Showing posts with label alain chabat. Show all posts
Showing posts with label alain chabat. Show all posts

Monday, 18 August 2025

Mubi Monday: Beating Hearts (2024)

Based on a 1997 novel by Irish writer Neville Thompson, "Jackie Loves Johnser OK?", Beating Hearts is a very traditional tale of two potential lovers heading on two very different paths through life. It's so traditional that I was surprised to see so many names credited in the writing department, including director Gilles Lellouche, but maybe that was due to people helping refine the material and ensure it would all translate well enough to France, where it's set.

Things revolve around the pairing of Jackie (young version played by Mallory Wanecque, older version played by Adéle Exarchopoulos) and Clotaire (young version played by Malik Frikah, older version played by François Civil). Jackie is headstrong and smart, but generally also keeping out of trouble as she figures out what she wants to do with her life. Clotaire spends his time involved in petty crime with his friends, and things escalate to more serious robberies, resulting in a death that he is arrested and imprisoned for (despite not being the one responsible). The passing of time doesn't dull the strength of feeling that Jackie and Clotaire have for one another, but it seems that circumstances are conspiring to keep them apart. 

There are French crime thrillers that are better than this, and grittier. There are many love stories out there without the violence that this has. You have plenty to choose from. But Beating Hearts is highly watchable thanks to the style (it all looks great, and there's a vibrant soundtrack that even makes use of some John Carpenter tracks from the Escape From New York score), the structure, and the performances of the leads, both young and old. Lellouche does well with the material, but they give themselves a major boost by casting so well.

I've said recently that Exarchopoulos is one of those people I will watch in anything. That hasn't changed. She's as riveting here as she usually is, and there's a nice consistency as her performance follows on from the great turn from Wanecque. On the other hand, Civil, while he does well, has to be more sombre and worn down than the past version of himself, so charmingly portrayed by Frikah. Every one of the four leads manages to sketch an entire idea of their life lived up to that point, and the bond between Jackie and Clotaire becomes the one defining constant. Vincent Lacoste is fine as Jeffrey, a man who also ends up lovestruck by Jackie, and who benefits from being present when Clotaire cannot, and Alain Chabat is solid as Jackie's considerate and loving father.

Despite some predictability, Beating Hearts somehow manages to be both expected and unexpected. It has the occasional bursts of violence, it has the character who is only truly seen by a loved one, and there are certain debts to be paid. It also has a surprising sweetness through a number of scenes, and a genuine sense of how romance and love language can be very different for some, but no less genuine or serious. The hefty 166-minute runtime doesn't drag, and it actually feels right to give these characters the time and space to get to where we want them to go. I highly recommend this one, even if you think it's something we've already seen a hundred times over in the past few decades.

8/10

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Monday, 4 September 2023

Mubi Monday: Incredible But True (2022)

There are certain words you could use to describe writer-director Quentin Dupieux. Unoriginal isn't one of them. Nor is mundane. This is a man who has given us a movie about a sentient rubber tyre (the quite superb Rubber), a coveted deerskin jacket (Deerskin), a giant fly that others want to exploit (Mandibles), and other very odd central ideas. I still have so many of his movies to watch, and each one I finally get to just reminds me that I should prioritise his entire filmography.

Incredible But True is all about a married couple, Alain (Alain Chabat) and Marie (Léa Drucker), who are looking to buy a new home. Although unsure about the latest place they are viewing, their opinions change when they are shown an unbelievable Unique Selling Point. The house has what looks to be a ladder-accessed basement that actually takes people 12 hours into the future while reversing the ageing process by a few days. That might be enough weirdness for one movie, but there's more. It turns out that Alain's boss, Gérard (Benoît Magimel), has had his manhood replaced with a piece of impressive technology that can do everything you'd expect it to do, plus a bit more. Gérard's partner, Jeanne (Anaïs Demoustier), is very happy, but Gérard starts to fret when he feels that neither Alain nor Marie were as impressed by his revelation as he expected them to be.

Like every other film from Dupieux, the emphasis here is on the ideas beating at the heart of the movie, ideas that have much more intelligence and depth than any plot summary might signify. The writing and direction are good enough to convey the bizarre plotting, but Dupieux also knows exactly where he is taking viewers. Viewers may not necessarily realise that there's a point to it all, and they may wonder where it will all end, but Dupieux is an assured helmer, and he uses the film to explore themes of vanity, mortality, and, well, the pros and cons of having a robo-penis fitted (okay, that's the vanity again, but I wanted to write the term "robo-penis").

Chabat and Drucker do very good work in their lead roles, playing everything as straight as they have to while things start to get stranger and stranger. Magimel and Demoustier, on the other hand, get to overact slightly and lean more into the comedy of their strange predicament. One or two others move in and out of the frame, just enough to remind us that this is an unreal tale taking place in a reality akin to our own, and everyone is well-served by Dupieux's direction.

I suspect that I say this every time I review a Quentin Dupieux movie, but those who are familiar with his work will already know whether or not they want to explore more of his filmography. For those who do, like myself, then it's full of constant surprises and delight. For those who don't, well, I doubt there's any one feature that could change your mind. Incredible But True is perfectly in line with everything else he's done. I loved it.

8/10

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It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
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