Guardians Of The Galaxy Vol. 3 (2023)

It took a while, a span of time that saw writer-director James Gunn move from Marvel to DC and then back again, and then back AGAIN to accept a very senior role at DC, but we got there eventually. The third, and final (at least in this incarnation), adventure for the Guardians Of The Galaxy. A lot of people are happy, most seem to think that Gunn managed to stick the landing. I am not in agreement with those people.

Our main group aren’t in a great place when the film starts, with Peter Quill (Chris Pratt) spending time drunk and sad while the others are unable to snap him out of his funk. Everything gets much worse when Adam Warlock (Will Poulter) turns up, picks a fight with our gang, and then leaves after being seriously wounded. He isn’t the only casualty though. Rocket (Bradley Cooper) ends up in critical condition, and the fact that he has some kind of killswitch inside him makes it impossible to immediately heal him. The guardians have to figure out how to bypass the killswitch, which means they have to find out more about Rocket’s past, putting them on a headlong path towards someone known as The High Evolutionary (Chukwudi Iwuji). Well, we find out about Rocket’s past as we see many flashbacks showing us everything that the Guardians may or may not find out about at a later stage.

While I am not going to say that this is the worst Marvel movie since Thor: Love And Thunder, there are a lot of the same problems dragging this down from the great ending it could have been. Much like Waititi being encouraged to further indulge himself with his second Thor movie, Gunn seems to have been given free rein to cut loose and go crazy for the final instalment of this trilogy. With the exception of The High Evolutionary, who is a fantastic main villain, almost everyone now speaks in banter and gags. There are very few instances without an abundance of jokes. I get that these movies have been full of humour throughout the previous instalments, but it’s all overdone here in a way that jars with the more serious moments. And, hooo boy, are there some serious moments here. The whole backstory for Rocket is an upsetting and emotional look at animal vivisection, and the third act feels even more callous than some of the other Marvel movies, when you fully consider the impact of the large-scale destruction. So I can see that Gunn would have wanted plenty of humour to offset these moments, but it just doesn’t work well enough, mainly due to him twisting other characters too far away from how they used to be. Even a surprising Groot (still voiced by Vin Diesel) moment feels a bit disappointing and at odds with the charm of his essence.

The production design is wild throughout, and that also feels as if it has gone too far. Gunn wants every scene crammed full of alien species and strange environments, but too much of everything just has you wishing for a moment or two of something refreshingly normal. And then there’s the soundtrack, which people have once again marked as a highlight. No. This is a selection of obtrusive needle-drops that simply don’t work as well as by soundtrack choices from the first two movies. I love most of the songs used here, but they rarely felt like a natural fit for the scenes they were shoehorned into.

The cast generally do a good job, working well with what they are given. If you enjoyed Pratt, Cooper, Diesel, Dave Bautista, Pom Klementieff, Karen Gillan, Zoe Saldana, and Sean Gunn in the previous movies then you should enjoy them here. Poulter is sadly wasted in his role, as is Elizabeth Debicki (playing his “mother”), Maria Bakalova provides the voice of Cosmo, another fairly wasted character, and I am sure fans of Gunn’s work will enjoy seeing a small role for Nathan Fillion. Iwuji would steal the film though, were it not for the fact that many of his scenes involve him interacting with a super-cute, younger version of Rocket. His genuinely threatening and cruel villain is good enough to lift the whole film up a notch or two.

It’s hard to stay angry or disappointed with Guardians Of The Galaxy Vol. 3 though, knowing that everyone involved really wanted to come back and do their best to ensure a fitting end to this particular chapter in their cinematic incarnation, but it’s not one I will be revisiting, as opposed to the previous two adventures. Not only is the main storyline surprisingly predictable, it’s also surprisingly unsatisfying. One moment near the very end had me thinking that Gunn was actually committed to making the most of this opportunity to provide a properly emotional ending for this ragtag bunch of reluctant heroes, but it was soon undercut by one of the many easier options available in his storytelling toolbox. And it's also worth noting the most egregious and unnecessary "f-bomb" I can think of, seemingly just to take full advantage of the 12A rating here in the UK.

