Prime Time: Bones And All (2022)

There might be some who would view Bones And All, a romantic drama that shows some people trying to live with a cannibalistic urge, and take the life lessons aspect of it to come up with the pithy alternative title of Hannibal Lecture, but I would be beyond that kind of pathetic attempt at an easy pun, of course.

Director Luca Guadagnino has made great use of a script by David Kajganich, adapting a novel by Camille DeAngelis, to deliver a film that feels impressively grim at times while also feeling very much like a typical Luca Guadagnino film. I find his work very often misses the mark slightly, but this is one of his better outings (although I must note here that I have sadly still to watch the much-praised Call Me By Your Name).

Taylor Russell plays Maren, a girl who has spent her lifetime moving around with, and being protected by, her father (André Holland, offscreen quickly enough, but also delivering some great voiceover work). Her father cannot stick around, however, and he leaves Maren with some advice and information. Traveling alone around the country, Maren meets others just like her, some that seem good (Lee, played by Timothée Chalamet) and some that seem like trouble (including Sully, played by Mark Rylance). Oh, I forgot to mention that Maren is overtaken sometimes by the urge to eat human flesh. Lee, Sully, and others also have the same condition, but not everyone views it as a problem.

The strangest thing about Bones And All, and I am going to assume that this was just me own brain causing problems, was the fact that it kept feeling like a Doctor Sleep offshoot to me. Some plot points are similar, although those same plot points can be found in many other movies, but it was the atmosphere and characters that somehow made me think I was watching something from a world written by Stephen King. I would love to hear from anyone who had a similar reaction, especially if this is a common observation. Otherwise, I will just chalk it up to another example of me being me.

Getting to what the movie is, instead of what my mind kept trying to make it, the cast all work well with the material. Russell is very good in the lead role, believably trying to cope with an unnatural appetite that others have spent time embracing. Chalamet isn’t bad, if less instantly convincing in his role (Chalamet often feels more like Chalamet than a credible new character), and Rylance plays his part so well that he casts a long shadow over most of the film, even without actually being onscreen for more than a handful of scenes. I have already complimented Holland, as the father who discovers his breaking point, and there are a number of effective turns from cast members only given a scene or two in which to make a strong impression. Michael Stuhlberg and David Gordon Green are two highlights, and Chloë Sevigny is another.

Trent Reznor and Atticus Ross create another great score, there’s clean and pleasing cinematography courtesy of Arseni Khachaturan, and every decision made allows for the more horrific moments to be presented in a way that shows restraint without complete shying away from the blood and violence (or the bones and all).

Although falling slightly between two stools, despite the best efforts of all involved, Bones And All is a strange and enjoyable drama that just happens to show people with some very peculiar dietary requirements. I liked it, but I am not sure who I would recommend it to.

7/10

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Escape Room: Tournament Of Champions (2021)

I enjoyed Escape Room. I also enjoyed Escape Room. And I will enjoy any number of films that feature escape rooms at the heart of their plot, as I have said before. It’s a cool concept, and the films often allow you to expect some gory death moments while “playing along” with the main characters.

The plot to this is very simple. After the events of the first film, Zoey (Taylor Russell) and Ben (Logan Miller) set out to find the creators of the dangerous game they were caught up in. They want justice to be served. That ends up with them dragged into more escape rooms, this time alongside other survivors (hence the title). An underground train, a bank, a seaside shack, and even a scene that looks like any number of NYC streets are all scenes full of puzzles they have to solve before the timer runs out.

There are a lot of people who worked together this time around to get the screenplay done, so I will just mention the returning Maria Melnik. While it may seem like far more bodies than necessary, every individual scenario is enjoyably intricate in the slotting together of the puzzle pieces so I cannot complain about more brainpower being used to focus on the fun extended set-pieces.

Director Adam Robitel is back in the big chair, and he sticks with the approach that served him well enough in the first film. Show the room, let the camera pick up small details, hone in on different clues as the players agonise over their next move. You get secret switches, deadly lasers, electric shocks, “quicksand”, acid raining down, and much more, and Robitel almost always shows a small effect of these elements before preparing for at least one major death.

Although the focus is always on the rooms themselves, both Russell and Miller acquit themselves admirably enough in their roles. Holland Roden, Indya Moore, Thomas Cocquerel, and Carlito Olivero also do fine, although it’s Roden standing out from the other players. Then you have scenes featuring Isabelle Fuhrman and James Frain that attempt to frame the whole story in a way that is pretty unnecessary. Look, I appreciate trying to show that there actually is someone creating these puzzles, but the logic of the movie has already asked me to switch off my brain and not overthink it, considering just how much money and resources would be needed for each scenario, so shoehorning in some backstory at this point does more harm than good.

As expected, this wasn’t quite as good as the first film. It’s not bad though, and certainly not bad enough to dissuade me from watching any other movies that use the idea, or even the same title. They may not be amazing, or stuffed with surprises, but they are enjoyably unpretentious and entertaining.

6/10

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Escape Room (2019)

At last. After seeing the 2017 Escape Room,  I finally got around to this one. I wanted some puzzles, some devious deathtraps, and a cast of characters who would work together, but also be morally shady enough to try cutting and running when the sense of self-preservation outweighed the team spirit. And I am happy to say that Escape Room delivered exactly what I wanted.

It doesn't take long to put together the six main characters who are about to attempt the escape. Danny is the expert at escaping, having managed to overcome many previous challenges. Mike is looking forward to a fun experience that may lead to a boost in his finances. Amanda is a young war veteran. Jason is a successful businessman used to getting his own way. Ben is a bit aimless. And then there's Zoey, a quiet young woman who is the smartest of the group, which will work in their favour if they just listen to her often enough. They all think that it's going to be a standard escape room experience, with the added incentive of a cash prize. We know different, of course, because this is a horror movie. We also know that it's unlikely that everyone will make it to the end.

Directed by Adam Robitel (who did solid work on Insidious: The Last Key and impressed horror fans with his first feature, The Taking Of Deborah Logan), this is a film that knows exactly how things should be played, for better or for worse. The script, by Bragi F. Schut and Maria Melnik, is constantly checking things off a list that viewers will be familiar with (character backstories, potential connections between the participants, dominant character traits, etc) while moving the plot from room to room with skill and a brisk pace. Things never get boring, thanks largely to the ridiculous planning that has gone in to each room, and there are at least a couple of attempts to surprise viewers on the way to the potential final exit. Whether you think they are successful attempts or not is a completely different matter.

The cast all do well in their roles. I am a fan of both Deborah Ann Woll and Tyler Labine so seeing them being part of the main group, playing Amanda and Mike, was a big bonus for me. Nik Dodani and Logan Miller are the weakest of the bunch, but not awful, playing Danny and Ben, while Jay Ellis does fine in the role of Jason and Taylor Russell does great work with what could have easily been a very annoying character (the writing helps somewhat but Russell definitely lifts it up).

Much like the rooms that they are taking inspiration from, these puzzle horror movies depend on their puzzles. This is another area in which Escape Room works. Some of the puzzles seem very easy, some fiendishly difficult. All seem solvable, as long as the players can stay alive long enough.

Some will find this just as easy to criticise. There's a disappointing lack of bloodshed (ensuring this can reach the widest possible teen audience in various territories, I assume) and a final coda that is groan-inducingly awful. But that didn't bother me, apart from when I actually had to sit through those few minutes and moan to myself about them while they played out. Overall, I had a good time with this. I'd happily rewatch it and if they can make it into a decent franchise . . . I'm also down for that.

7/10

You can buy the movie here.
Americans can buy it here.