Isn't it always the way. You come up with a jape that involves the perfect robbery, with a casino as your main target, and then someone thinks it's a serious idea, meaning they want to see it all played out for real. That's the basic premise of 5 Against The House, a lightweight and fun noir that props up a weak cast of males with a supporting turn from the lovely Kim Novak.
Al, Brick, Ronnie, and Roy are all university students, and all making their way through the education system after already doing their bit for Uncle Sam in the military. While having a fun time at a casino, our leads see an attempted robbery. This leads to Al (Guy Madison) thinking about how the attempt could have been successful. It's all fun and games, until Brick (Brian Keith) keeps chewing over the idea like a toothpick. Al just wants a nice life, and hopes to marry his swell gal, Kay (Novak), but the gang are about to be drawn into a criminal plan that Brick now thinks is foolproof.
Based on a story by Jack Finney, this is a surprisingly tame and sweet noir from director Phil Karlson, who has more than one or two superior gems tucked away in his lengthy filmography (including Kansas City Confidential and the excellent Scandal Sheet). The screenplay, credited to Stirling Silliphant, William Bowers, and John Barnwell, seems to make the mistake of assuming that all of the cast members are charismatic enough to carry viewers through some dull patches (sadly, that's not the case), but it is helped by the many moments that involve one or more interaction from Madison, Keith, or Novak. Alvy Moore and Kerwin Mathews are Roy and Ronnie, respectively, but they never feel like a vital part of the main group.
If you don't like the criminal plot at the heart of things then maybe you'll like the student shenanigans when our leads are trying to convincingly act like they're not too old to be getting up to such hijinks, or maybe you'll like the look at PTSD affecting one of the main characters (which is interesting to see as a main plot point, considering how long it took to really start acknowledging it as an issue). Sadly, however, you may just find that the film jumps between different tones without settling on anything that keeps you truly satisfied. I enjoyed the strange mix, but I can see many others being very disappointed.
Novak shines in a role that could otherwise have been easy to overlook, and she almost completely steals the movie away from everyone else. Keith is an enjoyable force to be reckoned with though, and makes the arc of his character more interesting and entertaining with the force of his presence, which allows Madison to impress opposite him by simply remaining calm and stoic. Moore adds some levity, Mathews adds not very much, and there's a selection of nondescript, but dependable, supporting players filling out the rest of the cast.
I'm unlikely to ever revisit this one (never say never though), and I'm not going to rush to recommend it to others seeking some darker film noir thrills, but I had a good enough time with it, there are a few decent set-pieces, and anyone already a fan of any of the leads should at least watch it once.
6/10
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