Showing posts with label billy maclellan. Show all posts
Showing posts with label billy maclellan. Show all posts

Sunday, 29 August 2021

Netflix And Chill: The Silence (2019)

I left it too long to watch The Silence, but also maybe didn’t leave it long enough. Because this is a movie I could quite happily have gone through my life without seeing. The main draw for me was Stanley Tucci (damn you, Tucci), and he once again does great work, despite this being one of the worst movies he has starred in.

Some pesky people break through into a cavern, unleashing a flock of creatures that go on to cause havoc and carnage in our world. The creatures are like man-eating bats, and they react to sound. That should be okay for the Andrews family (headed up by Hugh, played by Tucci). The Andrews family have been learning sign language since their daughter, Ally (Kiernan Shipka), lost her hearing in a bad accident. Everything quickly goes from zero to the collapse of society, and you also get a cult (led by a preacher, played in full creep mode by Billy MacLellan).

Directed by John R. Leonetti (responsible for such masterpieces as . . . Mortal Kombat: Annihilation, The Butterfly Effect 3, and Wish Upon, ALL films I enjoyed more than this), The Silence is one of those movies completely hampered by the contrivances thrown into the plot. That might have something to do with the script, written by Shane and Carey Van Dyke (names I know from their work with The Asylum, as well as them being part of the Van Dyke family, and they also wrote Wish Upon). It’s uniformly terrible, from the depiction of the main characters to all of the plotting that puts them in increasingly deeper peril.

Tucci, as mentioned, is great, and there aren’t too many reasons to complain about Shipka, MacLellan, Miranda Otto (playing the mother of the family unit), or anyone else involved. In fact, a lesser cast would make this much more painful. 

There are so many things here that don’t make sense, from the spiralling devolution of society to the fact that so many characters opt to use sign language and still speak some of the words, albeit at a low volume, at a time when silence is the most important thing. I was so irked that I even disagreed with Shipka having to deliver dialogue explaining how she has learned to live in silence, and therefore being equipped to deal with the current circumstances. She has had to adapt to a loss of hearing, which is actually no help at a time when you need to be wary of every noise that you might make.

The premise could have worked, if the writers had put a lot more effort in, and the director had better material to work with, but this isn’t anywhere near being the best way to make a movie around the core idea. Supporting characters don’t make much of an impression, the set-pieces are clumsy and ineffective, and none of the main acts have even one highlight (the beginning is flat, the middle is infuriating, the end is laughable at times).

The saying goes that if you don’t have anything nice to say then you should just say nothing. I still really like Tucci. Unfortunately, that may be the only good thing I have to say about this.

2/10

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Friday, 11 June 2021

Nobody (2021)

When a family are terrified by a home invasion one night, and the youngest member of the family loses her favourite kitty bracelet, the man of the house, Hutch Mansell (Bob Odenkirk) decides to head out and get some revenge. This leads to him being on a bus at the same time as a group of assholes who are harassing a woman, and Mansell decides that he can take out his rage on this group. This gets him noticed by the wrong people, mainly the very powerful Yulian Kuznetsov (Aleksey Serebryakov), and that means that people start to realise his past life was spent being the last person that many people ever saw.

Pretty much sold to people as another John Wick kind of movie, but with "Saul Goodman" in the lead, Nobody will definitely please fans of that series. The fun comes from the fact that Wick reluctantly returned to his killing ways while Mansell is actually keen to let out some rage that has been kept locked away during years of a steady 9-5 grind (a dreary life of routine shown in a montage at the start of the film). The only reason he doesn't want to start back down that path is because he knows how much he's going to enjoy the journey, and he knows how good he is at killing people.

Written by Derek Kolstad, who wrote the first John Wick movie, this is a smart and funny action flick with some impressive violence in the fight scenes. It's hard not to feel a sense of glee as Mansell slides comfortably back into his former habits, and he makes great use of every environment around him to remove the advantage that his opponents usually think they have.

Director Ilya Naishuller is no stranger to this kind of thing, having started his directorial career with an impressive POV short  ("Bad Motherfucker" for Biting Elbows) that would lead to him helming Hardcore Henry. Although I couldn't get on board with that POV gimmick for a whole feature, Naishuller certainly showed that he was happy to revel in gunshots, bone-breaking melee fights, and the kind of forward momentum that should keep most action movie fans pleased.

Odenkirk is superb in the lead role here, believably strong without having bulked up to seem huge. A great actor in pretty much everything I've ever seen him in, it's great to see him have fun in a role that seems so far out of his wheelhouse. I really hope more people see this and become Odenkirk fans. Serebryakov is the standard big baddie, and is just fine in his role, overseeing an army of henchmen who will all likely fail in their attempts to kill Odenkirk's character. RZA has a small role, which he does just fine with, and Christopher Lloyd is a real treat, playing David Mansell (father of Hutch), someone with a similar past. Connie Nielsen is a very understanding wife, Michael Ironside has a small role as a boss/father-in-law, and Colin Salmon has a nice little moment as "The Barber".

All in all, this is everything you could want it to be. The action satisfies, the plotting is good enough to make it all seem plausible (within the movie world), and the sense of humour throughout makes it feel even more suited to Odenkirk having the lead role. Everybody should see Nobody.

9/10

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