There are still moments here to enjoy, and many other people found less to be critical of than I did, but I was disappointed, and it feels like yet more proof that Marvel will struggle to get back to the consistent greatness they made seem so effortless as they built everything towards the cinematic conclusion of the Infinity Saga.

5/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share

Netflix And Chill: The Adam Project (2022)

A time-travel action comedy with a number of lovely moments of sweetness throughout, The Adam Project is a film that manages to deliver what you expect from it, yet also makes one or two decisions that prove mildly surprising, considering how by-the-numbers you may expect it to be.

Ryan Reynolds is Adam, a man who travels back in time to 2022. His vehicle is damaged, as is he, and it won't begin the self-repair program until a healthy Adam can command it. Which means Adam needs help from his younger self (played by Walker Scobell). Young Adam is currently being a bit of trouble for his mother (Ellie Reed, played by Jennifer Garner), mainly due to him grieving the loss of his father (Mark Ruffalo) just over a year before. There are bad people trying to capture Adam and take him back to his own timeline, headed up by Maya Sorian (Catherine Keener), but Adam has made his leap into the past because he thinks the timeline has already been corrupted. He doesn't want to be in 2022 though. He wants to be in 2018. And young Adam may need to join him on the next part of his journey.

Director Shawn Levy has been delivering easygoing hits for a couple of decades now, giving us films such as Cheaper By The Dozen, The Pink Panther, the three Night At The Museum movies, Real Steel, and, most recently, Free Guy. That's not to say that you necessarily view him as a great director, and let's not be too quick to forgive him for The Internship, but he's a relatively safe pair of hands who manages to work well with comic actors. Between their previous collaboration and this one, he may well be the person who helps Reynolds deliver his best, non-Deadpool, work (although he's also now directing the third Deadpool movie, which doesn't feel like an obvious match, but let's wait and see how that goes). This is definitely up there with his better films, and it's easily one that provides a bit of something for almost everyone.

Writers Jonathan Tropper, T. S. Nowlin, and Jennifer Flackett have a very mixed filmography between them, from The Maze Runner movies to Nim's Island, and TV work that includes Banshee and Big Mouth, but they seem to have worked well together to craft something that provides a perfect mix of laughs, action, and heart, with enough science to allow for cool tech, and to allow for the plotting to work, without getting bogged down in too many conversations about the timelines. There IS a set approach to time-travel here, explained well enough, but it's an approach with rules that allow the whole thing to be feasible. And also allows Reynolds to enjoy another big magnet set-piece, as he does seem to love his big magnet set-pieces.

People seem to complain nowadays about Reynolds doing the same thing in every movie he makes. That's a fair comment, in some ways, but it's also something you could say about any comedic actor in their "bread and butter" roles over the past three or four decades, at least. I like his work, and he's excellent here. Scobell, in his first film role, gives him a good run for his money though. Often just as quick-witted and quick to open his mouth, Scobell has all the smart-ass attitude, but with the attitude of being a cute young kid to underline the occasional punchline/insult. Garner and Ruffalo do very well in the role of the loving parents, viewed in very different ways by the two Adams because of how the loss of one parent affected their lives. Keener is a great menace, flanked by a strong and capable fighter named Christos (played by Alex Mallari Jr), and she has a great way of trying to persuade older Adam that things can be fixed, they can go back to how everything was, while prepping weaponry to destroy him if he continues to disobey her requests. There's also a small role for Zoe Saldana, once again being a perfect combination of loveliness and badassery.

