Showing posts with label jack kesy. Show all posts
Showing posts with label jack kesy. Show all posts

Wednesday, 13 August 2025

Prime Time: The Pickup (2025)

There have been many movies made that show people trying to rob an armored truck full of cash. Some are very good, some are not. The Pickup makes use of the concept to give us a crime comedy that partners up Eddie Murphy and Pete Davidson. I enjoyed it, but I tend to like Pete Davidson in most things anyway.

Murphy plays Russell Pierce, a man who just wants his workday done so that he can get to a dinner with his wife (Natalie, played by Eva Longoria) as they celebrate 25 years of marriage. Unfortunately, Pierce is saddled with the young and dumb Travis Stolly (Pete Davidson). Even more unfortunately, the armored truck that they're driving is targeted by robbers who seem to know what part of their route takes them through a dead zone that renders them isolated and helpless. Pierce and Stolly won't give up without a fight though, especially when they figure that the robbers will kill them when they get inside the truck anyway. Oh, there's also a woman named Zoe (Keke Palmer), someone Stolly had a very nice night with recently. She might be able to help our leads, but the whole situation is complicated by a lack of clearly-defined morality and some unexpected and messy emotions.

While I know director Tim Story better than I know writers Kevin Burrows and Matt Mider, I wouldn't say that I would rush to see any film just because his name was attached to it. This was a film that I was sold on by the cast, but I have to give it to Story, Burrows, and Mider for playing to the strengths of their cast in a way that makes it a lot easier to accept the predictable plotting and implausibilities while being amused by the many fun exchanges between the leads. 

Davidson does his goofy thing well enough, but his nervous energy works very well opposite a more relaxed and mature Murphy, who still gets a chance to utter one or two sentences that feel like the kind of thing you would hear from him during his peak movie years. Palmer remains a consistently brilliant and valuable addition to any film she graces with her presence, and there's a palpable feeling here of her loving every minute that she gets to interact with her comedic male co-stars, but particularly when she gets to be alongside Murphy (who, despite the many bumps in his career, remains a certified legend). Longoria does well in her much smaller role, Andrew Dice Clay is a horrible boss who you know cares much more about his trucks than any of his employees, and Marshawn Lynch makes a strong impression in his couple of scenes. Jack Kesy and Ismael Cruz Cordova are a convincing threat as two dangerous robbers, but they're also shown to have a main weakness when they consistently underestimate the people they're trying to rob.

Solid entertainment from start to finish, this has enough laughs and a few decent action beats. The laughs are executed better than the stunts, but the two are blended just about to perfection. You can take points off if you dislike any of the leads. Everyone else can go to this as an easy viewing choice when looking for some new comedy. The fact that the runtime is only 94 minutes is also a plus. It might just be the little pickup that you need.

7/10

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Wednesday, 9 April 2025

Prime Time: Hellboy: The Crooked Man (2024)

A new Hellboy movie that has both a new actor portraying Big Red (Jack Kesy takes on the role this time) and a new director at the helm (Brian Taylor, he of the fun Neveldine/Taylor film-making duo), I was prepared to seriously dislike this. I have enjoyed previous Hellboy movies, but they had directors and stars I was more interested in. This seemed to be destined to disappoint me, considering the lack of major names and what looked to be, from the trailer anyway, a restrictively low budget.

I ended up not being disappointed.

To boil the story down to the core of the premise, Hellboy and Bobbie Jo Song (Adeline Rudolph) end up in a remote area where they discover someone in need of their help. Tom Ferrell (Jefferson White) has been put in a very difficult position, which makes him a target for a witch (Leah McNamara), and also has him apparently owing a debt to the titular crooked man (Martin Bassindale). 

With Mike Mignola helping to adapt his own comic book, joined by Taylor and Christopher Golden, this is a decent little slice of supernatural action that, as I have been assured by fans of the Hellboy comics, actually feels more in line with the source material than previous live-action films. I still have a soft spot for Perlman in the role, and the fact that his Hellboy was surrounded by the gorgeousness of Guillermo del Toro world-building, but there's actually nothing here to be overly critical of.

Yes, this cast and crew seem to be working with more limited resources, but that doesn't stop them from presenting a nicely-constructed number of set-pieces that allow Hellboy to face off against supernatural beings with his usual mix of brute strength and an inability to be too fazed by anything. The opening sequence, involving a speeding train and a troublingly large spider, may not inspire the most confidence, but things improve once we then move to the start of the main storyline.

Kesy is alright in the main role, and perhaps his performance only seems slightly lacking due to my own bias. He certainly does well with what he's given, and the character has the right weight and attitude for almost every minute of his screentime. Rudolph often feels like she's just around to be placed in danger, but the same could be said of others who have shared the screen with Big Red in past adventures. White is enjoyably shaky, even as he tries to stop showing how worried and tortured he is, and both McNamara and Bassindale are a lot of fun as two of the main entities causing trouble for our leads. Hannah Margetson and Joseph Marcell also do well, playing two people caught up in the unfolding events in different ways that could lead to them sharing a very similar fate.

I started to happily recommend this to like-minded friends as soon as I'd seen it. That doesn't mean that I think it's great, but I definitely think it is better than many (including myself) would expect it to be. I keep describing it as being akin to a one-shot comic, which makes sense when you consider the source material, and I suspect that fans of the main character will end up as pleasantly surprised as I was.

7/10

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