Showing posts with label joe johnson. Show all posts
Showing posts with label joe johnson. Show all posts

Wednesday, 20 January 2021

Prime Time: Don’t Hang Up (2016)

It’s a very familiar thriller/horror premise nowadays. Someone is “captured” by a mysterious person controlling their environment, maybe for a very specific reason or maybe just random, and they are given a series of choices that will affect the wellbeing of those they care about. 

Don’t Hang Up, although often both ridiculous and completely predictable, actually has a great central idea, and a solid payoff to all of the events. It starts with a series of prank calls made by Sam (Gregg Sulkin) and Brady (Garrett Clayton), which leads to a montage of their dubious highlights. They get a decent amount of attention for their shenanigans, and think nothing of the people they may have given a scare to. That all changes when the tables are turned, of course, and one caller decides to toy with them for an evening. Is it a very twisted prankster, or is it someone who wants to take things down a much darker path? 

The only feature film, to date, from directors Damien Macé and Alexis Wajsbrot, this is an enjoyable teen thriller that is ultimately dragged down by the fact that it is determined to remain nothing more than a teen thriller. If the tension levels were ramped up in the third act then I wouldn't have a problem with that, but they aren't. Not to anywhere near where they should be anyway. Which means you have an entertaining distraction that isn't able to be as bloody or nasty as it should be. 

Writer Joe Johnson doesn't help. He's done a great job in sowing the seeds that blossom just before the end credits roll, but the dialogue and the reveals that come along before the third act are both pretty poor. Sam and Brady aren't particularly likeable, which makes it impossible to care about things like their loved ones or what plans they may have for the future.

Sulkin and Clayton give distinctly average performances, although it's hard to say how much of that is down to the script. Their interactions with one another are fine, but it never feels convincing when they start to figure out the reality of their situation and act scared. Bella Dayne isn't onscreen for long enough, as Peyton Grey (Sam's girlfriend, and someone who has just changed her relationship status to the non-Facebook-infringing equivalent of "it's complicated), but she's a welcome presence when she IS there. The other main performer here is the caller (voiced over the phone by Philip Desmeules). He has a good voice for the role, cold and menacing while pretending that he just wants to play a game, and play fair, with his victims.

I won't be rushing to rewatch this, and nor will I be recommending it to everyone I know, but I didn't mind it while it was on. It's a decidedly okay thriller, with a number of decent nods to other films, and it at least manages to pull off an ending that doesn't feel like a lazy cop-out.

5/10

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Friday, 26 August 2011

The Skulls III (2004)

The second sequel to The Skulls (as I’m sure you already gathered from the title) improves slightly on the previous movie thanks to one significant difference – the protagonist this time around is female.

Clare Kramer plays Taylor Brooks, a determined and smart young woman who finds a loophole allowing her to be considered for acceptance by The Skulls, a secret society that’s not really all that secret. If you have seen the previous movies then you know the drill by now – someone gets to join The Skulls, things become a bit strained, deceit and/or death occurs, everything goes sour for the new recruit, a plan is hatched to fix everything and cancel the lifetime membership.

J. Miles Dale directs this time and he does just what you’d expect with a second sequel to a middling teen thriller. Joe Johnson’s script tries to surprise but savvy viewers will always know exactly what’s coming.
Kramer isn’t too bad in the lead role and her character is easier to root for than the previous protagonists as she overcomes extra adversity and discrimination due to her gender. Bryce Johnson sneers capably enough, Steve Braun is just fine in the role as supportive fellow Skull newbie and Dean McDermott and Maria del Mar are both pretty bad as two detectives trying to solve a case that is revealed as the movie progresses (the main character is telling her side of things to the police as the movie gets underway). Barry Bostwick fans may be pleased to see . . . . . . . . . . Barry Bostwick in a prominent role. He does okay but it’s more of a fun performance than anything remotely realistic and  believable.

The Skulls III shouldn’t exist but it does and it’s actually quite watchable. It’s not really all that good but it’s not really all that bad either. Which is why it gets such an average rating.  

5/10

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