It's an overused compliment when it comes to modern family entertainment, but this really does feel like something that could have been made in the late 1980s. The quality shines throughout, from the music and cinematography to the performances, and the sweetness is offset by the sense of fun, and the odd swearword thrown around. There are also one or two moments that may make you cry, even as you realise how easily you're being emotionally manipulated. This is definitely a film worth making some time for.

8/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share 

Guardians Of The Galaxy (2014)

Guardians Of The Galaxy is a rare thing indeed. A blockbuster that exceeds expectations, a slick slice of comic-book entertainment that perfectly blends heart, humour, thrills, and action (and some great songs). It's like a flipped upside-down version of The Avengers, while also serving as a perfect companion piece to that ensemble piece. So let me get the plot description out of the way, and then I can start the drooling words of praise.

Chris Pratt (having a great year, thanks to both this and The Lego Movie) stars as Peter Quill. Well, he'd prefer everyone to call him Star Lord, but that doesn't seem to be happening. Peter gets himself in some trouble when he tries to steal a mysterious orb. It's wanted by a big baddie named Ronan (Lee Pace), who is working for the evil Thanos (Josh Brolin). That's why a deadly assassin named Gamora (Zoe Saldana) is sent to deal with Peter. And that's why there's a bounty on his head, that ends up interesting Rocket (voiced by Bradley Cooper) and Groot (voiced by Vin Diesel). There's a big fight which lands the four individuals in prison, where they meet the vengeance-seeking Drax (Dave Bautista). Unbeknownst to them, they are about to work together as a team on an adventure that will start off with them looking for riches, or vengeance, in the case of Drax, and end up with them finding . . . . . . . . . . . . . well, something else.

Worthy of the name Star Lord?

There's SO much in this movie that's just pretty perfect, it will have many viewers with a big grin on their face as the end credits roll, and repeat viewings won't dampen its appeal. It may run for about 120 minutes, but that just flies by. Very few scenes are completely extraneous, with almost every line of dialogue and every action fleshing out the motley team onscreen, showing their motivation, their fears, their courage, their humour, their very entitlement to be main characters in this big-budget film.

The script, co-written by director James Gunn and Nicole Perlman, deftly balances everything that I've already mentioned. The action beats aren't ever forgotten, but the real draw here is the fact that we can spend time with such great characters, and see them grow into their roles. And, yes, the fact that Groot basically says nothing but "I am Groot" makes for both a nice running joke and also a surprisingly effective way of establishing his closeness with Rocket, a raccoon with a sharp mind, smart mouth, and penchant for building potent weaponry at short notice.

Gunn takes the script and overlays it with assured, slick direction. He may have already gotten used to the big chair, with the likes of Slither and Super, but this is a massive step up, and viewers never once see any signs of nerves or insecurity. Which is as it should be. Gunn's instincts have been steering him right for years (yes, yes I do also love Tromeo & Juliet - his first movie as a writer - so sue me) and it seems that audiences might finally be completely receptive to his output. Okay, it's the Marvel name being sold, but it's Gunn who takes this gamble and makes it into an outright winner.

He's helped immensely by a cast full of people all on top form. Pratt, as mentioned above, is due to make 2014 HIS year. His performance here is wonderful, and I've no doubt that he'll win over lots of new fans with this role. Saldana gets another chance to be tough and sexy, and she can do that with ease, even with green skin. Cooper and Diesel may be providing voices only, and the latter may only be mostly saddled with the one sentence, but don't underestimate the great work that they do. And Dave Bautista is surprisingly good as the angry brute who has a habit of taking figures of speech literally. Pace is good enough, yet his character is a bit weak, especially when compared to other villains from the Marvel universe,and ESPECIALLY compared to big bad Thanos. I shouldn't have to check the name of the villain at IMDb while writing this review, but that's what I had to do.

