,
craig conway,
david jason,
fantasy,
hogfather,
ian richardson,
joss ackland,
marc warren,
michelle dockery,
nigel planer,
stephen marcus,
terry pratchett,
tony robinson,
vadim jean
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