"I am Groot"

The other bonus here is the supporting cast, with Gunn giving viewers an embarrassment of riches in that department. Michael Rooker is blue-skinned Yondu, the man who took Peter away from Earth when he was just a young boy, Karen Gillan is blue, bald Nebula, a woman who wants to help Ronan cause some major destruction, Benicio Del Toro is The Collector, and there are worthwhile moments for Djimon Hounsou, Glenn Close, John C. Reilly, Peter Serafinowicz, Gregg Henry, and Ophelia Lovibond. It's easy to spot the Stan Lee cameo, and there's also the usual Lloyd Kaufman cameo that we've come to expect from Mr. Gunn.

Oh, and there's that soundtrack. If you've seen any of the trailers for this movie then you'll already suspect that it has a few good tunes on the soundtrack. It does. More than that, however, is the way in which the soundtrack is almost a character in its own right. The songs are a link to the past for Peter Quill, and his precious Walkman and mix tape both hold just as much importance as the orb that so many people want to get their hands on.

I could go on and on: about how surprisingly tight the structuring is, about how many moments managed to sneak up on me and make me unexpectedly emotional (including a moment with a raccoon - yes, the damn raccoon almost gave me a lump in my throat), about the flawless visual effects throughout, about the one great gag that will fly over the heads of kids while parents laugh their asses off, about the post-credits surprise.

This is a film full of many surprising delights, with one of the best being just how many people have decided to go with the flow and help it achieve some stellar results at the box office.

9/10

Trust me, you'll want to buy this - http://www.amazon.com/Guardians-Galaxy-Blu-ray-Chris-Pratt/dp/B009NNM95Y/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1406851090&sr=1-1&keywords=guardians+of+the+galaxy&dpPl=1

Dirty Deeds (2005)

Typical teen comedy fare, Dirty Deeds may not be all that well known, but it's not a terrible time-waster. Thanks to a decent cast, a fun premise that has the potential for greatness, and one or two enjoyable set-pieces, this puts itself slightly ahead of the seemingly hundreds of American Pie sequels that went straight to DVD.

Milo Ventimiglia plays Zach Harper, the young man at the centre of all of the excitement in this comedic adventure. In an attempt to help out the brother of a girl he likes (Lacey Chabert, and who can blame him for liking her) he ends up putting himself forward to do the dirty deeds. These are ten tasks so fiendishly difficult that few people rarely make it past the first two or three. And they have to be completed between dusk and dawn of one night. It's a very tough challenge, but complete all ten and you become a legend. That's definitely not the outcome that Dan Watson (Matthew Carey) and his band of jocks want. Zach has to deal with them, the police, some local tough lads, and more, as he attempts to make his way through the list. Meanwhile, some younger lads try to make the most of their luck when forced to host a party to commemorate the big event.

Written by Jon Land and Jonathan Thies, Dirty Deeds doesn't really have a sharp script or any memorable one-liners, but that's okay. The ten tasks, and the lengths that Zach has to go to in order to complete them, that's where all of the fun comes from.

David Kendall does a decent enough job as director, keeping things well paced and simple. It's only in the final 10-15 minutes where the film really stumbles, but it's a stumble so bad that it undoes a lot of the good work that came beforehand.

Ventimiglia is fine in the lead role, cool and confident at almost every turn. Carey is enjoyably unlikable, as is Tom Amandes (playing the Vice Principal who ends up . . . . . . well . . . . you'll see). Charles Durning is fun in a small role, Zoe Saldana shows a hint of the presence that would help her become a bigger star just a few years down the line, Arielle Kebbel is cute, and Lacey Chabert is always a welcome addition to any movie, in my opinion.

Not as outrageous or funny as it could/should be, Dirty Deeds is still an amusing way to spend 90 minutes. It's not unmissable, but it's not too painful either. It's just a real shame about that lame ending.

6/10

http://www.amazon.co.uk/Dirty-Deeds-DVD-Milo-Ventimiglia/dp/B0010Z9ORY/ref=sr_1_1?s=dvd&ie=UTF8&qid=1394059142&sr=1-1&keywords=dirty+deeds